"The Beatles' 1968 animated cult classic Yellow Submarine will be emerging from a sea of holes into the sea of green this May, when a remastered version of the film hits shelves," reports Matthew Wright at the National Post. "The original film took almost two years to make, as the production cycled through 40 animators, 140 technical artists and 14 different versions of the script. Accompanying its re-release will be a remastered soundtrack, and on April 24, a re-published version of the film's screenplay. The DVD and Blu-ray of Yellow Submarine, to include a behind-the-scenes documentary and audio commentary, will be released on May 28. The Blu-ray version will also have interviews, stickers, sketches and a 16-page essay on the film by Pixar founder John Lasseter."
In the Los Angeles Times, Randy Lewis reports that "the restoration for the 4K digital resolution was done completely by hand, frame by frame, without the use of any automated...
In the Los Angeles Times, Randy Lewis reports that "the restoration for the 4K digital resolution was done completely by hand, frame by frame, without the use of any automated...
- 3/31/2012
- MUBI
Good Bye
Like Jafar Panahi, Iranian filmmaker Mohammad Rasoulof is awaiting "execution of the verdict," a sentence of one year in jail delivered in December 2010. Unlike Panahi, whose sentence is six years, Rasoulof is free to travel in the meantime, a luxury — or, as many would see it, a right — denied Panahi for, foreseeably, 20 years. Rasoulof is currently a jury member at the Fribourg International Film Festival, running through Saturday, which has given Regula Fuchs an opportunity to interview him for the Swiss Tages-Anzeiger (thanks to Film-Zeit for the tip).
Fuchs first asks about the potential impact of the Oscar for Asghar Farhadi's A Separation on the Iranian film scene. Rasoulof: "The authorities see this Oscar as a confirmation of their policies toward filmmakers: By exercising their influence on Iranian cinema, they've made this foreign award possible."
On how one goes about making a film in Iran these days:...
Like Jafar Panahi, Iranian filmmaker Mohammad Rasoulof is awaiting "execution of the verdict," a sentence of one year in jail delivered in December 2010. Unlike Panahi, whose sentence is six years, Rasoulof is free to travel in the meantime, a luxury — or, as many would see it, a right — denied Panahi for, foreseeably, 20 years. Rasoulof is currently a jury member at the Fribourg International Film Festival, running through Saturday, which has given Regula Fuchs an opportunity to interview him for the Swiss Tages-Anzeiger (thanks to Film-Zeit for the tip).
Fuchs first asks about the potential impact of the Oscar for Asghar Farhadi's A Separation on the Iranian film scene. Rasoulof: "The authorities see this Oscar as a confirmation of their policies toward filmmakers: By exercising their influence on Iranian cinema, they've made this foreign award possible."
On how one goes about making a film in Iran these days:...
- 3/29/2012
- MUBI
It's an annual event as well as a browse that could suck up an entire weekend: Senses of Cinema's worldwide poll of… well, they're not all critics, so let's just call them friends of cinema. You'll want to scroll up and down the whole thing, but take a look, too, at the best of 2011 according to Notebook editor Daniel Kasman and contributors Celluloid Liberation Front, Christoph Huber, Olaf Möller and Dan Sallitt as well as a major presence here in the Forum and elsewhere, David Ehrenstein.
London. This is the year we'll be seeing the results of Sight & Sound's poll of more friends of cinema regarding the greatest films of all time. It happens only once every ten years and in the magazine's pages, Graham Fuller argues a mighty case for the return of Jean Vigo's L'Atalante (1934) to the top ten. The film's opening today for an extended run at BFI Southbank,...
London. This is the year we'll be seeing the results of Sight & Sound's poll of more friends of cinema regarding the greatest films of all time. It happens only once every ten years and in the magazine's pages, Graham Fuller argues a mighty case for the return of Jean Vigo's L'Atalante (1934) to the top ten. The film's opening today for an extended run at BFI Southbank,...
- 1/20/2012
- MUBI
• Before revealing that he is sticking with "The Hurt Locker" for the best picture Oscar, Dave Karger recaps the derby parallels between that film and "Brokeback Mountain" four years ago: "'Brokeback' managed the rare feat of winning Best Picture and Best Director at both the New York and Los Angeles film critics awards; so did 'Hurt Locker.' 'Brokeback' also picked up those two big prizes at the Broadcast Film Critics Awards; so did 'Hurt Locker.' 'Brokeback' won the trifecta of PGA, DGA, and WGA trophies; so did 'Hurt Locker. 'Brokeback' won 4 BAFTAs, including Best Film, Director, and Screenplay; 'Hurt Locker' picked up 6 awards, including Best Film, Director, and Screenplay. And of course, 'Brokeback' lost the SAG cast award, and so did 'Hurt Locker.' (The main difference between the two films’ tallies is that 'Brokeback' did win four Globes, including Best Drama and Best Director, while 'Hurt Locker'...
- 2/24/2010
- by tomoneil
- Gold Derby
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