THR puts the spotlight on the best films from the festival circuit that have yet to land a U.S. distribution deal.
La Cocina
Directed by Alonso Ruizpalacios
Sales WME Independent, Fifth Season
From Anthony Bourdain giving American readers an inside look at the rock ’n’ roll restaurant industry in Kitchen Confidential to Nancy Meyers’ citrus-dotted white marble countertops in enviable home kitchens, modern American audiences have had an infatuation with cookery. Though previously largely reserved for the nonfiction space with entries like Bourdain’s No Reservations and Netflix’s operatic Chef’s Table, the narrative possibilities of the dark underbelly of back-of-house restaurant staff have began to emerge lately. The Bear, the anxiety-inducing FX series about a Chicago Italian beef joint, swept the Emmys in January and is poised to do the same this go-around. Enter director Ruizpalacios’ La Cocina. “Think The Bear on cocaine with a Red Bull chaser...
La Cocina
Directed by Alonso Ruizpalacios
Sales WME Independent, Fifth Season
From Anthony Bourdain giving American readers an inside look at the rock ’n’ roll restaurant industry in Kitchen Confidential to Nancy Meyers’ citrus-dotted white marble countertops in enviable home kitchens, modern American audiences have had an infatuation with cookery. Though previously largely reserved for the nonfiction space with entries like Bourdain’s No Reservations and Netflix’s operatic Chef’s Table, the narrative possibilities of the dark underbelly of back-of-house restaurant staff have began to emerge lately. The Bear, the anxiety-inducing FX series about a Chicago Italian beef joint, swept the Emmys in January and is poised to do the same this go-around. Enter director Ruizpalacios’ La Cocina. “Think The Bear on cocaine with a Red Bull chaser...
- 5/19/2024
- by Scott Roxborough and Mia Galuppo
- The Hollywood Reporter - Movie News
Italian media company Be Water, which is in Cannes for the first time, has announced its full roster of partners and scope of business activities comprising film, documentary and scripted TV production as well as theatrical film distribution, podcasts and live events.
While details of the company’s scripted productions are being kept under wraps, Be Water has announced the lineup of films they are releasing locally theatrically in collaboration with Italy’s Medusa, which is handling booking and billing. Besides “Oh, Canada,” the Be Water lineup includes Nicolas Cage horror-thriller “Longlegs,” directed by Osgood Perkin; Russian-American director Michael Lockshin’s “The Master and Margarita” with Claes Bang and August Diehl; and action family adventure “Jim Button and the Wild 13.”
The Rome-based shingle is operating with what is being described as a holistic approach to content production that is congenial to the digital age, which is certainly a novelty for Italy.
While details of the company’s scripted productions are being kept under wraps, Be Water has announced the lineup of films they are releasing locally theatrically in collaboration with Italy’s Medusa, which is handling booking and billing. Besides “Oh, Canada,” the Be Water lineup includes Nicolas Cage horror-thriller “Longlegs,” directed by Osgood Perkin; Russian-American director Michael Lockshin’s “The Master and Margarita” with Claes Bang and August Diehl; and action family adventure “Jim Button and the Wild 13.”
The Rome-based shingle is operating with what is being described as a holistic approach to content production that is congenial to the digital age, which is certainly a novelty for Italy.
- 5/13/2024
- by Nick Vivarelli
- Variety Film + TV
Rupert Everett landed in Turin, Italy, on Thursday to collect the Star of the Mole, the special award given by the National Cinema Museum to personalities who have left an indelible mark on the world of cinema and society. The award — a pink star — is presented during the Lovers Film Festival, Europe’s oldest gay festival (this is its 39th edition), directed by Vladimir Luxuria, who says that “Rupert Everett was one of the first international stars to come out and fight for civil rights.”
In accepting the honor, Everett joins a list of previous honorees that includes the likes of Oliver Stone, Tim Burton, Malcolm McDowell, Monica Bellucci and many others.
The British actor, who turns 65 on May 29, came out publicly in 1989, five years after he made an indelible impression as a double agent in Marek Kanievska’s drama Another Country. The film was an adaptation of Julien Mitchell...
In accepting the honor, Everett joins a list of previous honorees that includes the likes of Oliver Stone, Tim Burton, Malcolm McDowell, Monica Bellucci and many others.
The British actor, who turns 65 on May 29, came out publicly in 1989, five years after he made an indelible impression as a double agent in Marek Kanievska’s drama Another Country. The film was an adaptation of Julien Mitchell...
- 4/19/2024
- by Pino Gagliardi
- The Hollywood Reporter - Movie News
Isabella Rossellini inLa Chimera(Neon), on the red carpet (Vittorio Zunino Celotto/Getty Images), inBlue Velvet(De Laurentis Entertainment Group/Sunset Boulevard/Corbis)Graphic: Jimmy Hasse
Welcome to Random Roles, wherein we talk to actors about the characters who defined their careers. The catch: They don’t know beforehand what...
Welcome to Random Roles, wherein we talk to actors about the characters who defined their careers. The catch: They don’t know beforehand what...
- 4/8/2024
- by Brent Simon
- avclub.com
Italy’s Rai Cinema has confirmed the launch of its own dedicated international film sales arm.
Rai Cinema International Distribution will officially launch at the European Film Market (EFM) at the Berlinale.
Rai Cinema, the film production division of state broadcaster Rai, has an annual budget of $85m and invests in a large slate of 50-70 films a year. It also handles distribution in Italy through its distribution division 01 Distribution. The launch of a dedicated sales arm marks a new departure.
Rai Cinema will handle international distribution of new films which will then continue to be managed by existing...
Rai Cinema International Distribution will officially launch at the European Film Market (EFM) at the Berlinale.
Rai Cinema, the film production division of state broadcaster Rai, has an annual budget of $85m and invests in a large slate of 50-70 films a year. It also handles distribution in Italy through its distribution division 01 Distribution. The launch of a dedicated sales arm marks a new departure.
Rai Cinema will handle international distribution of new films which will then continue to be managed by existing...
- 2/5/2024
- ScreenDaily
Prominent Italian producers Mario Gianani and Lorenzo Mieli are exiting their Fremantle-owned companies — Wildside and The Apartment, respectively — in an industry shakeup expected to lead them to jointly form a new independent scripted content outfit.
