Vinegar Syndrome just put a Massive lineup of new releases up for grabs this afternoon, making one thing crystal clear: in the horror world, physical media is alive & well in 2024!
First up, Vinegar Syndrome’s March 2024 lineup includes the 4K Uhd debut of the landmark horror anthology and Amicus classic, Dr. Terror’s House of Horrors from 1965.
The March package also includes Specters (1987), Singapore Sling (1990), Story of a Junkie (1985), and Goin’ South (1978), while Nightbeast (1982) gets a VHS release.
Vinegar Syndrome further details, “We’re getting in the Halloween spirit 7 months early with the 4K Uhd debut of director Freddie Francis’ landmark horror anthology and Amicus classic, Dr. Terror’s House of Horrors (1965), newly and exclusively restored by Vs from its 35mm camera negative and overflowing with an array of archival interviews and other exciting extras. Moving two decades on, we’ve paired a duo of devilish supernatural horrors from director Marcello Avallone...
First up, Vinegar Syndrome’s March 2024 lineup includes the 4K Uhd debut of the landmark horror anthology and Amicus classic, Dr. Terror’s House of Horrors from 1965.
The March package also includes Specters (1987), Singapore Sling (1990), Story of a Junkie (1985), and Goin’ South (1978), while Nightbeast (1982) gets a VHS release.
Vinegar Syndrome further details, “We’re getting in the Halloween spirit 7 months early with the 4K Uhd debut of director Freddie Francis’ landmark horror anthology and Amicus classic, Dr. Terror’s House of Horrors (1965), newly and exclusively restored by Vs from its 35mm camera negative and overflowing with an array of archival interviews and other exciting extras. Moving two decades on, we’ve paired a duo of devilish supernatural horrors from director Marcello Avallone...
- 3/1/2024
- by John Squires
- bloody-disgusting.com
It’s not a coincidence that Volker Schlöndorff’s latest film The Forest Maker, the environmental essay documentary about Australian agronomist Tony Rinaudo, who found a way to grow trees in the most barren areas of Africa, is opening the 27th Sofia International Film Festival kicking off Thursday in the Bulgarian capital.
One of the major film festivals in Eastern Europe is going green, and the veteran German filmmaker, winner of the Palme d’Or and what was then called the best foreign language Oscar for The Tin Drum (1979), will plant the first tree of the future Sofia Film Festival Forest.
“We wanted to remind ourselves of our deep connection to the land and our power to be agents of change together. We wish to engage the public in the global vision of sustainable development of society and a responsible attitude towards nature”, the festival organizers said about the green...
One of the major film festivals in Eastern Europe is going green, and the veteran German filmmaker, winner of the Palme d’Or and what was then called the best foreign language Oscar for The Tin Drum (1979), will plant the first tree of the future Sofia Film Festival Forest.
“We wanted to remind ourselves of our deep connection to the land and our power to be agents of change together. We wish to engage the public in the global vision of sustainable development of society and a responsible attitude towards nature”, the festival organizers said about the green...
- 3/16/2023
- by Stjepan Hundic
- The Hollywood Reporter - Movie News
Festival unveils competition titles for 2021 edition.
FIDMarseille has unveiled the full line-up for its 2021 edition (July 19-25), which includes a retrospective and honorary award for Thai filmmaker Apichatpong Weerasethakul.
The acclaimed writer/director, who won the Palme d’Or at Cannes in 2010 with Uncle Boonmee Who Can Recall His Past Lives, will attend the festival in France to accept the Grand Prix d’Honneur, introduce several screenings from throughout his career and present a masterclass.
Weerasethakul’s latest feature, Memoria starring Tilda Swinton, is set to play in Competition at Cannes Film Festival and his visit to Marseille will come after that premiere.
FIDMarseille has unveiled the full line-up for its 2021 edition (July 19-25), which includes a retrospective and honorary award for Thai filmmaker Apichatpong Weerasethakul.
The acclaimed writer/director, who won the Palme d’Or at Cannes in 2010 with Uncle Boonmee Who Can Recall His Past Lives, will attend the festival in France to accept the Grand Prix d’Honneur, introduce several screenings from throughout his career and present a masterclass.
Weerasethakul’s latest feature, Memoria starring Tilda Swinton, is set to play in Competition at Cannes Film Festival and his visit to Marseille will come after that premiere.
- 6/24/2021
- by Michael Rosser
- ScreenDaily
Reflecting the big issues examined in this year’s film lineup, the Copenhagen Documentary Film Festival’s (Cph:dox) industry section likewise grapples with such major topics as climate change, biodiversity and the tectonic shifts being felt far and wide in the global political and economic order.
