Anamaria Vartolomei, the breakout star of Audrey Diwan’s Venice prizewinning “Happening,” is under the spotlight at this year’s Cannes Film Festival playing strong women in a pair of movies, “Being Maria” and “The Count Monte Cristo.” Both movies are supported by Chanel for which Vartolomei is an ambassador.
Vartolomei says since starring in Diwan’s drama “Happening,” which was set in the 1960s and centered around the then-illegal act of abortion, she has continued being lured to demanding roles with political and social themes.
“I think movies are the expressions of my engagements as a woman, and as such I often star in films that are engaged because when you’re an actress you contribute to change and we must continue to wage this battle that other women have led before,” says Vartolomei, who was wearing a glamorous dark khaki and black silk jacquard muslin dress by Chanel.
Vartolomei says since starring in Diwan’s drama “Happening,” which was set in the 1960s and centered around the then-illegal act of abortion, she has continued being lured to demanding roles with political and social themes.
“I think movies are the expressions of my engagements as a woman, and as such I often star in films that are engaged because when you’re an actress you contribute to change and we must continue to wage this battle that other women have led before,” says Vartolomei, who was wearing a glamorous dark khaki and black silk jacquard muslin dress by Chanel.
- 5/24/2024
- by Selena Kuznikov and Elsa Keslassy
- Variety Film + TV
Debut fiction features by Romania’s Cristian Pascariu, Ukraine’s Valeria Sochyvets and Turkey’s Alkim Özmen are among 10 projects selected for Transilvania Pitch Stop (Tps) on June 20-21.
The international co-production platform takes place during the Transilvania International Film Festival in Cluj, Romania, and is part of the industry strand Ro Days.
Titles selected include Cristian Pascariu’s A Flower Is Not A Flower about an 11-year-old girl Ana who escapes from a communist Romanian orphanage into the sewers of Bucharest where she has to use her ingenuity to survive. It is a Romanian-Latvia co-production between Point Film and Riga-based Air Productions.
The international co-production platform takes place during the Transilvania International Film Festival in Cluj, Romania, and is part of the industry strand Ro Days.
Titles selected include Cristian Pascariu’s A Flower Is Not A Flower about an 11-year-old girl Ana who escapes from a communist Romanian orphanage into the sewers of Bucharest where she has to use her ingenuity to survive. It is a Romanian-Latvia co-production between Point Film and Riga-based Air Productions.
- 5/21/2024
- ScreenDaily
The new projects from two-time Palme d’Or winner Ruben Östlund (The Triangle of Sadness, The Square); Irish director Lorcan Finnegan (Vivarium and upcoming Nicolas Cage thriller The Surfer); and Polish filmmaker Agnieszka Smoczyńska, director of Letitia Wright/Tamara Lawrance-starrer The Silent Twins, will be pitching to potential backers at this year’s Cannes Investors Circle, an event organized by the Cannes film market that aims to bring together top art-house talent with producers and financiers.
The 2024 Cannes Investors Circle event, held on May 19 at the Plage des Palmes, will showcase 10 never-before-seen films in various stages of development to an exclusive group of investors and film financing experts. The projects range in budget from €1 million ($1.07 million) to more than €20 million ($21.4 million) and have been specifically curated by the market.
“The aim of the Marché du Film with the Cannes Investors Circle is to support artistically and financially
ambitious film projects,...
The 2024 Cannes Investors Circle event, held on May 19 at the Plage des Palmes, will showcase 10 never-before-seen films in various stages of development to an exclusive group of investors and film financing experts. The projects range in budget from €1 million ($1.07 million) to more than €20 million ($21.4 million) and have been specifically curated by the market.
“The aim of the Marché du Film with the Cannes Investors Circle is to support artistically and financially
ambitious film projects,...
- 4/30/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Palme d’Or winning director Ruben Östlund is among 10 directors selected to present their upcoming feature film projects at the second edition of the Cannes Marché du Film’s Investors Circle initiative.
The one-day event, taking place on May 19, is aimed at connecting elevated, international feature film projects with film financiers and high-net worth individuals with a desire to invest in cinema.
