Hi, Barbie! Great news: Greta Gerwig’s film based on the iconic Mattel doll leads the 14th annual Guild of Music Supervisors Awards nominations with three nods – including best song for both Billie Eilish’s “What Was I Made For?” and Ryan Gosling’s “I’m Just Ken.”
“Barbie’s” third nomination was in best music supervision for a film budgeted over $25 million. The category recognized the work of music supervisor George Drakoulias, songwriters Eilish and Finneas and Mark Ronson and Andrew Wyatt who penned “I’m Just Ken.”
Other film contenders are the music supervisors from “Maestro,” “Saltburn,” “Spider-Man: Across the Spider-Verse,” “Past Lives,” “Wonka,” “Air” among others.
Top TV contenders include the music supervisors from “Daisy Jones & The Six,” “The White Lotus,” “Welcome to Chippendales” and “Yellowjackets.”
The Guild of Music Supervisors is a non-profit organization that was founded in 2010 with the “goal of preserving and promoting the...
“Barbie’s” third nomination was in best music supervision for a film budgeted over $25 million. The category recognized the work of music supervisor George Drakoulias, songwriters Eilish and Finneas and Mark Ronson and Andrew Wyatt who penned “I’m Just Ken.”
Other film contenders are the music supervisors from “Maestro,” “Saltburn,” “Spider-Man: Across the Spider-Verse,” “Past Lives,” “Wonka,” “Air” among others.
Top TV contenders include the music supervisors from “Daisy Jones & The Six,” “The White Lotus,” “Welcome to Chippendales” and “Yellowjackets.”
The Guild of Music Supervisors is a non-profit organization that was founded in 2010 with the “goal of preserving and promoting the...
- 1/22/2024
- by Diego Ramos Bechara
- Variety Film + TV
Barbie is the most nominated film for the 2024 Guild of Music Supervisors Awards, landing three nominations, including two in the best song for film category for “What Was I Made For?” and “I’m Just Ken.”
Barbie is nominated for best music supervision for film budgeted over $25 million and scored two nods for best song written and/or recorded for a film for Billie Eilish and Finneas’ “What Was I Made For?” and Mark Ronson and Andrew Wyatt’s “I’m Just Ken,” performed by Ryan Gosling.
The music supervisors with the most individual nominations are Mike Ladman and Mara Techam, each with five nominations, whose work in advertising includes collaborations with brands like Levis, The New York Times, Hennessy and others.
The 14th annual Guild of Music Supervisors Awards are set to take place in-person and virtually at Los Angeles’ Wiltern Theatre on Sunday, March 3.
A full list of nominees follows.
Barbie is nominated for best music supervision for film budgeted over $25 million and scored two nods for best song written and/or recorded for a film for Billie Eilish and Finneas’ “What Was I Made For?” and Mark Ronson and Andrew Wyatt’s “I’m Just Ken,” performed by Ryan Gosling.
The music supervisors with the most individual nominations are Mike Ladman and Mara Techam, each with five nominations, whose work in advertising includes collaborations with brands like Levis, The New York Times, Hennessy and others.
The 14th annual Guild of Music Supervisors Awards are set to take place in-person and virtually at Los Angeles’ Wiltern Theatre on Sunday, March 3.
A full list of nominees follows.
- 1/22/2024
- by Hilary Lewis
- The Hollywood Reporter - Movie News
For music supervisor Ed Bailie, working on Steve McQueen‘s five-part anthology “Small Axe” was “the equivalent of working on five features.” Instead of a single overarching narrative in a film or a TV series, this presented the challenge of “individual tales, each with their own musical identity rooted within an overarching concept that Steve was getting across.” Watch our exclusive video interview with Bailie above.
The five films tell different stories, but all of them explore the experiences of West Indian immigrants living in the UK in the 1970s and 1980s, from the true story of Black protestors railroaded by the police and the justice system in “Mangrove” to a fictional account of a joyous house party in “Lovers Rock.” A lot of the music had already “been written into the script,” Bailie says, which “for us as music supervisors — for myself and my colleague Abi Leland — was a...
The five films tell different stories, but all of them explore the experiences of West Indian immigrants living in the UK in the 1970s and 1980s, from the true story of Black protestors railroaded by the police and the justice system in “Mangrove” to a fictional account of a joyous house party in “Lovers Rock.” A lot of the music had already “been written into the script,” Bailie says, which “for us as music supervisors — for myself and my colleague Abi Leland — was a...
- 6/2/2021
- by Daniel Montgomery
- Gold Derby
Exclusive: Non-profit organisation to support music supervision across entertainment industries.