The industry sidebar comprises the Forum financing and co-production event; the Conference series; the on-demand Market screening platform; the Lab talent development program; the Hub meeting and networking event; the educational Talents initiative; and the new Inter:Active Symposium, which focuses on new media.
Forum will present 35 selected co-production projects in various stages. While the projects can be in any stage of development, they have to officially launch at the Forum and not have participated in previous pitching events.
“In terms of the curation or how we select, the overall curation of the festival also counts for what we do in the industry department – it...
The industry sidebar comprises the Forum financing and co-production event; the Conference series; the on-demand Market screening platform; the Lab talent development program; the Hub meeting and networking event; the educational Talents initiative; and the new Inter:Active Symposium, which focuses on new media.
Forum will present 35 selected co-production projects in various stages. While the projects can be in any stage of development, they have to officially launch at the Forum and not have participated in previous pitching events.
“In terms of the curation or how we select, the overall curation of the festival also counts for what we do in the industry department – it...
- 4/20/2021
- by Ed Meza
- Variety Film + TV
The line-up includes new films by Lech Kowalski, Lucy Walker, Mads Brügger, Jørgen Leth, Alisa Kovalenko, Sophie Fiennes, Radu Ciorniciuc, Margreth Olin and Eugene Jarecki. Cph:forum, the international financing and co-production event for creative documentaries, part of the leading Nordic documentary festival Cph:dox, has announced the 35 international projects that have been selected for this year's edition, plus another eight Nordic works in progress that will be presented in the Cph:wip section. Out of 422 submissions, Cph:forum picked projects by 43 filmmakers hailing from 27 countries. 46% of the directors are women, 43% are men, and the remaining 11% are co-directing teams of men and women. 34% of the stories are told by filmmakers of colour. The line-up includes new works from established and prominent filmmakers, such as Lech Kowalski's A Little Story About an Immeasurable Problem, Jørgen Leth and Andreas Koefoed's Cold & Warm, Mads Brügger's Double Trouble, Alisa...
In today’s Global Bulletin, Rtl Group buys out Disney’s share in Super Rtl, Japanese streaming service Meecha prepares to launch later this month and Cph:dox announces its 2021 Forum titles.
Buyout
Pan-European media giant Rtl Group’s largest business unit, Mediengruppe Rtl Deutschland, has closed an agreement with The Walt Disney Company’s Bvi Television Investments for complete ownership of German kids and family network Super Rtl, buying out the House of Mouse’s 50% share and raising Rtl’s shareholding to 100%. The transaction is now waiting for approval from the German and Austrian competition authorities.
According to Rtl, the acquisition is part of the company’s larger growth plan for its Rtl streaming platform TV Now and its strategy to consolidate its existing broadcast footprint in Europe. The deal is a further step down a path which has seen the company’s French broadcasting business M6 acquire kid’s...
Buyout
Pan-European media giant Rtl Group’s largest business unit, Mediengruppe Rtl Deutschland, has closed an agreement with The Walt Disney Company’s Bvi Television Investments for complete ownership of German kids and family network Super Rtl, buying out the House of Mouse’s 50% share and raising Rtl’s shareholding to 100%. The transaction is now waiting for approval from the German and Austrian competition authorities.
According to Rtl, the acquisition is part of the company’s larger growth plan for its Rtl streaming platform TV Now and its strategy to consolidate its existing broadcast footprint in Europe. The deal is a further step down a path which has seen the company’s French broadcasting business M6 acquire kid’s...
- 3/3/2021
- by Jamie Lang
- Variety Film + TV
Line-up also includes the new project from two-time Oscar nominee Lucy Walker.
Danish documentary festival Cph:dox has revealed the 35 projects set to be presented at Cph:forum, its financing and co-production event that will take place online-only from April 26-30.
Scroll down for full list of titles
The selection includes new projects from two-time Oscar nominee Lucy Walker (Waste Land), Sundance winners Mads Brügger (Cold Case Hammarskjöld) and Eugene Jarecki (The House I Live In), Berlin Crystal Bear winner Geneviève Dulude-De Celle (A Colony) and Venice Horizons winner Lech Kowalski (East Of Paradise).
Further notable filmmakers include Radu Ciorniciuc, whose Acasa,...
Danish documentary festival Cph:dox has revealed the 35 projects set to be presented at Cph:forum, its financing and co-production event that will take place online-only from April 26-30.
Scroll down for full list of titles
The selection includes new projects from two-time Oscar nominee Lucy Walker (Waste Land), Sundance winners Mads Brügger (Cold Case Hammarskjöld) and Eugene Jarecki (The House I Live In), Berlin Crystal Bear winner Geneviève Dulude-De Celle (A Colony) and Venice Horizons winner Lech Kowalski (East Of Paradise).
Further notable filmmakers include Radu Ciorniciuc, whose Acasa,...