Östlund, who won the Palme d’Or for The Square and Triangle of Sadness, which was also nominated for three Oscars, will attend the event in person.
The Marché du Film did not give details of the projects being showcased, but it is likely the director will be talking about upcoming airplane disaster movie The Entertainment System is Down, which he told Deadline last year he hopes to shoot in early 2025.
Other filmmakers due in Cannes for the event include Japan’s Chie Hayakawa, whose feature film debut...
The one-day event, taking place on May 19, is aimed at connecting elevated, international feature film projects with film financiers and high-net worth individuals with a desire to invest in cinema.
Östlund, who won the Palme d’Or for The Square and Triangle of Sadness, which was also nominated for three Oscars, will attend the event in person.
The Marché du Film did not give details of the projects being showcased, but it is likely the director will be talking about upcoming airplane disaster movie The Entertainment System is Down, which he told Deadline last year he hopes to shoot in early 2025.
Other filmmakers due in Cannes for the event include Japan’s Chie Hayakawa, whose feature film debut...
- 4/30/2024
- by Melanie Goodfellow
- Deadline Film + TV
The second edition of the Cannes Market’s Investors Circle will see 10 filmmakers, including Ruben Östlund and Nadav Lapid, present their latest projects to private investors.
The directors and their lead producers will pitch their films, which range from €1-20m in budget, on May 19 at an invitation-only event in the Plage des Palmes.
Alongside Östlund and Lapid is Japanese filmmaker Chie Hayakawa, whose debut Plan 75 received a Camera d’Or special mention in 2022. Other directors include Irish filmmaker Lorcan Finnegan, who is already at the festival for Midnight Screenings title The Surfer, and Italian director Laura Samani who...
The directors and their lead producers will pitch their films, which range from €1-20m in budget, on May 19 at an invitation-only event in the Plage des Palmes.
Alongside Östlund and Lapid is Japanese filmmaker Chie Hayakawa, whose debut Plan 75 received a Camera d’Or special mention in 2022. Other directors include Irish filmmaker Lorcan Finnegan, who is already at the festival for Midnight Screenings title The Surfer, and Italian director Laura Samani who...
- 4/30/2024
- ScreenDaily
Hans Herbots, the original director, stood down because of scheduling conflicts.
Romanian filmmaker Teodora Mihai, whose La Civil screened in Cannes Un Certain Regard in 2021, will direct the feature Heysel 85, about the Heysal Stadium disaster in which 39 people died at the European football final in 1985. She takes over from original director Hans Herbots who has dropped out because of scheduling conflicts.
The project is being produced by Belgian production outfit Menuetto Films; co-founder Hans Everaert pitched the project this week at Connext, the platform where new film and TV work from Flanders and Brussels is presented to the International industry.
Romanian filmmaker Teodora Mihai, whose La Civil screened in Cannes Un Certain Regard in 2021, will direct the feature Heysel 85, about the Heysal Stadium disaster in which 39 people died at the European football final in 1985. She takes over from original director Hans Herbots who has dropped out because of scheduling conflicts.
The project is being produced by Belgian production outfit Menuetto Films; co-founder Hans Everaert pitched the project this week at Connext, the platform where new film and TV work from Flanders and Brussels is presented to the International industry.
- 10/10/2023
- by Geoffrey Macnab
- ScreenDaily
Teodora Miha imbues this harrowing tale of a mother’s search for justice with a documentarian’s gaze, in a solidly made descent into every parent’s worst nightmare
This film began life as a documentary about kidnaps for ransom, fuelled by narco violence in northern Mexico. But when cartels started following Belgian-Romanian director Teodora Mihai around she changed tack, turning her material into drama – working with Mexican scriptwriter Habacuc Antonio de Rosario. Still, the film’s nonfictional beginnings perhaps explain why Mihai tells her story not so much as a thriller but as a naturalistic-looking drama, intelligent and mostly absorbing. It’s inspired by true events, fictionalising the story of Miriam Rodríguez Martínez, a mother who hunted down the people responsible for the kidnap and murder of her 14-year-old daughter.
