History was made when the 2022 Primetime Emmy nominations were announced, as Chadwick Boseman (“What If…?”) and Jessica Walter (“Archer”) became the first pair of direct competitors to be recognized posthumously. They are both up for the Best Character Voice-Over Performance prize after having passed away in August 2020 and March 2021, respectively.
Walter is now the only performer to ever receive two post-death Emmy bids, having just contended in the same category last summer. Now including Boseman, the list of departed acting Emmy nominees consists of 26 entrants, four of whom were honored with wins.
The first actor to be nominated for and win an Emmy posthumously was Alice Pearce, who was awarded the Best Comedy Supporting Actress trophy for “Bewitched” two months after her death in 1966. The other three champs, all of whom triumphed for TV movie performances, are supporting players David Burns and Diana Hyland and lead Raul Julia.
Two more...
Walter is now the only performer to ever receive two post-death Emmy bids, having just contended in the same category last summer. Now including Boseman, the list of departed acting Emmy nominees consists of 26 entrants, four of whom were honored with wins.
The first actor to be nominated for and win an Emmy posthumously was Alice Pearce, who was awarded the Best Comedy Supporting Actress trophy for “Bewitched” two months after her death in 1966. The other three champs, all of whom triumphed for TV movie performances, are supporting players David Burns and Diana Hyland and lead Raul Julia.
Two more...
- 7/14/2022
- by Matthew Stewart
- Gold Derby
Paranoia strikes deep! Alan J. Pakula made The Watergate-era conspiracy creepshow in this sinister extrapolation of political trends. Warren Beatty’s investigative reporter thinks he has an inside track to expose and destroy what looks like a shadow assassination bureau. If the technology of 1974 could be made this efficient, our own Brave New World of ‘truth control’ seems even scarier. Pakula and cameraman Gordon Willis found a Panavision style that fully expresses the faceless corporate menace; the ‘Parallax Recruitment Montage’ is still the most terrifying piece of psych-out Agit-prop ever assembled.
The Parallax View
Blu-ray
The Criterion Collection 1064
1974 / Color / 2:39 widescreen / 102 min. / available through The Criterion Collection / Street Date February 9, 2021 / 39.95
Starring: Warren Beatty, Hume Cronyn, Paula Prentiss, William Daniels, Jo Ann Harris, Walter McGinn, Jim Davis, Stacy Keach Sr., Ford Rainey, Richard Bull, Kenneth Mars, Bill McKinney, Craig R. Baxley, Anthony Zerbe.
Cinematography: Gordon Willis
Film Editor: John W. Wheeler...
The Parallax View
Blu-ray
The Criterion Collection 1064
1974 / Color / 2:39 widescreen / 102 min. / available through The Criterion Collection / Street Date February 9, 2021 / 39.95
Starring: Warren Beatty, Hume Cronyn, Paula Prentiss, William Daniels, Jo Ann Harris, Walter McGinn, Jim Davis, Stacy Keach Sr., Ford Rainey, Richard Bull, Kenneth Mars, Bill McKinney, Craig R. Baxley, Anthony Zerbe.
Cinematography: Gordon Willis
Film Editor: John W. Wheeler...
- 2/9/2021
- by Glenn Erickson
- Trailers from Hell
Young Robert Redford and politics: 'The Candidate' and 'All the President's Men' (photo: Robert Redford as Bob Woodward in 'All the President's Men') A young Robert Redford can be seen The Candidate, All the President's Men, Three Days of the Condor, and Downhill Racer as Turner Classic Movies' Redford series comes to a close this evening. The world of politics is the focus of the first three films, each one of them well-regarded box-office hits. The last title, which shows that politics is part of life no matter what, is set in the world of competitive sports. 'The Candidate' In the Michael Ritichie-directed The Candidate (1972), Robert Redford plays idealistic liberal Democrat Bob McKay, who, with no chance of winning, is convinced to run against the Republican incumbent in a fight for a California seat in Congress. See, McKay is too handsome. Too young. Too liberal.
- 1/28/2015
- by Andre Soares
- Alt Film Guide
Steven Levenson's The Language of Trees, a Roundabout Underground production slated to bow Oct. 29, is at once an anti-war play and an exploration of loss. The Off-Broadway drama has gritty realistic elements and flights of fancy. But at heart, it's a family drama, recounting what happens when an American translator, Denton (Michael Hayden), volunteers to go into a Middle East war zone, despite his wife Loretta's (Natalie Gold) warnings not to. He is captured by the enemy and events spin out of control, not only for Denton but also for his family, including his 7-year-old son (Gio Perez) and an intrusive neighbor (Maggie Burke) who has her own baggage. It is a difficult play on many fronts, most pointedly in Levenson's hybrid genre. As an example, former President Clinton (Michael Warner), as a figment of the captive's imagination, makes an appearance. But it is equally daunting to stage and act in its black-box space.
- 10/22/2008
- by Simi Horwitz
- backstage.com
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