- 3/3/2021
- by Michael Rosser
- ScreenDaily
Full list of winners revealed.
Carolina Moscoso’s Night Shot has won the Grand Prix at the Marseille International Film Festival (FIDMarseille).
The Chilean film marks Moscoco’s debut feature and uses text, candid footage, animation and sound design to confront her past trauma: a violent rape that occurred eight years previously when she was a film student. It was produced by Santiago-based El Espino Films.
Scroll down for full list of winners
The feature received its international premiere at the festival that ran from July 22-26 in southern France. It was the first physical film event of its kind...
Carolina Moscoso’s Night Shot has won the Grand Prix at the Marseille International Film Festival (FIDMarseille).
The Chilean film marks Moscoco’s debut feature and uses text, candid footage, animation and sound design to confront her past trauma: a violent rape that occurred eight years previously when she was a film student. It was produced by Santiago-based El Espino Films.
Scroll down for full list of winners
The feature received its international premiere at the festival that ran from July 22-26 in southern France. It was the first physical film event of its kind...
- 7/27/2020
- by 1100453¦Michael Rosser¦9¦
- ScreenDaily
The French film festival opens on July 22.
There is a film festival going ahead in the south of France this summer - and it’s not Cannes.
FIDMarseille is breaking new ground this year simply by taking place. The festival opens tonight, Wednesday July 22, and is running until Sunday July 26. It is the first proper physical film event of its kind, certainly in Europe, since the coronavirus pandemic began.
As Jean-Pierre Rehm, executive officer of the festival, explains staging it has been a huge challenge. “We thought first of cancelling,” Rehm recalls. “Then we thought of going online. Then, when...
There is a film festival going ahead in the south of France this summer - and it’s not Cannes.
FIDMarseille is breaking new ground this year simply by taking place. The festival opens tonight, Wednesday July 22, and is running until Sunday July 26. It is the first proper physical film event of its kind, certainly in Europe, since the coronavirus pandemic began.
As Jean-Pierre Rehm, executive officer of the festival, explains staging it has been a huge challenge. “We thought first of cancelling,” Rehm recalls. “Then we thought of going online. Then, when...
- 7/22/2020
- by 57¦Geoffrey Macnab¦41¦
- ScreenDaily
Sheffield Doc/Fest, the U.K.’s leading documentary festival, has unveiled its 2020 selection, with a line-up of 115 films, including 31 world premieres.
Due to coronavirus, this year’s festival is largely taking place online. The June event is also extending its activities throughout the rest of the year both in Sheffield and virtually.
The festival is launching a VOD platform, Sheffield Doc/Fest Selects, on June 10 with pay-per-view and subscription options for U.K.-based public audiences including Q&As with filmmakers.
The Doc/Player, a film industry-oriented video library, is also being made available to festival passholders globally from today to August 31.
The festival is also organising weekend screenings in Sheffield cinemas in October – November.
In addition, Doc/Fest has partnered with BFI Player, Doc Alliance Films, The Guardian, and Mubi which will host its curated programmes at various points between July and November.
As announced previously, Sheffield Doc...
Due to coronavirus, this year’s festival is largely taking place online. The June event is also extending its activities throughout the rest of the year both in Sheffield and virtually.
The festival is launching a VOD platform, Sheffield Doc/Fest Selects, on June 10 with pay-per-view and subscription options for U.K.-based public audiences including Q&As with filmmakers.
The Doc/Player, a film industry-oriented video library, is also being made available to festival passholders globally from today to August 31.
The festival is also organising weekend screenings in Sheffield cinemas in October – November.
In addition, Doc/Fest has partnered with BFI Player, Doc Alliance Films, The Guardian, and Mubi which will host its curated programmes at various points between July and November.
As announced previously, Sheffield Doc...
- 6/8/2020
- by Tim Dams
- Variety Film + TV
Those who liked last year’s Cannes competition film At War, where Vincent Lindon played a union leader shepherding a long and increasingly desperate strike against factory management, should definitely check out Lech Kowalski’s fly-on-the-wall documentary Blow It to Bits (On va tout peter), which is a searing real-life version of the same story.
Chronicling the tireless, and often fruitless, efforts of French auto workers fighting to hold on to their jobs before their company is either liquidated or severely scaled down, the film offers up a powerful glimpse of protest from the inside, revealing the debilitating effects of a long-term ...
Chronicling the tireless, and often fruitless, efforts of French auto workers fighting to hold on to their jobs before their company is either liquidated or severely scaled down, the film offers up a powerful glimpse of protest from the inside, revealing the debilitating effects of a long-term ...
- 5/16/2019
- The Hollywood Reporter - Film + TV
Those who liked last year’s Cannes competition film At War, where Vincent Lindon played a union leader shepherding a long and increasingly desperate strike against factory management, should definitely check out Lech Kowalski’s fly-on-the-wall documentary Blow It to Bits (On va tout peter), which is a searing real-life version of the same story.