Arcelia Ramírez is outstanding as Cielo, a middle-aged woman whose daughter Laura goes missing. The next day a smirking,...
This film began life as a documentary about kidnaps for ransom, fuelled by narco violence in northern Mexico. But when cartels started following Belgian-Romanian director Teodora Mihai around she changed tack, turning her material into drama – working with Mexican scriptwriter Habacuc Antonio de Rosario. Still, the film’s nonfictional beginnings perhaps explain why Mihai tells her story not so much as a thriller but as a naturalistic-looking drama, intelligent and mostly absorbing. It’s inspired by true events, fictionalising the story of Miriam Rodríguez Martínez, a mother who hunted down the people responsible for the kidnap and murder of her 14-year-old daughter.
Arcelia Ramírez is outstanding as Cielo, a middle-aged woman whose daughter Laura goes missing. The next day a smirking,...
- 3/7/2022
- by Cath Clarke
- The Guardian - Film News
Following The Film Stage’s collective top 50 films of 2021, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
Two years into the pandemic, we’re still living through a collective nightmare, a cycle of crisis/reprieve/next-wave that can be so demoralizing. All the more reason, then, to be thankful for the filmmakers who soldiered on, telling stories that helped to make things feel less bad.
What a joy it was to travel through Siberia with the protagonists of Finnish director Juho Kuosmanen’s Compartment Number 6 and be reminded of the sparks of chemistry we share with random passers-by in our lives. How healing it felt to see a deep, life-changing bond develop between two strangers in Japanese filmmaker Ryūsuke Hamaguchi’s poetic Murakami adaptation Drive My Car. And bless Norwegian auteur Joachim Trier for the bittersweet ride that is The Worst Person in the World,...
Two years into the pandemic, we’re still living through a collective nightmare, a cycle of crisis/reprieve/next-wave that can be so demoralizing. All the more reason, then, to be thankful for the filmmakers who soldiered on, telling stories that helped to make things feel less bad.
What a joy it was to travel through Siberia with the protagonists of Finnish director Juho Kuosmanen’s Compartment Number 6 and be reminded of the sparks of chemistry we share with random passers-by in our lives. How healing it felt to see a deep, life-changing bond develop between two strangers in Japanese filmmaker Ryūsuke Hamaguchi’s poetic Murakami adaptation Drive My Car. And bless Norwegian auteur Joachim Trier for the bittersweet ride that is The Worst Person in the World,...
- 1/5/2022
- by Zhuo-Ning Su
- The Film Stage
Six years on, the legacy of Connext can be seen at festival awards ceremonies and in international theatrical and TV deals.
Cannes prizes, international festival plaudits and a social media thumbs up from Ricky Gervais are among the profile -raising moments enjoyed by projects that have participated in Connext, the annual film and TV showcase run by Flanders Image in Belgium.
The event serves as an export platform for film and TV drama made in Flanders and Brussels and has been mounted virtually under the banner Re>Connext for the last two years amid the Covid-19 pandemic. Despite being forced online and virtual,...
Cannes prizes, international festival plaudits and a social media thumbs up from Ricky Gervais are among the profile -raising moments enjoyed by projects that have participated in Connext, the annual film and TV showcase run by Flanders Image in Belgium.
The event serves as an export platform for film and TV drama made in Flanders and Brussels and has been mounted virtually under the banner Re>Connext for the last two years amid the Covid-19 pandemic. Despite being forced online and virtual,...
- 10/4/2021
- by Stuart Kemp
- ScreenDaily
Six years on, the legacy of Connext can be seen at festival awards ceremonies and in international theatrical and TV deals.
Cannes prizes, international festival plaudits and a social media thumbs up from Ricky Gervais are among the profile -raising moments enjoyed by projects that have participated in Connext, the annual film and TV showcase run by Flanders Image in Belgium.
The event serves as an export platform for film and TV drama made in Flanders and Brussels and has been mounted virtually under the banner Re>Connext for the last two years amid the Covid-19 pandemic. Despite being forced online and virtual,...