Gianani and Mieli co-founded Wildside in 2009 and turned it into the powerhouse behind major global dramas such as Rai/HBO’s “The Young Pope” and “My Brilliant Friend,” to name a few. Wildside was aquired by Fremantle in 2015.
Mieli subsequently went his own way and set up The Apartment in 2020 under the Fremantle umbrella. Recent The Apartment titles include Sofia Coppola’s “Priscilla” and Pablo Larrain’s upcoming Angelina-starrer “Maria” about iconic soprano Maria Callas, amid a rich international slate.
A Fremantle Italy spokesperson confirmed the ongoing exits of the two top producers, adding that the separations are not acrimonious and that Fremantle is discussing “the ways in which we will will continue to work together.
Gianani and Mieli co-founded Wildside in 2009 and turned it into the powerhouse behind major global dramas such as Rai/HBO’s “The Young Pope” and “My Brilliant Friend,” to name a few. Wildside was aquired by Fremantle in 2015.
Mieli subsequently went his own way and set up The Apartment in 2020 under the Fremantle umbrella. Recent The Apartment titles include Sofia Coppola’s “Priscilla” and Pablo Larrain’s upcoming Angelina-starrer “Maria” about iconic soprano Maria Callas, amid a rich international slate.
A Fremantle Italy spokesperson confirmed the ongoing exits of the two top producers, adding that the separations are not acrimonious and that Fremantle is discussing “the ways in which we will will continue to work together.
- 1/19/2024
- by Nick Vivarelli
- Variety Film + TV
Two of Italy’s top producers – The Apartment’s Lorenzo Mieli and Wildside’s Mario Gianani – are leaving their Fremantle-owned companies.
Between them, Mieli and Gianani’s companies have produced many of Italy’s most acclaimed features of recent years.
A Fremantle spokesperson confirmed their departures, describing the moves as amicable, and told Screen: “We are finalising a way to continue to work together in a different structure.”
Gianani’s Wildside is behind 2023 Italian box office smash There’s Still Tomorrow, as well as festival hits The Eight Mountains, Saverio Costanzo’s Finally Dawn and Disney+ series The Good Mothers.
Between them, Mieli and Gianani’s companies have produced many of Italy’s most acclaimed features of recent years.
A Fremantle spokesperson confirmed their departures, describing the moves as amicable, and told Screen: “We are finalising a way to continue to work together in a different structure.”
Gianani’s Wildside is behind 2023 Italian box office smash There’s Still Tomorrow, as well as festival hits The Eight Mountains, Saverio Costanzo’s Finally Dawn and Disney+ series The Good Mothers.
- 1/18/2024
- ScreenDaily
Two of Italy’s top producers – The Apartment’s Lorenzo Mieli and Wildside’s Mario Gianani – are leaving their Fremantle-backed companies.
Between them, Mieli and Gianani’s companies have produced many of Italy’s most acclaimed features of recent years.
A Fremantle spokesperson confirmed their departures, describing the moves as amicable, and told Screen: “We are finalising a way to continue to work together in a different structure.”
Gianani’s Wildside is behind 2023 Italian box office smash There’s Still Tomorrow, as well as festival hits The Eight Mountains, Saverio Costanzo’s Finally Dawn and Disney+ series The Good Mothers.
Between them, Mieli and Gianani’s companies have produced many of Italy’s most acclaimed features of recent years.
A Fremantle spokesperson confirmed their departures, describing the moves as amicable, and told Screen: “We are finalising a way to continue to work together in a different structure.”
Gianani’s Wildside is behind 2023 Italian box office smash There’s Still Tomorrow, as well as festival hits The Eight Mountains, Saverio Costanzo’s Finally Dawn and Disney+ series The Good Mothers.
- 1/18/2024
- ScreenDaily
Nicola Maccanico, a former Warner Bros. and Sky Italia senior exec, has been spearheading the radical overhaul of Rome’s Cinecittà Studios since April 2021, when the government-owned facilities embarked on a mission to secure a multi-million dollar loan provided by the European Union’s post-pandemic recovery fund.
Three years later, the studios are equipped with 20 state-of-the-art soundstages, including one of Europe’s largest LED walls, and have become a magnet for Hollywood productions such as Roland Emmerich’s gladiator series “Those About to Die.” As the production hiatus brought on by the Hollywood strikes eases up, more U.S. shoots are soon to come, he vows.
Below, Maccanico discusses with Variety what he’s accomplished in terms of reviving the studios and what remains to be done.
The first phase of the Cinecittà revamp plan seems to be complete. How tough has it been?
I was called to head Cinecittà...
Three years later, the studios are equipped with 20 state-of-the-art soundstages, including one of Europe’s largest LED walls, and have become a magnet for Hollywood productions such as Roland Emmerich’s gladiator series “Those About to Die.” As the production hiatus brought on by the Hollywood strikes eases up, more U.S. shoots are soon to come, he vows.
Below, Maccanico discusses with Variety what he’s accomplished in terms of reviving the studios and what remains to be done.
The first phase of the Cinecittà revamp plan seems to be complete. How tough has it been?
I was called to head Cinecittà...
- 1/17/2024
- by Nick Vivarelli
- Variety Film + TV
For all its many, many faults, 2023 was a banner year for international films. The awards season buzz for global gems like Justine Triet’s French courtroom thriller Anatomy of a Fall (released by Neon stateside), Jonathan Glazer’s German-language Holocaust drama Zone of Interest (A24), Hayao Miyazaki’s Japanese anime The Boy and the Heron (GKids), and J.A. Bayona’s Spanish-language real-life survival tale Society of the Snow (Netflix) only scratches the surface.
Among the many many other foreign highlights from last year are Mubi’s Fallen Leaves and How to Have Sex — the first a laconic triumph by Finnish film master Aki Kaurismäki, the latter a stunning debut by Brit first-timer Molly Manning Walker — Sony Pictures Classics’ The Teachers’ Lounge, a German school drama from director Ilker Çatak and Iranian drama Shayda from director Noora Niasari; Agnieszka Holland’s harrowing The Green Border, about Poland’s treatment of would-be...
Among the many many other foreign highlights from last year are Mubi’s Fallen Leaves and How to Have Sex — the first a laconic triumph by Finnish film master Aki Kaurismäki, the latter a stunning debut by Brit first-timer Molly Manning Walker — Sony Pictures Classics’ The Teachers’ Lounge, a German school drama from director Ilker Çatak and Iranian drama Shayda from director Noora Niasari; Agnieszka Holland’s harrowing The Green Border, about Poland’s treatment of would-be...