Chronicling the tireless, and often fruitless, efforts of French auto workers fighting to hold on to their jobs before their company is either liquidated or severely scaled down, the film offers up a powerful glimpse of protest from the inside, revealing the debilitating effects of a long-term ...
Chronicling the tireless, and often fruitless, efforts of French auto workers fighting to hold on to their jobs before their company is either liquidated or severely scaled down, the film offers up a powerful glimpse of protest from the inside, revealing the debilitating effects of a long-term ...
- 5/16/2019
- The Hollywood Reporter - Movie News
The lineup for the 2019 Directors' Fortnight (Quinzaine des Réalisateurs) at Cannes has been announced. See also the full lineups of the Official Selection, Critics’ Week and Acid programme.Opening Film:Deerskin (Quentin Dupieux): A man who becomes obsessed with owning the designer deerskin jacket of his dreams. This obsession will lead him to turn his back on his humdrum life in the suburbs, blow his life savings and even turn him to crime.Closing Film:Yves (Benoît Forgeard): Jerem moved to his grandmother's house to compose a rap record. He meets So, a mysterious investigator on behalf of the start-up Digital Cool, who persuades him to take the test Yves, a smart refrigerator, supposed to simplify his life. Gradually, the fridge will win the friendship of Jerem, to make him a star by becoming his ghost writer.
Feature Films Alice and the Mayor (Nicolas Pariser): The mayor of Lyon,...
Feature Films Alice and the Mayor (Nicolas Pariser): The mayor of Lyon,...
- 4/24/2019
- MUBI
Following the first batches of Cannes Film Festival lineup announcements, the slate has now been unveiled for the sidebar Directors’ Fortnight. Once again a stellar-looking lineup, it includes Robert Eggers’ The Witch follow-up The Lighthouse, starring Willem Dafoe and Robert Pattinson, Bertrand Bonello’s Zombi Child, plus new films from Takashi Miike, Lav Diaz, Bas Devo, and Rebecca Zlotowski (pictured above).
There’s also two Sundance films we’ve already reviewed: Wounds and Give Me Liberty. Premiering as a Special Screening is Luca Guadagnino’s new short The Staggering Girl starring Julianne Moore, Mia Goth, KiKi Layne, Alba Rohrwacher, Marthe Keller, and Kyle MacLachlan. See the lineup below, along with the Acid slate.
Directors’ Fortnight Lineup
Feature Films
Deerskin (Quentin Dupieux) – Opening Film
Yves (Benoît Forgeard) – Closing
Alice and the Mayor (Nicolas Pariser)
And Then We Danced (Levan Akin)
The Halt (Lav Diaz)
Dogs Don’t Wear Pants (Jukka-Pekka Valkeapää...
There’s also two Sundance films we’ve already reviewed: Wounds and Give Me Liberty. Premiering as a Special Screening is Luca Guadagnino’s new short The Staggering Girl starring Julianne Moore, Mia Goth, KiKi Layne, Alba Rohrwacher, Marthe Keller, and Kyle MacLachlan. See the lineup below, along with the Acid slate.
Directors’ Fortnight Lineup
Feature Films
Deerskin (Quentin Dupieux) – Opening Film
Yves (Benoît Forgeard) – Closing
Alice and the Mayor (Nicolas Pariser)
And Then We Danced (Levan Akin)
The Halt (Lav Diaz)
Dogs Don’t Wear Pants (Jukka-Pekka Valkeapää...
- 4/23/2019
- by Jordan Raup
- The Film Stage
The 2019 Driectors’ Fortnight lineup has been revealed, bringing with it new works from “The Witch” director Robert Eggers, Bertrand Bonello, Rebecca Zlotowski, and Takashi Miike. Fortnight is closely associated with the Cannes Film Festival although it is technically its own event that runs parallel to Cannes. Fortnight is celebrating its 51st year in 2019. The festival sidebar has been a launching pad for directors such as Spike Lee, Jim Jarmsuch, and more over the years.
One of the biggest titles set to world premiere is “The Lighthouse,” writer-director Eggers’ first feature since his Sundance horror breakout “The Witch.” For his latest directorial effort, Eggers has cast Robert Pattinson and Willem Dafoe for a fantasy horror based on old seafarer myths. The movie was shot in black and white and is backed by A24, who picked up last year’s Directors’ Fortnight favorite “Climax.” Another high profile premiere is “The Staggering Girl,...