Cannes prizes, international festival plaudits and a social media thumbs up from Ricky Gervais are among the profile -raising moments enjoyed by projects that have participated in Connext, the annual film and TV showcase run by Flanders Image in Belgium.
The event serves as an export platform for film and TV drama made in Flanders and Brussels and has been mounted virtually under the banner Re>Connext for the last two years amid the Covid-19 pandemic. Despite being forced online and virtual,...
- 10/4/2021
- by Stuart Kemp
- ScreenDaily
Cannes' Official Selection for its 74th edition, running July 6-17.
In Competition
Annette, Leos Carax (France) - Opening Film
The Story of My Wife, Ildikó Enyedi (Hungary)
Benedetta, Paul Verhoeven (Netherlands)
Bergman Island, Mia-Hansen-Love (France)
Drive My Car, Rysuke Hamaguchi (Japan)
Ha’Berech (Ahed’s Knee), Nadav Lapid
Casablanca Beats, Nabil Ayouch (Morocco)
Compartment No. 6, Juho Kuosmanen (Finland)
The Worst Person in the World, Joachim Trier (Norway)
La Fracture, Catherine Corsini (France)
The Restless, Joachim Lafosse (Belgium)
Paris 13th District, Jacques Audiard (France)
Lingui, Mahamat-Saleh Haroun (Chad)
Memoria, Apichatpong Weerasethakul (Thailand)
Nitram, Justin Kurzel (Australia)
France, Bruno Dumont (France)
Petrov’s Flu, Kirill Serebrennikov (Russia)
Red Rocket, Sean Baker (USA)
Flag Day, Sean Penn (USA)
The French Dispatch, Wes Anderson (USA)
Titane, Julia Ducournau (France)
Tre Piani, Nanni Moretti (Italy)
Tout s'est Bien Passé, François Ozon (France)
A Hero, Asghar Farhadi (Iran)
Un Certain Regard
Moneyboys, C.B. Yi (Austria)
Blue Bayou, Justin Chon (USA)
Freda, Gessica Geneus (Haiti)
Delo (House Arrest), Alexey German Jr. (Russia)
Bonne Mere, Hafsia Herzi (France)
Noche de Fuego, Tatiana Huezo (Mexico)
Lamb, Valdimar Johansson (Iceland)
Commitment Hasan, Hasan Semih Kaplanoglu (Turkey)
After Yang, Kogonada (USA)
Let There Be Morning, Eran Kolirin (Israel)
Unclenching the Fists, Kira Kovalenko (Russia)
Women Do Cry, Mina Mileva, Vesela Kazakova (Bulgaria)
Rehana Maryam Noor, Abdullah Mohammad Saad (Bangladesh)
Great Freedom, Sebastian Meise (Austria)
La Civil, Teodora Ana Mihai (Romania / Belgium)
Gaey’s Wa’r, Na Jiazuo (China)
The Innocents, Eskil Vogt (Norway)
Un Monde, Laura Wandel (Belgium)
Out of Competition
De Son Vivant, Emmanuelle Bercot (France)
Emergency Declaration, Han Jae-Rim (Korea)
The Velvet Underground, Todd Haynes (USA)
Bac Nord, Cédric Jimenez (France)
Aline, The Voice of Love, Valérie Lemercier (France)
Stillwater, Tom McCarthy (USA)...