- 1/5/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
After skipping Venice due to the actors’ strike, a busy Willem Dafoe is back on the festival trail, attending the 20th edition of the Marrakech Film Festival with his wife, filmmaker and actor Giada Colagrande. He spoke to Variety about his ties to Morocco, why he’s “happy to be promoting and starting to work again” now that the strike is over, and his role in Tim Burton’s upcoming “Beetlejuice 2.”
How does it feel to be back in Marrakech?
I’m happy to be back. Morocco for me is “The Last Temptation of Christ,” a film that was a beautiful experience. And I loved shooting it because it demanded a lot of me and it was really full on. And it was very in the nature of Morocco. And we were working with an incredible Moroccan crew. So that’s my association. I’ve always heard Marrakech was...
How does it feel to be back in Marrakech?
I’m happy to be back. Morocco for me is “The Last Temptation of Christ,” a film that was a beautiful experience. And I loved shooting it because it demanded a lot of me and it was really full on. And it was very in the nature of Morocco. And we were working with an incredible Moroccan crew. So that’s my association. I’ve always heard Marrakech was...
- 11/26/2023
- by Nick Vivarelli
- Variety Film + TV
Culture minister talks cuts after state funding for film soared to €800m in 2022
Italy is to cut the €800m of funding it currently earmarks for film production per year, according to Italian minister of culture Italian Gennaro Sangiuliano.
The move comes at a time when Italy is producing a high number of Italian and international films. However, Italian films are continuing to underperform at the box office compared to the pre-pandemic era.
“It’s time to intervene,” Sangiuliano said, noting that state funding for film soared from €400m in 2019 to €800m in 2022 according to data from the Investments in Cinema and Audiovisual Development Fund.
Italy is to cut the €800m of funding it currently earmarks for film production per year, according to Italian minister of culture Italian Gennaro Sangiuliano.
The move comes at a time when Italy is producing a high number of Italian and international films. However, Italian films are continuing to underperform at the box office compared to the pre-pandemic era.
“It’s time to intervene,” Sangiuliano said, noting that state funding for film soared from €400m in 2019 to €800m in 2022 according to data from the Investments in Cinema and Audiovisual Development Fund.
- 10/23/2023
- by Alina Trabattoni
- ScreenDaily
We came, we saw, we conquered. Our Nicholas Bell was in review overdrive assessing the entire competition and much more. We’ll still have film reviews to populate the site and this page in the near future, but for the time being here is a handy quick link to the wealth of richness (and some rubbish) selections that made up all sections of the Lido this year.
Competition:
Adagio – Stefano Sollima [Review]
La Bête – Bertrand Bonello [Review]
Comandante – Edoardo De Angelis [Review]
Dogman – Luc Besson [Review]
El Conde – Pablo Larraín [Review]
Enea – Pietro Castellitto [Review]
Evil Does Not Exist – Ryusuke Hamaguchi [Review]
Ferrari – Michael Mann [Review]
Finalmente l’alba – Saverio Costanzo [Review]
Green Border – Agnieszka Holland [Review]
Holly – Fien Troch [Review]
Io capitano – Matteo Garrone [Review]
The Killer – David Fincher [Review]
Lubo – Giorgio Diritti [Review]
Maestro – Bradley Cooper [Review]
Memory – Michel Franco [Review]
Origin – Ava DuVernay [Review]
Hors-saison – Stéphane Brizé [Review]
Poor Things – Yorgos Lanthimos [Review]
Priscilla – Sofia Coppola [Review]
The Promised Land – Nikolaj Arcel [Review]
The Theory of Everything – Timm Kröger [Review]
Woman Of…...
Competition:
Adagio – Stefano Sollima [Review]
La Bête – Bertrand Bonello [Review]
Comandante – Edoardo De Angelis [Review]
Dogman – Luc Besson [Review]
El Conde – Pablo Larraín [Review]
Enea – Pietro Castellitto [Review]
Evil Does Not Exist – Ryusuke Hamaguchi [Review]
Ferrari – Michael Mann [Review]
Finalmente l’alba – Saverio Costanzo [Review]
Green Border – Agnieszka Holland [Review]
Holly – Fien Troch [Review]
Io capitano – Matteo Garrone [Review]
The Killer – David Fincher [Review]
Lubo – Giorgio Diritti [Review]
Maestro – Bradley Cooper [Review]
Memory – Michel Franco [Review]
Origin – Ava DuVernay [Review]
Hors-saison – Stéphane Brizé [Review]
Poor Things – Yorgos Lanthimos [Review]
Priscilla – Sofia Coppola [Review]
The Promised Land – Nikolaj Arcel [Review]
The Theory of Everything – Timm Kröger [Review]
Woman Of…...
- 9/26/2023
- by Eric Lavallée
- IONCINEMA.com
Italy had six homegrown movies in the recent Venice Film Festival, including Saverio Costanzo’s Golden Lion competition entry Finally Dawn and Edoardo de Angelis’ festival opener Comandante.
But Roberto Stabile, head of special projects at Cinecitta and Anica’s (the National Association of Audiovisual and Digital Cinematographic Industries) head of international relations, wants to see Italian movies go well beyond the Venice red carpet and local cinemas to conquer world markets. So he’s at the Toronto Film Festival this week to pitch an offer of marketing coin for local distributors worldwide that buy Italian movies.
The goal of the Italian Film Distribution Fund is pushing local producers to make more homegrown movies for foreign markets, including through co-productions to share the risk and resources on a film.
“This new fund wants to open the minds of our producers, open up new markets to push them to receive much more money than state financing,...
But Roberto Stabile, head of special projects at Cinecitta and Anica’s (the National Association of Audiovisual and Digital Cinematographic Industries) head of international relations, wants to see Italian movies go well beyond the Venice red carpet and local cinemas to conquer world markets. So he’s at the Toronto Film Festival this week to pitch an offer of marketing coin for local distributors worldwide that buy Italian movies.
The goal of the Italian Film Distribution Fund is pushing local producers to make more homegrown movies for foreign markets, including through co-productions to share the risk and resources on a film.