One of the biggest titles set to world premiere is “The Lighthouse,” writer-director Eggers’ first feature since his Sundance horror breakout “The Witch.” For his latest directorial effort, Eggers has cast Robert Pattinson and Willem Dafoe for a fantasy horror based on old seafarer myths. The movie was shot in black and white and is backed by A24, who picked up last year’s Directors’ Fortnight favorite “Climax.” Another high profile premiere is “The Staggering Girl,...
- 4/23/2019
- by Zack Sharf
- Indiewire
Robert Eggers’ anticipated “The Lighthouse” with Robert Pattinson and Willem Dafoe, Luca Guadagnino’s medium-length film “The Staggering Girl” and Japanese helmer Takashi Miike’s “First Love” are set to unspool at Cannes’ Directors’ Fortnight under the new leadership of Paolo Moretti.
Described by Moretti as a “hypnotic two-hander” powered by Pattinson and Dafoe, “The Lighthouse” is a fantasy horror film set in a mysterious island in New England at the end of the 19th century. Eggers previously directed “The Witch.”
As with Cannes’ official selection, Directors’ Fortnight will showcase a wide range of genre movies. Besides “The Lighthouse,” the other anticipated genre films set for Directors’ Fortnight include Bertrand Bonello’s “Zombi Child,” about the Haitian Clairvius Narcisse, victim of a voodoo; Miike’s “First Love”; Babak Anvari’s “Wounds,” with Armie Hammer and Dakota Johnson; and Tunisian helmer Ala Eddine Slim’s “Tlamess.”
Moretti, who took over from...
Described by Moretti as a “hypnotic two-hander” powered by Pattinson and Dafoe, “The Lighthouse” is a fantasy horror film set in a mysterious island in New England at the end of the 19th century. Eggers previously directed “The Witch.”
As with Cannes’ official selection, Directors’ Fortnight will showcase a wide range of genre movies. Besides “The Lighthouse,” the other anticipated genre films set for Directors’ Fortnight include Bertrand Bonello’s “Zombi Child,” about the Haitian Clairvius Narcisse, victim of a voodoo; Miike’s “First Love”; Babak Anvari’s “Wounds,” with Armie Hammer and Dakota Johnson; and Tunisian helmer Ala Eddine Slim’s “Tlamess.”
Moretti, who took over from...
- 4/23/2019
- by Elsa Keslassy
- Variety Film + TV
New films from Lav Diaz, Bertrand Bonello, Johnny Ma, Takashi Miike, Rebecca Zlotowski and nearly two dozen other directors have been chosen for the 2019 lineup of Directors’ Fortnight, an independent section that runs concurrently with the Cannes Film Festival.
The lineup brings 16 directors to Cannes for the first time, according to Directors’ Fortnight organizers.
Seven of the films are from France and three from the United States. Those three are Babak Anvari’s “Wounds,” Robert Egger’s “The Lighthouse” and Kirill Mikhanovsky’s “Give Me Liberty.”
Also Read: Cannes Debuts Childcare and Breastfeeding Stations for Working Parents
Additional countries represented in the selection include Belgium, Finland, Switzerland, Denmark, China, Japan, the Philippines, Tunisia, Brazil, Argentina and Peru.
“The Staggering Girl,” a short film from “Call Me by Your Name” director Luca Guadagnino, will also screen as part of the sidebar.
Additional short films are listed on the Directors’ Fortnight website.
The lineup brings 16 directors to Cannes for the first time, according to Directors’ Fortnight organizers.
Seven of the films are from France and three from the United States. Those three are Babak Anvari’s “Wounds,” Robert Egger’s “The Lighthouse” and Kirill Mikhanovsky’s “Give Me Liberty.”
Also Read: Cannes Debuts Childcare and Breastfeeding Stations for Working Parents
Additional countries represented in the selection include Belgium, Finland, Switzerland, Denmark, China, Japan, the Philippines, Tunisia, Brazil, Argentina and Peru.
“The Staggering Girl,” a short film from “Call Me by Your Name” director Luca Guadagnino, will also screen as part of the sidebar.
Additional short films are listed on the Directors’ Fortnight website.
- 4/23/2019
- by Steve Pond
- The Wrap
The prestigious Directors’ Fortnight, which runs parallel to the Cannes Film Festival, has revealed an intriguing lineup which includes Robert Eggers’ (The Witch) Robert Pattinson and Willem Dafoe drama The Lighthouse, Takashi Miike’s latest feature and Netflix film Wounds, whose inclusion is sure to raise eyebrows due to the ongoing dispute between the streamer and the Cannes Film Festival proper. Scroll down for the lineup in full.
This is the first year at the helm for the section’s new artistic director Paolo Moretti and in keeping with the strand’s history his first lineup is largely made up of emerging directors. The strand will open with French comedy Deerskin, starring Jean Dujardin (The Artist) and Adèle Haenel (Bpm), and it will award its Carrosse d’Or career award to U.S. filmmaker John Carpenter.