The UK & European Guild of Music Supervisors, which aims to raise awareness of the role of the music supervisor within the entertainment industries, launched today.
The non-profit organisation was announced by its president Iain Cooke [pictured], music supervisor on Amy and The Night Manager.
The newly established organisation will promote the craft of music supervision within the film, television, gaming, advertising, interactive media and theatre sectors.
It is independent of its counterpart in the Us but the two will collaborate on issues related to the worldwide industry.
The Guild, which launches at an event on Thursday, 6 April, at Metropolis Studios in London, will be open to emerging and experienced professionals and will offer networking opportunities and masterclasses.
Full membership requires four years-experience as a music supervisor. Associate membership will be reviewed on a case-by-case basis.
A professional music supervisor oversees all music related aspects of a production. This includes:...
The UK & European Guild of Music Supervisors, which aims to raise awareness of the role of the music supervisor within the entertainment industries, launched today.
The non-profit organisation was announced by its president Iain Cooke [pictured], music supervisor on Amy and The Night Manager.
The newly established organisation will promote the craft of music supervision within the film, television, gaming, advertising, interactive media and theatre sectors.
It is independent of its counterpart in the Us but the two will collaborate on issues related to the worldwide industry.
The Guild, which launches at an event on Thursday, 6 April, at Metropolis Studios in London, will be open to emerging and experienced professionals and will offer networking opportunities and masterclasses.
Full membership requires four years-experience as a music supervisor. Associate membership will be reviewed on a case-by-case basis.
A professional music supervisor oversees all music related aspects of a production. This includes:...
- 4/4/2017
- by orlando.parfitt@screendaily.com (Orlando Parfitt)
- ScreenDaily
Winners announced at the 2014 Music+Sound Awards.
Comedy Alan Partridge: Alpha Papa picked up a top prize at the third Music+Sound Awards last night at the Troxy cinema in London.
The scene, in which Partridge (Steve Coogan) sings along to Roachford’s Cuddly Toy, won Best Sync / Use of Existing Music: Feature Film Soundtrack.
The award for Best Original Competition: Short Film Score went to Graham Hadfield for his work on sci-fi short Orbit Ever After.
The awards recognise and celebrate the role that music and sound design play in UK visual media. More than 50 industry figures including James Bond composer David Arnold and music supervisors Liz Gallacher of Velvet Ears (Elysium) and Abi Leland of Leland Music (Touching The Void, Last King of Scotland) selected the line-up of finalists.
Click here for the full list of winners.
Comedy Alan Partridge: Alpha Papa picked up a top prize at the third Music+Sound Awards last night at the Troxy cinema in London.
The scene, in which Partridge (Steve Coogan) sings along to Roachford’s Cuddly Toy, won Best Sync / Use of Existing Music: Feature Film Soundtrack.
The award for Best Original Competition: Short Film Score went to Graham Hadfield for his work on sci-fi short Orbit Ever After.
The awards recognise and celebrate the role that music and sound design play in UK visual media. More than 50 industry figures including James Bond composer David Arnold and music supervisors Liz Gallacher of Velvet Ears (Elysium) and Abi Leland of Leland Music (Touching The Void, Last King of Scotland) selected the line-up of finalists.
Click here for the full list of winners.
- 2/28/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Finalists for the music and sound design awards also include The World’s End, The Crash Reel and I Am Nasrine.
The official list of finalists has been released for the third Music+Sound Awards. The awards recognise and celebrate the role that music and sound design play in UK visual media.
More than 50 industry figures including James Bond composer David Arnold and music supervisors Liz Gallacher of Velvet Ears (Elysium) and Abi Leland of Leland Music (Touching The Void, Last King of Scotland) selected the line-up of finalists.
A full list, including all credits, can be viewed at www.masawards.com/uk
Awards will be presented for Best Original Composition, Best Sound Design and Best Use of Existing Music in film at a ceremony on Feb 27 at the Troxy cinema in London.
Acts performing on the night include comedian Rob Deering, band The Family Rain and DJ David Holmes.
The official list of finalists has been released for the third Music+Sound Awards. The awards recognise and celebrate the role that music and sound design play in UK visual media.
More than 50 industry figures including James Bond composer David Arnold and music supervisors Liz Gallacher of Velvet Ears (Elysium) and Abi Leland of Leland Music (Touching The Void, Last King of Scotland) selected the line-up of finalists.
A full list, including all credits, can be viewed at www.masawards.com/uk
Awards will be presented for Best Original Composition, Best Sound Design and Best Use of Existing Music in film at a ceremony on Feb 27 at the Troxy cinema in London.
Acts performing on the night include comedian Rob Deering, band The Family Rain and DJ David Holmes.
- 2/18/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
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