“This new fund wants to open the minds of our producers, open up new markets to push them to receive much more money than state financing,...
- 9/13/2023
- by Etan Vlessing
- The Hollywood Reporter - Movie News
Nicola Maccanico, a former Warner Bros. and Sky Italia senior exec, has been spearheading the radical overhaul of Rome’s Cinecittà Studios since June 2021, when the government-owned facilities secured a multi-million dollar loan provided by the European Union’s post-pandemic recovery fund to upgrade and expand the iconic facilities.
Under Maccanico’s watch, the studios – which now boast 20 state-of-the-art soundstages and one of Europe’s largest LED walls – have become a magnet for Hollywood productions, such as Netflix’s period soap “The Decameron” and Roland Emmerich’s gladiator series “Those About to Die,” which is still currently shooting.
But, of course, the SAG-AFTRA strike is starting to slow things down and could “become a big problem,” as Maccanico tells Variety below.
You were just at Venice where several films shot at Cinecittà launched, one being Saverio Costanzo’s “Finally Dawn.” How are the studios doing? Are you feeling the pain of the SAG-AFTRA strike?...
Under Maccanico’s watch, the studios – which now boast 20 state-of-the-art soundstages and one of Europe’s largest LED walls – have become a magnet for Hollywood productions, such as Netflix’s period soap “The Decameron” and Roland Emmerich’s gladiator series “Those About to Die,” which is still currently shooting.
But, of course, the SAG-AFTRA strike is starting to slow things down and could “become a big problem,” as Maccanico tells Variety below.
You were just at Venice where several films shot at Cinecittà launched, one being Saverio Costanzo’s “Finally Dawn.” How are the studios doing? Are you feeling the pain of the SAG-AFTRA strike?...
- 9/13/2023
- by Nick Vivarelli
- Variety Film + TV
The company has also unveiled an Israel-based €150m fund for film and scripted TV projects.
With five films playing in competition, European production and distribution group Fremantle is enjoying a strong presence at this year’s Venice Film Festival.
Fremantle’s Ireland-uk label Element Pictures is behind one of the hottest films on the Lido this year, Yorgos Lanthimos’ Poor Things, while Italian label Wildside produced Saverio Costanzo’s big budget Finally Dawn.
Another Fremantle Italian production label The Apartment, meanwhile, is involved in three films in competition – Sofia Coppola’s Priscilla , Stefano Sollima’s Adagio and Piero Castellito’s Enea.
With five films playing in competition, European production and distribution group Fremantle is enjoying a strong presence at this year’s Venice Film Festival.
Fremantle’s Ireland-uk label Element Pictures is behind one of the hottest films on the Lido this year, Yorgos Lanthimos’ Poor Things, while Italian label Wildside produced Saverio Costanzo’s big budget Finally Dawn.
Another Fremantle Italian production label The Apartment, meanwhile, is involved in three films in competition – Sofia Coppola’s Priscilla , Stefano Sollima’s Adagio and Piero Castellito’s Enea.
- 9/8/2023
- by Tim Dams
- ScreenDaily
It might be too early to call it, but The Hollywood Reporter Roma may have given the best party of the 80th Venice Film Festival.
THR Roma, the first European edition of The Hollywood Reporter, threw a starry and glam but also surprisingly chill bash Sunday night at their festival villa, a stone’s throw from The Excelsior Hotel on the Lido. THR Roma had its official launch, in Rome, in April but the Venice bash marked its international coming out, and the group used the occasion to present its first stand-alone print edition (more on that later).
There were shades of Pablo Sorrentino’s famed party sequence in The Great Beauty as a who’s who of the Italian film and fashion industries — among them the cast of Venice festival opener Comandante, including Italian superstar Pierfrancesco Favino and director Edoardo De Angelis, Adagio filmmaker Stefano Sollima, and Valentino’s...
THR Roma, the first European edition of The Hollywood Reporter, threw a starry and glam but also surprisingly chill bash Sunday night at their festival villa, a stone’s throw from The Excelsior Hotel on the Lido. THR Roma had its official launch, in Rome, in April but the Venice bash marked its international coming out, and the group used the occasion to present its first stand-alone print edition (more on that later).
There were shades of Pablo Sorrentino’s famed party sequence in The Great Beauty as a who’s who of the Italian film and fashion industries — among them the cast of Venice festival opener Comandante, including Italian superstar Pierfrancesco Favino and director Edoardo De Angelis, Adagio filmmaker Stefano Sollima, and Valentino’s...
- 9/4/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Venice Film Festival artistic director Alberto Barbera is adamant about his decision to place six Italian movies in this year’s 23-title festival lineup. “Nobody accused the French of chauvinism because they had seven French films in competition in Cannes this year,” Barbera quipped to a snarky Italian reporter when the Venice lineup was announced in July, though he did concede, “It’s true that in the past I have not done this.” Indeed, Barbera’s previous limit on Italian movies in competition for the Golden Lion was five titles last year, which some local critics considered a stretch.
More importantly, the Venice chief pointed out that he presently sees Cinema Italiano at a particularly favorable juncture largely thanks to the fact that Italians are making movies with bigger budgets, “which means greater quality and the ability to compete in international markets, and to travel beyond our borders,” he said.
More importantly, the Venice chief pointed out that he presently sees Cinema Italiano at a particularly favorable juncture largely thanks to the fact that Italians are making movies with bigger budgets, “which means greater quality and the ability to compete in international markets, and to travel beyond our borders,” he said.
- 9/4/2023
- by Nick Vivarelli
- Variety Film + TV
The Italian film and television industry could step into the gap left by the dual Hollywood strikes, leading industry executives said at a panel, organized in collaboration with the Audiovisivo Italiae, at the Venice Film Festival on Saturday.
“If supply decreases with Hollywood on strike, we need to be ready with our products for the international market as well,” said Francesco Rutelli, president of the Italian national audiovisual association Anica, speaking at a panel moderated by THR Roma editor-in-chief Concita De Gregorio.
“We need to interpret market changes in real-time. And we need the government to issue certain rules with respect to these changes. It’s not a matter of changing the system’s regulations, but of adjusting them quickly to the changed and rapid changes taking place.”
Maria Pia Ammirati director of Rai Fiction, a division of Italy’s national public broadcaster, noted that since the beginning of...