There will be special screenings of Robert Rodriguez’s Red 11 and Luca Guadagnino’s starry 35-minute short,...
This is the first year at the helm for the section’s new artistic director Paolo Moretti and in keeping with the strand’s history his first lineup is largely made up of emerging directors. The strand will open with French comedy Deerskin, starring Jean Dujardin (The Artist) and Adèle Haenel (Bpm), and it will award its Carrosse d’Or career award to U.S. filmmaker John Carpenter.
There will be special screenings of Robert Rodriguez’s Red 11 and Luca Guadagnino’s starry 35-minute short,...
- 4/23/2019
- by Andreas Wiseman
- Deadline Film + TV
Late summer is all about reflection over at The Criterion Collection, as the library is spending August offering up a handful of unsung classics and new look at some longtime favorites.
Michael Curitz’s “The Breaking Point,” a mostly overlooked Hemingway adaptation, starring John Garfield and Patricia Neal, will be available on Blu-ray for the first time, while Sacha Guitry’s “La poison” arrives on home video for the first time ever. Elsewhere, Mike Leigh’s revelatory “Meantime” is getting a 2K restoration, all the better to enjoy the early work of Tim Roth and Gary Oldman. That’s not all for Oldman fans, however, as Alex Cox’s “Sid & Nancy” hits the collection with a brand new 4K digital restoration. Finally, Walter Matthau stars in the charming comedy “Hopscotch,” also available on Blu-ray in a 2K digital restoration.
Below is the complete list of August additions, with descriptions provided by Criterion.
Michael Curitz’s “The Breaking Point,” a mostly overlooked Hemingway adaptation, starring John Garfield and Patricia Neal, will be available on Blu-ray for the first time, while Sacha Guitry’s “La poison” arrives on home video for the first time ever. Elsewhere, Mike Leigh’s revelatory “Meantime” is getting a 2K restoration, all the better to enjoy the early work of Tim Roth and Gary Oldman. That’s not all for Oldman fans, however, as Alex Cox’s “Sid & Nancy” hits the collection with a brand new 4K digital restoration. Finally, Walter Matthau stars in the charming comedy “Hopscotch,” also available on Blu-ray in a 2K digital restoration.
Below is the complete list of August additions, with descriptions provided by Criterion.
- 5/16/2017
- by Kate Erbland
- Indiewire
With Penelope Spheeris’s 1981 landmark The Decline of Western Civilization set for a long-overdue DVD release, what other music documentaries have dared to show more grit than glamour?
Alot of people must enjoy watching tawdry glamour and alienated youth. As soon as it was announced in March that Penelope Spheeris’s cult The Decline of Western Civilization trilogy would finally be released on DVD, it immediately entered the Amazon pre-order chart. They can’t all be musicians watching on the tour bus.
The three films certainly set a standard for realism and bleakness in rockumentary, probably only surpassed by the work of Lech Kowalski, chronicler of junkies and skinheads, whose grey Doa captured England in 1977, Year of Punk, and made the opening titles of The Office look like the colour sections of The Wizard of Oz. The original film follows La’s early punk scene, the second and most famous...
Alot of people must enjoy watching tawdry glamour and alienated youth. As soon as it was announced in March that Penelope Spheeris’s cult The Decline of Western Civilization trilogy would finally be released on DVD, it immediately entered the Amazon pre-order chart. They can’t all be musicians watching on the tour bus.
The three films certainly set a standard for realism and bleakness in rockumentary, probably only surpassed by the work of Lech Kowalski, chronicler of junkies and skinheads, whose grey Doa captured England in 1977, Year of Punk, and made the opening titles of The Office look like the colour sections of The Wizard of Oz. The original film follows La’s early punk scene, the second and most famous...
- 5/31/2015
- by Steve Jelbert
- The Guardian - Film News
Tiff’s Midnight Madness program turned 25 this year, and for two and half decades, the hardworking programers have gathered some of the strangest, most terrifying, wild, intriguing and downright entertaining films from around the world. From dark comedies to Japanese gore-fests and indie horror gems, the Midnight Madness program hasn’t lost its edge as one the leading showcases of genre cinema. In its 25-year history, Midnight Madness has introduced adventurous late-night moviegoers to such cult faves as Richard Linklater’s Dazed and Confused and Quentin Tarantino’s Reservoir Dogs. But what separates Midnight Madness from, say, Montreal’s three and half week long genre festival Fantasia, is that Tiff selects only ten films to make the cut. In other words, these programmers don’t mess around. Last week I decided that I would post reviews of my personal favourite films that screened in past years. And just like the Tiff programmers,...
