One of the most unexpected Oscar nominations this year came for a German film in the thick of the foreign-language race that managed to score love elsewhere: Caleb Deschanel’s cinematography notice for Florian Henckel von Donnersmarck’s “Never Look Away,” a three-hour epic inspired by the life of artist Gerhard Richter.
For Deschanel, a beloved industry veteran with six nominations dating back to 1983’s “The Right Stuff,” it was as much a shock to him as it was to the awards season chattering class.
“You sort of figure, ‘No chance; not enough people have seen the movie,'” Deschanel says, calling from London where he’s in the middle of production on Jon Favreau’s effects-driven remake of “The Lion King,” due out in July. “But I had so many calls from people who loved this movie.”
It’s easy to see why Deschanel’s colleagues in the cinematography branch,...
For Deschanel, a beloved industry veteran with six nominations dating back to 1983’s “The Right Stuff,” it was as much a shock to him as it was to the awards season chattering class.
“You sort of figure, ‘No chance; not enough people have seen the movie,'” Deschanel says, calling from London where he’s in the middle of production on Jon Favreau’s effects-driven remake of “The Lion King,” due out in July. “But I had so many calls from people who loved this movie.”
It’s easy to see why Deschanel’s colleagues in the cinematography branch,...
- 1/29/2019
- by Kristopher Tapley
- Variety Film + TV
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