When the post-apocalyptic drama Finality of Dusk has its world premiere Friday at the Red Nation Film Festival in Los Angeles, it’s a good bet co-writer and Deaf filmmaker Katarina Ziervogel will be seated near to the back of the theater.
That’s because Ziervogel and sound design supervisor Daniel Pellerin shaped the sonic landscape for the indie Canadian film with increased bass and rumble to allow Finality of Dusk to not only bridge the hearing world and the Deaf world but also to allow deaf moviegoers to feel the film vibrating through their body in their seats.
“In the sound design, the bass has been increased to amplify vibrations which can be felt more intensely if you aim to sit in the middle to the back rows inside a movie theater,” Ziervogel, who co-wrote the film with director Madison Thomas, tells The Hollywood Reporter.
She and Pellerin were...
That’s because Ziervogel and sound design supervisor Daniel Pellerin shaped the sonic landscape for the indie Canadian film with increased bass and rumble to allow Finality of Dusk to not only bridge the hearing world and the Deaf world but also to allow deaf moviegoers to feel the film vibrating through their body in their seats.
“In the sound design, the bass has been increased to amplify vibrations which can be felt more intensely if you aim to sit in the middle to the back rows inside a movie theater,” Ziervogel, who co-wrote the film with director Madison Thomas, tells The Hollywood Reporter.
She and Pellerin were...
- 11/2/2023
- by Etan Vlessing
- The Hollywood Reporter - Movie News
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