“If supply decreases with Hollywood on strike, we need to be ready with our products for the international market as well,” said Francesco Rutelli, president of the Italian national audiovisual association Anica, speaking at a panel moderated by THR Roma editor-in-chief Concita De Gregorio.
“We need to interpret market changes in real-time. And we need the government to issue certain rules with respect to these changes. It’s not a matter of changing the system’s regulations, but of adjusting them quickly to the changed and rapid changes taking place.”
Maria Pia Ammirati director of Rai Fiction, a division of Italy’s national public broadcaster, noted that since the beginning of...
- 9/3/2023
- by Ilaria Ravarino
- The Hollywood Reporter - Movie News
The glory days of Cinecitta are evoked in Finally Dawn (Finalmente l’Alba), a sprawling story of uncertain tone – sometimes thrilled, sometimes appalled and sometimes as generally bewildered as nervous ingenue Mimosa (Rebecca Antonaci), an ordinary young woman of Rome who finds herself leading the way through this warren of a Wonderland. Cinecitta has recently revived its fortunes after a long slump, with a slow build of refurbishment and expansion, but director Saverio Costanzo leans heavily into nostalgia for times past, setting his story in the ‘50s when there were still legions of centurions marching around the studio lot and live animals awaiting their close-ups. A lion features here, roaring at passers-by. It may well be the film’s most sympathetic character.
Mimosa is not the least bit leonine. She is only at Cinecitta because her sister Iris (Sofia Panizzi) was approached at the local cinema by someone from the studio...
Mimosa is not the least bit leonine. She is only at Cinecitta because her sister Iris (Sofia Panizzi) was approached at the local cinema by someone from the studio...
- 9/2/2023
- by Stephanie Bunbury
- Deadline Film + TV
Cruel Intentions: Costanzo Pays Homage to the Demi-Monde of the Italian Film Industry
After adapting Elena Ferrante’s “My Brilliant Friend” for television, Saverio Costanzo returns to narrative film for the first time in almost a decade with the odd, sinister Finally Dawn (Finalmente L’Alba), which peers through a glass darkly into the underbelly of the cinematic It crowd. However it’s also a twenty-four-hour coming of age tale about not only the loss of innocence but the discovery of agency, as one young woman’s eyes are opened through far ranging formative experiences before she breaks the dawn. Much like Damien Chazelle’s ode to the transition of sound cinema with 2022’s Babylon, Costanzo returns to the empire of Rome’s Cinecitta in the 50s, nicknamed the Hollywood on the Tiber, and all its pulpy glory.…...
After adapting Elena Ferrante’s “My Brilliant Friend” for television, Saverio Costanzo returns to narrative film for the first time in almost a decade with the odd, sinister Finally Dawn (Finalmente L’Alba), which peers through a glass darkly into the underbelly of the cinematic It crowd. However it’s also a twenty-four-hour coming of age tale about not only the loss of innocence but the discovery of agency, as one young woman’s eyes are opened through far ranging formative experiences before she breaks the dawn. Much like Damien Chazelle’s ode to the transition of sound cinema with 2022’s Babylon, Costanzo returns to the empire of Rome’s Cinecitta in the 50s, nicknamed the Hollywood on the Tiber, and all its pulpy glory.…...
- 9/1/2023
- by Nicholas Bell
- IONCINEMA.com
Many native critics have bemoaned the invasion of English-speaking actors turning their hand to the Italian tongue at this year’s Venice Film Festival, easy to spot not, this time, by their proclivity for adding both onion and garlic to a sugo or cream to a carbonara. In this case, it’s Joe Keery, Willem Dafoe, and Lily James in the baffling competition title “Finalmente l’alba,” (“Finally Dawn”), which mixes Italian and American actors in Rome’s booming “Hollywood on the Tiber” era, during which the Cinecittà Studios was a breeding ground for large-scale productions of the 1950s and ’60s such as “Ben Hur” and “Cleopatra.”
Beginning as a “Babylon”-esque tale about the unmitigated heft and mania of epic filmmaking in Rome before becoming a quasi-murder mystery, and then, ultimately, a loss-of-innocence bildungsroman for one of cinema’s least memorable protagonists, Saverio Costanzo’s driverless feature seems to constantly...
Beginning as a “Babylon”-esque tale about the unmitigated heft and mania of epic filmmaking in Rome before becoming a quasi-murder mystery, and then, ultimately, a loss-of-innocence bildungsroman for one of cinema’s least memorable protagonists, Saverio Costanzo’s driverless feature seems to constantly...
- 9/1/2023
- by Steph Green
- Indiewire
The stars were out in Venice for Variety and the Golden Globe Awards’ party on Thursday night, featuring Chase Stokes, Kelsea Ballerini, Lukas Gage and Pablo Larraín.
Presented by Iervolino and Lady Bacardi Entertainment, the event celebrated breakthrough talent and excellence in Italian filmmaking, handing out several awards under the moonlight. Stokes and Gage received breakthrough actor awards; Jack Huston and Alice Diop were given breakthrough director awards; director Larraín was named the Venice Visionary; director Saverio Costanzo received the Italian Excellence award; and “Ferrari” producers Andrea Iervolino and Monika Bacardi were honored with the breakthrough producers award.
Lady Monika Bacardi and Andrea Iervolino attend the Variety and Golden Globes Party at Venice Film Festival. Jack Huston, Helen Hoehne and Ramin Setoodeh attend the Variety and Golden Globes Party at Venice Film Festival.
Stokes, who dropped into Venice from a vacation on the Amalfi Coast with girlfriend and country singer Ballerini,...
Presented by Iervolino and Lady Bacardi Entertainment, the event celebrated breakthrough talent and excellence in Italian filmmaking, handing out several awards under the moonlight. Stokes and Gage received breakthrough actor awards; Jack Huston and Alice Diop were given breakthrough director awards; director Larraín was named the Venice Visionary; director Saverio Costanzo received the Italian Excellence award; and “Ferrari” producers Andrea Iervolino and Monika Bacardi were honored with the breakthrough producers award.
Lady Monika Bacardi and Andrea Iervolino attend the Variety and Golden Globes Party at Venice Film Festival. Jack Huston, Helen Hoehne and Ramin Setoodeh attend the Variety and Golden Globes Party at Venice Film Festival.
Stokes, who dropped into Venice from a vacation on the Amalfi Coast with girlfriend and country singer Ballerini,...
