Los Angeles, Nov 29: Anchor-producer Ryan Seacrest, who split from actress Julianne Hough earlier this year, has sparked rumours that he is dating model and personal trainer Shayna Terese Taylor.
The duo was spotted enjoying a romantic lunch at La Huella restaurant in the beach village of Jose Ignacio, Uruguay Nov 24.
A source has said that they were sitting very close to each other, reports radaronline.com.
"They were obviously together, and the girl was clearly into Ryan," said a source.
"She was all over him, holding his back and his hand while he talked to the others. And he seemed to be loving the.
The duo was spotted enjoying a romantic lunch at La Huella restaurant in the beach village of Jose Ignacio, Uruguay Nov 24.
A source has said that they were sitting very close to each other, reports radaronline.com.
"They were obviously together, and the girl was clearly into Ryan," said a source.
"She was all over him, holding his back and his hand while he talked to the others. And he seemed to be loving the.
- 11/29/2013
- by Shiva Prakash
- RealBollywood.com
Madrid (AP) — Spain on Monday rejected Peru's claim to a huge multimillion-dollar undersea treasure recovered from the wreckage of a ship that had left from Lima's port more than 200 years ago.
Spain recovered the nearly 600,000 coins — mostly silver but a few made of gold — on Saturday after they were flown to Madrid from the United States. That marked the culmination of Spain's five-year battle in U.S. courts with a Florida deep-sea exploration firm that in 2007 found the remains of a ship believed to be the Spanish frigate Nuestra Senora de las Mercedes.
The Florida-based Odyssey Marine Exploration found the shipwreck off Portugal near the Strait of Gibraltar, taking the booty first to the British colony of Gibraltar at Spain's southern tip and then to Florida.
On Monday, Spain's education, culture and sports minister, Jose Ignacio Wert, told a packed news conference the final U.S. court ruling stated that...
Spain recovered the nearly 600,000 coins — mostly silver but a few made of gold — on Saturday after they were flown to Madrid from the United States. That marked the culmination of Spain's five-year battle in U.S. courts with a Florida deep-sea exploration firm that in 2007 found the remains of a ship believed to be the Spanish frigate Nuestra Senora de las Mercedes.
The Florida-based Odyssey Marine Exploration found the shipwreck off Portugal near the Strait of Gibraltar, taking the booty first to the British colony of Gibraltar at Spain's southern tip and then to Florida.
On Monday, Spain's education, culture and sports minister, Jose Ignacio Wert, told a packed news conference the final U.S. court ruling stated that...
- 2/27/2012
- by AP
- Huffington Post
Reviewer: Steve Dollar
Rating (out of 5): ****
Always the sun...the torpor...endless day and endless night of salt and sea, eternity of heat, the land without succor, forever beneath the arid stars, the pyramids of salt stacked in the night without end, oh Araya...Araya.
Yes, I'm making some fun at the expense of Jose Ignacio Cabruja's somber narration of Araya. The rediscovered 1959 documentary about a desert archipelago in northeastern Venezuela, whose salt reserves have made it a hot spot for pirates, conquistadors and traders since the 16th century, draws much of its tone from this voice-over. Cabruja didn't write the script, with its hypnotic rhythms and poetic loops of language, but he definitely gives it a grave, grandiose magnetism that sounds practically self-parodic today. Yet it's also one thing that makes the film truly gripping to watch.
Rating (out of 5): ****
Always the sun...the torpor...endless day and endless night of salt and sea, eternity of heat, the land without succor, forever beneath the arid stars, the pyramids of salt stacked in the night without end, oh Araya...Araya.
Yes, I'm making some fun at the expense of Jose Ignacio Cabruja's somber narration of Araya. The rediscovered 1959 documentary about a desert archipelago in northeastern Venezuela, whose salt reserves have made it a hot spot for pirates, conquistadors and traders since the 16th century, draws much of its tone from this voice-over. Cabruja didn't write the script, with its hypnotic rhythms and poetic loops of language, but he definitely gives it a grave, grandiose magnetism that sounds practically self-parodic today. Yet it's also one thing that makes the film truly gripping to watch.