- 9/18/2013
- by Ricky
- SoundOnSight
Pussy Riot, Uri Geller: Sheffield Doc/Fest 2013 line-up The United Kingdom’s Sheffield Doc/Fest 2013 kicks off on June 12, featuring 27 World Premieres. Topics range from "psychic spy" Uri Geller (Uri Geller and Vikram Jayanti’s The Secret Life of Uri Geller — Psychic Spy) to shale mining (Lech Kowalski’s Drill Baby Drill), from the science behind Planet Earth’s fast-approaching climactic armageddon (David Sington and Simon Lamb’s Thin Ice: The Inside Story of Climate Science) to the life and times of international professional thieves (Havana Marking’s Smash & Grab: The Story of the Pink Panthers). Below are a few Sheffield Doc/Fest 2013 highlights. (Photo: Pussy Riot — A Punk Prayer.) Mike Lerner and Maxim Pozdorovkin’s Pussy Riot — A Punk Prayer follows the Pussy Riot trial in which three of the band’s members stood accused of “hooliganism motivated by religious hatred” following a performance staged at Moscow...
- 5/29/2013
- by Andre Soares
- Alt Film Guide
Above: Zoulikha Bouabdellah's Al Attlal (Ruines), left, and Pierre Léon's À la barbe d'Ivan, right.
Nicole Brenez has curated two programs of new work from the French avant-garde for this year’s Rendezvous with French Cinema 2011 in New York; below she has offered her program notes in French. Program one (on Saturday) concentrates on filmmakers reappropriating images; program two (Sunday) is the new feature by Ange Leccia, Nuit bleue. Below, I’ve translated Brenez’s extended appreciation of Leccia and Nuit bleue; as usual, I’ve tried to stay faithful to the sound and rhythm of the original where possible. Beneath the translated extract you'll find the full article by Ms. Brenez in its original French. —David Phelps
***
…Although Ange Leccia has also practiced re-appropriating images (especially Jean Luc-Godard’s) in his installations and his films, Nuit bleuetakes up a different aesthetic vein, one rich with a long tradition of the French avant-garde.
Nicole Brenez has curated two programs of new work from the French avant-garde for this year’s Rendezvous with French Cinema 2011 in New York; below she has offered her program notes in French. Program one (on Saturday) concentrates on filmmakers reappropriating images; program two (Sunday) is the new feature by Ange Leccia, Nuit bleue. Below, I’ve translated Brenez’s extended appreciation of Leccia and Nuit bleue; as usual, I’ve tried to stay faithful to the sound and rhythm of the original where possible. Beneath the translated extract you'll find the full article by Ms. Brenez in its original French. —David Phelps
***
…Although Ange Leccia has also practiced re-appropriating images (especially Jean Luc-Godard’s) in his installations and his films, Nuit bleuetakes up a different aesthetic vein, one rich with a long tradition of the French avant-garde.
- 3/19/2011
- MUBI
Extinkt Films
LOCARNO, Switzerland -- Anyone who has seen a soccer game in a bar or a big international stadium knows that some of best entertainment comes from watching the crowd. That's just what London-born Lech Kowalski does in Winners and Losers, an engaging documentary about French and Italian fans watching the 2006 World Cup Final on screens large and small.
The closing film in the Piazza Grande at the Locarno International Film Festival will find audiences wherever there are people who like to watch what most of the world calls football. It probably helps to know what happened in that final match when Italy won on penalty kicks and French hero Zinedine Zidane was sent off for head-butting an Italian player, but most of the world does.
The director-editor placed fixed cameras in private homes, public spaces and packed stadiums to observe the curious activity of supporting a national football team. There is no narration, just the comments of the viewers. The result shows snobbery, humility, insecurity, bravado, casual racism and the bonding of fans in victory and defeat. Much like life, really.
LOCARNO, Switzerland -- Anyone who has seen a soccer game in a bar or a big international stadium knows that some of best entertainment comes from watching the crowd. That's just what London-born Lech Kowalski does in Winners and Losers, an engaging documentary about French and Italian fans watching the 2006 World Cup Final on screens large and small.
The closing film in the Piazza Grande at the Locarno International Film Festival will find audiences wherever there are people who like to watch what most of the world calls football. It probably helps to know what happened in that final match when Italy won on penalty kicks and French hero Zinedine Zidane was sent off for head-butting an Italian player, but most of the world does.
The director-editor placed fixed cameras in private homes, public spaces and packed stadiums to observe the curious activity of supporting a national football team. There is no narration, just the comments of the viewers. The result shows snobbery, humility, insecurity, bravado, casual racism and the bonding of fans in victory and defeat. Much like life, really.