- 9/1/2023
- by Ellise Shafer
- Variety Film + TV
Production in Italy has boomed in recent years, and so too have budgets and international investment.
Cast an eye over the titles vying for a Golden Lion at this year’s Venice Film Festival and one thing stands out – the number of Italian films in the main competition.
Six of the 23 films in the main competition are Italian, an increase from the usual three Italian titles that are programmed in the section. While the step change could be a result of the writers and actors’ strikes leading to fewer US productions making the trip to Venice, each of the selected...
Cast an eye over the titles vying for a Golden Lion at this year’s Venice Film Festival and one thing stands out – the number of Italian films in the main competition.
Six of the 23 films in the main competition are Italian, an increase from the usual three Italian titles that are programmed in the section. While the step change could be a result of the writers and actors’ strikes leading to fewer US productions making the trip to Venice, each of the selected...
- 9/1/2023
- by Gabriele Niola
- ScreenDaily
Italian producer and Lido habitué Mario Gianani is at the Venice Film Festival this year with Saverio Costanzo’s drama Finally Dawn which world premieres in Competition on Friday.
The head of Fremantle-owned film and TV production company Wildside has worked with Costanzo for two decades, producing all his work, from feature directorial debut Private to his more recent series In Treatment and the HBO hit My Brilliant Friend.
They are back together for a new period piece set against the backdrop of the 1950s heydays of Rome’s Cinecittà studios.
Italian newcomer Rebecca Antonaci plays a young extra on a swords and sandals production who is swept up by its stars and taken on a memorable, life-changing night across Rome’s high society hotspots.
Antonaci is joined in the cast by Lily James as a capricious, magnetic and self-obsessed acting diva, Willem Dafoe, as a U.S. expat Rome art gallerist,...
The head of Fremantle-owned film and TV production company Wildside has worked with Costanzo for two decades, producing all his work, from feature directorial debut Private to his more recent series In Treatment and the HBO hit My Brilliant Friend.
They are back together for a new period piece set against the backdrop of the 1950s heydays of Rome’s Cinecittà studios.
Italian newcomer Rebecca Antonaci plays a young extra on a swords and sandals production who is swept up by its stars and taken on a memorable, life-changing night across Rome’s high society hotspots.
Antonaci is joined in the cast by Lily James as a capricious, magnetic and self-obsessed acting diva, Willem Dafoe, as a U.S. expat Rome art gallerist,...
- 9/1/2023
- by Melanie Goodfellow
- Deadline Film + TV
If a film festival falls in the middle of a strike, will anyone come? What could have been a purely philosophical question has become a stark reality for the 80th Biennale, which, despite the ongoing SAG-AFTRA and WGA strikes, is still hoping to pack its red carpet with A-list celebrities.
Several hot-ticket titles in Venice this year, including Michael Mann’s Ferrari starring Adam Driver and Penélope Cruz, and Luc Besson’s Dogman with Caleb Landry Jones, have secured interim agreement waivers from SAG-AFTRA to allow affiliated talent to do promotion and publicity at the festival. And the actors union last week explicitly encouraged its members to promote approved projects, as a way to support the indie industry. Films from the streamers or the studios, so-called “struck productions,” cannot get interim agreement waivers from the unions.
Waiver or not, however, it remains to be seen if the talent will actually show up.
Several hot-ticket titles in Venice this year, including Michael Mann’s Ferrari starring Adam Driver and Penélope Cruz, and Luc Besson’s Dogman with Caleb Landry Jones, have secured interim agreement waivers from SAG-AFTRA to allow affiliated talent to do promotion and publicity at the festival. And the actors union last week explicitly encouraged its members to promote approved projects, as a way to support the indie industry. Films from the streamers or the studios, so-called “struck productions,” cannot get interim agreement waivers from the unions.
Waiver or not, however, it remains to be seen if the talent will actually show up.
- 8/31/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Saverio Costanzo, who was last in the Venice competition in 2014 with Adam Driver-starrer “Hungry Hearts,” is back on the Lido with “Finally Dawn.”
The 1950s-set film stars Lily James plays a slightly fading American diva named Josephine Esperanto, who’s shooting a swords and sandals epic at Cinecittà when the famed filmmaking facilities were known as Hollywood on the Tiber. At the studios, Esperanto intersects with a young Roman woman named Mimosa, who is auditioning as an extra and takes a shine to her innocence. A “Dolce Vita” night follows in which Esperanto, Mimosa and the Hollywood epic’s other U.S. actors — played by Joe Keery and Rachel Sennott, plus an art dealer played by Willem Dafoe — spend some memorable hours.
Written and directed by Costanzo — who saw global success with Rai and HBO’s multi-season “My Brilliant Friend” — the picture is produced by Mario Gianani and Lorenzo Gangarossa for Wildside,...
The 1950s-set film stars Lily James plays a slightly fading American diva named Josephine Esperanto, who’s shooting a swords and sandals epic at Cinecittà when the famed filmmaking facilities were known as Hollywood on the Tiber. At the studios, Esperanto intersects with a young Roman woman named Mimosa, who is auditioning as an extra and takes a shine to her innocence. A “Dolce Vita” night follows in which Esperanto, Mimosa and the Hollywood epic’s other U.S. actors — played by Joe Keery and Rachel Sennott, plus an art dealer played by Willem Dafoe — spend some memorable hours.
Written and directed by Costanzo — who saw global success with Rai and HBO’s multi-season “My Brilliant Friend” — the picture is produced by Mario Gianani and Lorenzo Gangarossa for Wildside,...
- 8/31/2023
- by Nick Vivarelli
- Variety Film + TV
With the festival kicking off tomorrow, Telluride Film Festival has now unveiled its lineup, featuring new films from Jeff Nichols (the first image from which can be seen above), Emerald Fennell, Annie Baker, Andrew Haigh, Yorgos Lanthimos, Justine Triet, Wim Wenders, Kitty Green, Ethan Hawke, and many more.
“Fifty years is a long time to do anything. And while we might be a little biased, we feel the work that Tff does is pretty important,” comments Telluride Film Festival director Julie Huntsinger. “We take the charge of preserving the theatrical experience and promoting film seriously, but with necessary winks here and there. We’re ecstatic to share a program we feel reflects so much of the past fifty years, naturally and organically, films old and new, which stand as a testament to our beloved co-founders Tom Luddy and Bill Pence who are no longer with us.”