In Competition
Annette, Leos Carax (France) - Opening Film
The Story of My Wife, Ildikó Enyedi (Hungary)
Benedetta, Paul Verhoeven (Netherlands)
Bergman Island, Mia-Hansen-Love (France)
Drive My Car, Rysuke Hamaguchi (Japan)
Ha’Berech (Ahed’s Knee), Nadav Lapid
Casablanca Beats, Nabil Ayouch (Morocco)
Compartment No. 6, Juho Kuosmanen (Finland)
The Worst Person in the World, Joachim Trier (Norway)
La Fracture, Catherine Corsini (France)
The Restless, Joachim Lafosse (Belgium)
Paris 13th District, Jacques Audiard (France)
Lingui, Mahamat-Saleh Haroun (Chad)
Memoria, Apichatpong Weerasethakul (Thailand)
Nitram, Justin Kurzel (Australia)
France, Bruno Dumont (France)
Petrov’s Flu, Kirill Serebrennikov (Russia)
Red Rocket, Sean Baker (USA)
Flag Day, Sean Penn (USA)
The French Dispatch, Wes Anderson (USA)
Titane, Julia Ducournau (France)
Tre Piani, Nanni Moretti (Italy)
Tout s'est Bien Passé, François Ozon (France)
A Hero, Asghar Farhadi (Iran)
Un Certain Regard
Moneyboys, C.B. Yi (Austria)
Blue Bayou, Justin Chon (USA)
Freda, Gessica Geneus (Haiti)
Delo (House Arrest), Alexey German Jr. (Russia)
Bonne Mere, Hafsia Herzi (France)
Noche de Fuego, Tatiana Huezo (Mexico)
Lamb, Valdimar Johansson (Iceland)
Commitment Hasan, Hasan Semih Kaplanoglu (Turkey)
After Yang, Kogonada (USA)
Let There Be Morning, Eran Kolirin (Israel)
Unclenching the Fists, Kira Kovalenko (Russia)
Women Do Cry, Mina Mileva, Vesela Kazakova (Bulgaria)
Rehana Maryam Noor, Abdullah Mohammad Saad (Bangladesh)
Great Freedom, Sebastian Meise (Austria)
La Civil, Teodora Ana Mihai (Romania / Belgium)
Gaey’s Wa’r, Na Jiazuo (China)
The Innocents, Eskil Vogt (Norway)
Un Monde, Laura Wandel (Belgium)
Out of Competition
De Son Vivant, Emmanuelle Bercot (France)
Emergency Declaration, Han Jae-Rim (Korea)
The Velvet Underground, Todd Haynes (USA)
Bac Nord, Cédric Jimenez (France)
Aline, The Voice of Love, Valérie Lemercier (France)
Stillwater, Tom McCarthy (USA)...
- 6/3/2021
- IMDbPro News
Cannes is back in full force with the announcement of the Official Selection for the film festival’s 74th edition. Taking place in July after having been originally scheduled for May, Cannes is returning with an in-person event after the pandemic forced the festival to cancel in 2020. Spike Lee, who was supposed to head the jury and premiere his “Da 5 Bloods” out of competition last year, is returning to Cannes 2021 as jury president. Films such as Wes Anderson’s “The French Dispatch,” Leos Carax’s “Annette,” and Paul Verhoeven’s “Benedetta” were all supposed to premiere at Cannes 2020 but are now confirmed for Cannes 2021 after waiting a year to be unveiled to the world.
Given this is the first Cannes in the Covid pandemic era, there are as many questions about the event’s safety protocols as there are about the lineup. Cannes general delegate Thierry Frémaux told IndieWire...
Given this is the first Cannes in the Covid pandemic era, there are as many questions about the event’s safety protocols as there are about the lineup. Cannes general delegate Thierry Frémaux told IndieWire...
- 6/3/2021
- by Zack Sharf
- Indiewire
We watch narrative films because we want to see reflections of ourselves. But we go to documentaries to discover other worlds where, if we're lucky, we might happen upon ourselves in the process. Romanian born director Teodora Mihai's "Waiting for August" is just this sort of documentary. Mihai watches, as if through a window, as a brave 15-year-old girl cares for six siblings in Romania while their mother provides for them abroad in Italy. Shot in widescreen vérité, the film is mounted in such pictorial stillness that we forget the presence of the filmmaker. From day to day in their small social housing apartment these idiosyncratic kids go about their lives knowing that their mother will eventually return from Turin. But in the meantime teenage Georgiana must assume the role of the matriarch. This is exactly what Mihai wanted to achieve with her debut, a feature close to her...
- 10/9/2014
- by Ryan Lattanzio
- Thompson on Hollywood
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