- 8/14/2007
- The Hollywood Reporter - Movie News
- The jury composed of Walter Carvalho, Saverio Costanzo, Irène Jacob, Jia Zhang-ke, Romuald Karmakar and Bruno Todeschini gave out a bunch of leopards on the weekend. Masahiro Kobayashi (see pic above) won the Golden Leopard for his film Ai no yokan (The Rebirth). Best Director was awarded to Capitaine Achab by Philippe Ramos (France) and the Special Jury Prize went to Memories (Jeonju Digital Project 2007) by Pedro Costa, Harun Farocki and Eugène Green. Spanish actress Carmen Maura and the French actor Michel Piccoli both received an Excellence Award (Michel Piccoli also received the prize for best actor in Sous les toits de Paris, joint winner was Michele Venitucci in Fuori dalle corde). And finally (and not surprisingly), Death at a Funeral (the Brit comedy by Frank Oz) won the audience award – this making it the 5th or 6th time that it has walked away from an international festival with such honors.
- 8/13/2007
- IONCINEMA.com
MILAN -- The world premiere of Fumihiko Sori's animated film "Vexille" will open the 60th annual Locarno International Film Festival on Aug. 1, organizers said Wednesday, ushering in a program that includes a host of Hollywood films and projects from up-and-coming international directors.
The selection of the anime title -- about a female agent investigating the development of prohibited robotic technologies -- represents a departure from last year's opening film, "Miami Vice". But second-year artistic director Frederic Maire is hardly avoiding Hollywood fare.
Slated for world or European premieres in Locarno's famous Piazza Grande are "Planet Terror" and "1408" from the Weinstein Co., "The Bourne Ultimatum" and "Knocked Up" from Universal, "Waitress" from Fox Searchlight and "Hairspray" from New Line Cinema.
The Franco-American co-production "Winners and Losers", Polish director Lech Kowalski's 2006 World Cup documentary told from the perspective of the spectators, will close the festival Aug. 11.
Hong Kong's "The Drummer", starring Jaycee Chan, son of action icon Jackie Chan, also will screen in the Piazza Grande, along with the Brett Morgen documentary "Chicago 10", about the violence-ridden 1968 Democratic National Convention in Chicago.
Among the top-shelf Hollywood talent expected to attend the lakeside festival are Anthony Hopkins and Christian Slater, co-stars in the competition comedy "Slipstream". The film represents Hopkins' third directorial effort and first writing credit.
The only other U.S. film in competition is "Joshua" from George Ratliff.
The selection of the anime title -- about a female agent investigating the development of prohibited robotic technologies -- represents a departure from last year's opening film, "Miami Vice". But second-year artistic director Frederic Maire is hardly avoiding Hollywood fare.
Slated for world or European premieres in Locarno's famous Piazza Grande are "Planet Terror" and "1408" from the Weinstein Co., "The Bourne Ultimatum" and "Knocked Up" from Universal, "Waitress" from Fox Searchlight and "Hairspray" from New Line Cinema.
The Franco-American co-production "Winners and Losers", Polish director Lech Kowalski's 2006 World Cup documentary told from the perspective of the spectators, will close the festival Aug. 11.
Hong Kong's "The Drummer", starring Jaycee Chan, son of action icon Jackie Chan, also will screen in the Piazza Grande, along with the Brett Morgen documentary "Chicago 10", about the violence-ridden 1968 Democratic National Convention in Chicago.
Among the top-shelf Hollywood talent expected to attend the lakeside festival are Anthony Hopkins and Christian Slater, co-stars in the competition comedy "Slipstream". The film represents Hopkins' third directorial effort and first writing credit.
The only other U.S. film in competition is "Joshua" from George Ratliff.
- 7/12/2007
- The Hollywood Reporter - Movie News
NEW YORK -- Comprising interview footage shot in 1992 for a documentary about rocker Johnny Thunders, Lech Kowalski's "Hey Is Dee Dee Home" is a portrait of the late Ramones star that has clearly now been released because of its subject's death in summer 2002 from an overdose. Essentially a static, hourlong monologue in which the legendary punk rocker candidly discusses some of the more sordid aspects of his life -- including his longtime, on-and-off heroin addiction -- the film ultimately fails to satisfy because of the limitations of both the format and subject. Still, it serves as a valuable addition to the Ramones archives and will no doubt augment the collections of many of the band's fans when it is released on DVD this month. The film is playing an exclusive theatrical engagement at New York's Pioneer Theatre.
Providing a structure to Ramone's not-always-clear-minded recollections are the numerous tattoos covering his body. Proudly displaying them and recounting their origins and meanings, the rocker uses them as a symbolic road map through his not-so-easy life.
Providing a structure to Ramone's not-always-clear-minded recollections are the numerous tattoos covering his body. Proudly displaying them and recounting their origins and meanings, the rocker uses them as a symbolic road map through his not-so-easy life.
- 10/13/2003
- The Hollywood Reporter - Movie News
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