Newsmagazines and unscripted fare were the big gainers this Friday, with Shark Tank and Primetime: What Would You Do leading ABC to a rare demo win.
In the 8 o’clock hour, Shark Tank (6 million total viewers, 1.7 rating) leaped 21 percent in the demo to land its first-ever win over Undercover Boss (down double digits to 6.3 mil/1.4). At 9, ABC’s Primetime: Wwyd (4.7 mil/1.4) scored a demo win, rising 27 percent week-to-week.
Closing the night, 20/20 (5.2 mil/1.5) upticked a tenth in the demo to edge out Blue Bloods (down a bit to 10.1 mil/1.4).
CBS however led each hour in total viewership.
Related | The CW Gives...
In the 8 o’clock hour, Shark Tank (6 million total viewers, 1.7 rating) leaped 21 percent in the demo to land its first-ever win over Undercover Boss (down double digits to 6.3 mil/1.4). At 9, ABC’s Primetime: Wwyd (4.7 mil/1.4) scored a demo win, rising 27 percent week-to-week.
Closing the night, 20/20 (5.2 mil/1.5) upticked a tenth in the demo to edge out Blue Bloods (down a bit to 10.1 mil/1.4).
CBS however led each hour in total viewership.
Related | The CW Gives...
- 5/5/2012
- by Matt Webb Mitovich
- TVLine.com
The Masque Of The Red Death (1964)
Directed by Roger Corman
Nicolas Roeg was one of the more successful cinematographers to graduate from the apex of the camera team to the director’s chair, a difficult transition which he arguably traversed with far more dexterity and than his European peers Freddie Francis, Jan De Bont, or Jack Cardiff. As part of the exhaustive BFI film season on his delirious miscellanea of work (running throughout March), horror fans welcomed a rare opportunity to see his unique collaboration with the supreme schlock stylist Roger Corman on the final entry of his celebrated cycle of Edgar Allen Poe adaptations that terrified and titillated audiences throughout the early 1960s. As the UK’s Hammer studios mined the Victorian howls of Bram Stoker and Mary Shelley, Corman turned to his countryman Poe to craft his gothic grotesques, in a cycle of films descending from The Fall of the House of Usher...
Directed by Roger Corman
Nicolas Roeg was one of the more successful cinematographers to graduate from the apex of the camera team to the director’s chair, a difficult transition which he arguably traversed with far more dexterity and than his European peers Freddie Francis, Jan De Bont, or Jack Cardiff. As part of the exhaustive BFI film season on his delirious miscellanea of work (running throughout March), horror fans welcomed a rare opportunity to see his unique collaboration with the supreme schlock stylist Roger Corman on the final entry of his celebrated cycle of Edgar Allen Poe adaptations that terrified and titillated audiences throughout the early 1960s. As the UK’s Hammer studios mined the Victorian howls of Bram Stoker and Mary Shelley, Corman turned to his countryman Poe to craft his gothic grotesques, in a cycle of films descending from The Fall of the House of Usher...
- 3/9/2011
- by John
- SoundOnSight
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