- 5/17/2011
- by underdog
- GreenCine
When the fashion house Lacoste throws a party, you know it's going to bring in the hottest crowd. Lacoste is known to throw parties in exotic locations like the Hamptons, Jose Ignacio, Uruguay and now Indio, California. Lacoste and Htc hosted the Lacoste L!Ve Coachella 2011 pool party near the Coachella Valley festival at a super fab estate. The event was in celebration of one of the most stylish festivals in the country; the Coachella Valley Music & Arts Festival. Music-loving tastemakers and influencers made a splash in the pool, took a shot at the dunk tank or...
- 4/18/2011
- Hollyscoop.com
The Publicists Guild has announced its 48th annual award nominees in four categories.
For the Les Mason Lifetime Achievement Award, the nominees are Jennifer Allen of Viewpoint Inc.; Tony Angellotti of the Angellotti Co.; unit publicist Rob Harris; Michael Singer of Jerry Bruckheimer Films; and Murray Weissman of Weissman/Markovitz Communications.
For the Press Award, the nominees are Geoff Boucher and Claudia Eller of the Los Angeles Times; Jeff Jensen of Entertainment Weekly; Tom O'Neil of Gold Derby; and Sharon Waxman of the Wrap.
For the International Media Award, it's down to Philip Berk of Australia/Malaysia; Jose Ignacio Cuenca of Spain; Elaine Lipworth and James White of the U.K.; and Stevie Wong of Asia.
For excellence in unit still photography in motion pictures, the finalists are Frank Masi, Jamie Trueblood, Darren Michaels, Barry Wetcher and Michael Yarish. In the TV category, nominees are Michael Desmond, Danny Feld, Ron Jaffe,...
For the Les Mason Lifetime Achievement Award, the nominees are Jennifer Allen of Viewpoint Inc.; Tony Angellotti of the Angellotti Co.; unit publicist Rob Harris; Michael Singer of Jerry Bruckheimer Films; and Murray Weissman of Weissman/Markovitz Communications.
For the Press Award, the nominees are Geoff Boucher and Claudia Eller of the Los Angeles Times; Jeff Jensen of Entertainment Weekly; Tom O'Neil of Gold Derby; and Sharon Waxman of the Wrap.
For the International Media Award, it's down to Philip Berk of Australia/Malaysia; Jose Ignacio Cuenca of Spain; Elaine Lipworth and James White of the U.K.; and Stevie Wong of Asia.
For excellence in unit still photography in motion pictures, the finalists are Frank Masi, Jamie Trueblood, Darren Michaels, Barry Wetcher and Michael Yarish. In the TV category, nominees are Michael Desmond, Danny Feld, Ron Jaffe,...
- 12/21/2010
- The Hollywood Reporter - Movie News
AFI Fest
Drag queen Manuel, who prefers to be known as Manuela, is having a bad day. His lover has left, his landlady is demanding the rent, and to make matters worse, his best friend Coca is pregnant. The last thing he needs is to pass as straight in order to please Coca's conservative family, but he's loyal to a fault, and he agrees to play the part of Coca's fiance and father of her child.
The story has some not-so-subtle echoes of La Cage aux Folles, which has already been recycled into a Broadway musical as well as the Hollywood hit The Birdcage. Coca's conservative father is exactly like the hypocritical bluenose played by Gene Hackman in The Birdcage. While this version, transplanted to Puerto Rico, has some amusing twists and a pleasing color-drenched tropical palette, it doesn't come close to the hilarity of its predecessors. While it pleased audiences at AFI Fest and might find receptive crowds at gay film festivals, it isn't potent enough to have much future in U.S. theaters.
One problem is that the nightclub scenes don't have the musical verve needed to set the whole enterprise in motion. In addition, the script is shrill and broad when it should be witty. There are a lot of promising characters, including the landlady and her desperate niece, but most of the actors have been encouraged to play their roles at a hysterical pitch. They need some quieter moments. Nevertheless, Humberto Busto as the embattled hero does have the right pluck for the role of Manuela. The attractive Elena Iguina wins our sympathy as Coca. But Emmanuel Sunshine Logrono as the rightwing father overdoes his character's loutishness; he doesn't find the humor that Hackman brought to a similar role.