• All Of US Strangers...
“Fifty years is a long time to do anything. And while we might be a little biased, we feel the work that Tff does is pretty important,” comments Telluride Film Festival director Julie Huntsinger. “We take the charge of preserving the theatrical experience and promoting film seriously, but with necessary winks here and there. We’re ecstatic to share a program we feel reflects so much of the past fifty years, naturally and organically, films old and new, which stand as a testament to our beloved co-founders Tom Luddy and Bill Pence who are no longer with us.”
• All Of US Strangers...
- 8/30/2023
- by Leonard Pearce
- The Film Stage
2023 Festival dedicated to founders Tom Luddy, Bill Pence, Stella Pence, James Card.
Telluride Film Festival has announced its 2023 50th anniversary line-up with Emerald Fennell’s Saltburn, Yorgos Lanthimos’ Poor Things, Justine Triet’s Palme d’Or winner Anatomy Of A Fall, and Steve McQueen’s Occupied City on the roster.
The selection, which will play in the Colorado Rockies locale from August 31 to September 4, includes Jeff Nichols’ The Bikeriders, Jonathan Glazer’s Cannes sensation The Zone Of Interest, Pablo Larrain’s El Conde, Kitty Green’s The Royal Hotel, George C. Wolfe’s Rustin, Nyad from Elizabeth Chai Vasarhelyi and Jimmy Chin,...
Telluride Film Festival has announced its 2023 50th anniversary line-up with Emerald Fennell’s Saltburn, Yorgos Lanthimos’ Poor Things, Justine Triet’s Palme d’Or winner Anatomy Of A Fall, and Steve McQueen’s Occupied City on the roster.
The selection, which will play in the Colorado Rockies locale from August 31 to September 4, includes Jeff Nichols’ The Bikeriders, Jonathan Glazer’s Cannes sensation The Zone Of Interest, Pablo Larrain’s El Conde, Kitty Green’s The Royal Hotel, George C. Wolfe’s Rustin, Nyad from Elizabeth Chai Vasarhelyi and Jimmy Chin,...
- 8/30/2023
- ScreenDaily
The Telluride Film Festival, a key part of the fall festival circuit launching awards season and perhaps some major Academy Award contenders, announced the wide-ranging lineup of films for its landmark 50th edition. The fest kicks off Thursday and runs through Labor Day and will feature world premieres of Oscar winners Alexander Payne’s The Holdovers (Focus Features), Emerald Fennell’s Saltburn (Amazon) and Free Solo filmmakers Elizabeth Chai Vasarhelyi and Jimmy Chin’s narrative feature Nyad (Netflix).
50th Anniversary Telluride Film Festival poster designed by Luke Dorman/Meow Wolfe
Other world premieres in the lineup include Andrew Haigh’s All of Us Strangers (Searchlight) with Paul Mescal and Andrew Scott; George C. Wolfe’s Rustin (Netflix), starring Colman Domingo in the title role; Ethan Hawke’s Wildcat starring daughter Maya Hawke; Bhutan filmmaker Pawo Choyning Dorji’s follow-up to his Oscar-nominated international breakthrough Lunana: A Yak in the Classroom,...
50th Anniversary Telluride Film Festival poster designed by Luke Dorman/Meow Wolfe
Other world premieres in the lineup include Andrew Haigh’s All of Us Strangers (Searchlight) with Paul Mescal and Andrew Scott; George C. Wolfe’s Rustin (Netflix), starring Colman Domingo in the title role; Ethan Hawke’s Wildcat starring daughter Maya Hawke; Bhutan filmmaker Pawo Choyning Dorji’s follow-up to his Oscar-nominated international breakthrough Lunana: A Yak in the Classroom,...
- 8/30/2023
- by Pete Hammond
- Deadline Film + TV
The 50th edition of the Telluride Film Festival will include the world premieres of Emerald Fennell’s “Saltburn,” Jeff Nichols’ “The Bikeriders,” George C. Wolfe’s “Rustin,” Elizabeth Chai Vasarhelyi and Jimmy Chin’s “Nyad,” and Alexander Payne’s “The Holdovers,” among other top awards hopefuls, festival organizers announced on Wednesday.
In keeping with tradition, the 2023 Telluride lineup was kept under wraps until 24 hours before the annual festival begins – although sharp-eyed pundits and awards experts were able to accurately speculate about many of the titles in this year’s lineup due to premiere designations at other festivals in Toronto, Venice, and New York.
“Saltburn” is Fennell’s second film after 2020’s “Promising Young Woman,” which landed the budding auteur a trio of Oscar nominations. The film stars recent Best Supporting Actor nominee Barry Keoghan, as well as Jacob Elordi of “Euphoria” fame, former Oscar nominees Rosamund Pike and Richard E. Grant,...
In keeping with tradition, the 2023 Telluride lineup was kept under wraps until 24 hours before the annual festival begins – although sharp-eyed pundits and awards experts were able to accurately speculate about many of the titles in this year’s lineup due to premiere designations at other festivals in Toronto, Venice, and New York.
“Saltburn” is Fennell’s second film after 2020’s “Promising Young Woman,” which landed the budding auteur a trio of Oscar nominations. The film stars recent Best Supporting Actor nominee Barry Keoghan, as well as Jacob Elordi of “Euphoria” fame, former Oscar nominees Rosamund Pike and Richard E. Grant,...
- 8/30/2023
- by Christopher Rosen
- Gold Derby
Alexander Payne’s “The Holdovers,” Elizabeth Chai Vasarhelyi and Jimmy Chin’s “Nyad,” Emerald Fennell’s “Saltburn” and George C. Wolfe’s “Rustin” are among the films that will screen at the 2023 Telluride Film Festival, Telluride organizers announced on Wednesday.
The festival begins on Thursday, only one day after the announcement of the lineup. The late notice is a tradition at Telluride, which sells out its passes every year without revealing what films will be playing in the Colorado mountain town — although as the Toronto International Film Festival has gotten more detailed in announcing the premiere status of its bookings, it’s been increasingly easy to read between the lines of Toronto releases to figure out what’s headed to Telluride.
(This year, for example, Payne’s “The Holdovers,” which reunites the director with his “Sideways” star Paul Giamatti, was listed as an international premiere by TIFF, which meant that...