The plot lumbers along in fits and starts until it reaches the climactic wedding scene, when it finally hits some comic high notes. In the tradition of classic farce, all of the characters come together, and unexpected fireworks result. When the real father of Coca's child turns up to disrupt the proceedings, Manuela saves the day and wins the affection and respect of all. This scene works smoothly, but it comes too late, and a lengthy, unnecessary coda back at the nightclub dissipates some of the fun. The best elements in the picture are the colorful sets and costumes; they exhibit a flair not matched by the script.
MANUELA Y MANUEL
Caleidoscopio Films
Credits:
Director/Editor: Raul Marchand Sanchez
Screenwriter: Jose Ignacio Valenzuela
Producer: Frances Lausell Diaz
Executive producer: Sonia Fritz Macias
Director of photography: Sonnel Velazquez
Production designer: Rafi Mercado
Music: Geronimo Mercado
Cast:
Manuela/Manuel: Humberto Busto
Coca: Elena Iguina
Rosa: Luz Maria Rondon
German: Emmanuel Sunshine Logrono
Faraona: Marian Pabon
Margarita: Ineabelle Colon
Norma: Marisol Calero
Arturo: Israel Lugo
Ramon: Johnny Lozada
Running time -- 94 minutes
No MPAA rating...
Drag queen Manuel, who prefers to be known as Manuela, is having a bad day. His lover has left, his landlady is demanding the rent, and to make matters worse, his best friend Coca is pregnant. The last thing he needs is to pass as straight in order to please Coca's conservative family, but he's loyal to a fault, and he agrees to play the part of Coca's fiance and father of her child.
The story has some not-so-subtle echoes of La Cage aux Folles, which has already been recycled into a Broadway musical as well as the Hollywood hit The Birdcage. Coca's conservative father is exactly like the hypocritical bluenose played by Gene Hackman in The Birdcage. While this version, transplanted to Puerto Rico, has some amusing twists and a pleasing color-drenched tropical palette, it doesn't come close to the hilarity of its predecessors. While it pleased audiences at AFI Fest and might find receptive crowds at gay film festivals, it isn't potent enough to have much future in U.S. theaters.
One problem is that the nightclub scenes don't have the musical verve needed to set the whole enterprise in motion. In addition, the script is shrill and broad when it should be witty. There are a lot of promising characters, including the landlady and her desperate niece, but most of the actors have been encouraged to play their roles at a hysterical pitch. They need some quieter moments. Nevertheless, Humberto Busto as the embattled hero does have the right pluck for the role of Manuela. The attractive Elena Iguina wins our sympathy as Coca. But Emmanuel Sunshine Logrono as the rightwing father overdoes his character's loutishness; he doesn't find the humor that Hackman brought to a similar role.
The plot lumbers along in fits and starts until it reaches the climactic wedding scene, when it finally hits some comic high notes. In the tradition of classic farce, all of the characters come together, and unexpected fireworks result. When the real father of Coca's child turns up to disrupt the proceedings, Manuela saves the day and wins the affection and respect of all. This scene works smoothly, but it comes too late, and a lengthy, unnecessary coda back at the nightclub dissipates some of the fun. The best elements in the picture are the colorful sets and costumes; they exhibit a flair not matched by the script.
MANUELA Y MANUEL
Caleidoscopio Films
Credits:
Director/Editor: Raul Marchand Sanchez
Screenwriter: Jose Ignacio Valenzuela
Producer: Frances Lausell Diaz
Executive producer: Sonia Fritz Macias
Director of photography: Sonnel Velazquez
Production designer: Rafi Mercado
Music: Geronimo Mercado
Cast:
Manuela/Manuel: Humberto Busto
Coca: Elena Iguina
Rosa: Luz Maria Rondon
German: Emmanuel Sunshine Logrono
Faraona: Marian Pabon
Margarita: Ineabelle Colon
Norma: Marisol Calero
Arturo: Israel Lugo
Ramon: Johnny Lozada
Running time -- 94 minutes
No MPAA rating...
- 11/19/2007
- The Hollywood Reporter - Movie News
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