The festival begins on Thursday, only one day after the announcement of the lineup. The late notice is a tradition at Telluride, which sells out its passes every year without revealing what films will be playing in the Colorado mountain town — although as the Toronto International Film Festival has gotten more detailed in announcing the premiere status of its bookings, it’s been increasingly easy to read between the lines of Toronto releases to figure out what’s headed to Telluride.
(This year, for example, Payne’s “The Holdovers,” which reunites the director with his “Sideways” star Paul Giamatti, was listed as an international premiere by TIFF, which meant that...
- 8/30/2023
- by Steve Pond
- The Wrap
There are compliments and there are compliments. For a young Italian actress making her big screen debut, being compared to Giulietta Masina — best known for her work in front of the camera of Federico Fellini (who also doubled up as her husband), most notably La Strada and Nights of Cabiria — it’s definitely one of the better ones to receive.
But it was this that, Rebecca Antonaci explains, led director Saverio Costanzo to cast her as the lead in his Venice-bowing drama Finally Dawn (Finalmente L’alba in Italian). “Saverio told me that I, in some way, reminded him of Messina,” the 18-year-old says, speaking from Rome.
If Costanzo was looking for someone who could capture Masina’s renowned youthful, wide-eyed innocence, he certainly found it with this newcomer.
Set in the mid 1950s, in the golden age of the Italian capital’s historic Cinecitta studio (and the period where Masina...
But it was this that, Rebecca Antonaci explains, led director Saverio Costanzo to cast her as the lead in his Venice-bowing drama Finally Dawn (Finalmente L’alba in Italian). “Saverio told me that I, in some way, reminded him of Messina,” the 18-year-old says, speaking from Rome.
If Costanzo was looking for someone who could capture Masina’s renowned youthful, wide-eyed innocence, he certainly found it with this newcomer.
Set in the mid 1950s, in the golden age of the Italian capital’s historic Cinecitta studio (and the period where Masina...
- 8/30/2023
- by Alex Ritman
- The Hollywood Reporter - Movie News
With no official film market and a more laid-back attitude than Cannes, Berlin or Toronto, Venice has never been the go-to festival for movie deals.
But opportunistic buyers could spot a bargain this year, as many of the hottest titles arrive at the Lido without major distribution in place.
Just ahead of Venice, Sideshow and Janus Films picked up domestic rights to Ryûsuke Hamaguchi’s Drive My Car follow-up Evil Does Not Exist, and Mubi snatched up Sophia Coppola’s Priscilla, an A24 release in the U.S., for several markets, including the U.K., Germany, Latin America and Turkey.
Here are some of the other prime targets for dealmakers in the 2023 Venice Film Festival lineup.
Aggro Dr1ft
Director Harmony Korine
Stars Travis Scott, Jordi Molla
Buzz Another slice of extreme avant-guard from Spring Beakers and Trash Humpers director Harmony Korine, this experimental action film — shot entirely in infrared...
But opportunistic buyers could spot a bargain this year, as many of the hottest titles arrive at the Lido without major distribution in place.
Just ahead of Venice, Sideshow and Janus Films picked up domestic rights to Ryûsuke Hamaguchi’s Drive My Car follow-up Evil Does Not Exist, and Mubi snatched up Sophia Coppola’s Priscilla, an A24 release in the U.S., for several markets, including the U.K., Germany, Latin America and Turkey.
Here are some of the other prime targets for dealmakers in the 2023 Venice Film Festival lineup.
Aggro Dr1ft
Director Harmony Korine
Stars Travis Scott, Jordi Molla
Buzz Another slice of extreme avant-guard from Spring Beakers and Trash Humpers director Harmony Korine, this experimental action film — shot entirely in infrared...
- 8/30/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Being an independent producer was never easy. But these days, it’s near impossible. Even before the dual writers and actors strikes, changes in the international film and TV market had made life tough for the indies. Old models of art house moviemaking have been ravaged by a combination of decline in the specialty box office, the collapse of ancillary revenue for home entertainment and TV licensing, and the more recent pullback by streaming companies, who have begun to back fewer, and more mainstream, movies.
But one indie production company has gone from making just a handful of movies a year to dozens, finding a way to turn the turbulent new reality into a business model for making cutting-edge art house cinema that, shockingly, can actually turn a profit. It’s the company behind five of the most hotly anticipated titles at the Venice Film Festival this year: Yorgos Lanthimos’ Poor Things,...
But one indie production company has gone from making just a handful of movies a year to dozens, finding a way to turn the turbulent new reality into a business model for making cutting-edge art house cinema that, shockingly, can actually turn a profit. It’s the company behind five of the most hotly anticipated titles at the Venice Film Festival this year: Yorgos Lanthimos’ Poor Things,...
- 8/25/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
The Hollywood Reporter has picked Fremantle as the winner of the inaugural International Producer of the Year award.
The award will be presented annually to an independent producer from outside the U.S. that THR judges to be the most exciting and innovative company of the year.
THR will present the 2023 Producer of the Year award to Andrea Scrosati, Group COO and CEO of Continental Europe, and Christian Vesper, CEO of Global Drama, at a gala event at the Venice Film Festival on September 3.
With a global network of nearly 50 companies — ranging from German giant UFA (Deutschland ’83) and Italian TV group Lux Vide (Netflix’s Medici) to Israel’s Abot Hameiri (Shtisel) and Richard Brown’s Passenger (True Detective) — and revenues of more than $2.5 billion (€2.3 billion) last year, Fremantle is clearly one of the biggest international indies out there.
But what put it over the top as International Producer of...
The award will be presented annually to an independent producer from outside the U.S. that THR judges to be the most exciting and innovative company of the year.
THR will present the 2023 Producer of the Year award to Andrea Scrosati, Group COO and CEO of Continental Europe, and Christian Vesper, CEO of Global Drama, at a gala event at the Venice Film Festival on September 3.
With a global network of nearly 50 companies — ranging from German giant UFA (Deutschland ’83) and Italian TV group Lux Vide (Netflix’s Medici) to Israel’s Abot Hameiri (Shtisel) and Richard Brown’s Passenger (True Detective) — and revenues of more than $2.5 billion (€2.3 billion) last year, Fremantle is clearly one of the biggest international indies out there.
But what put it over the top as International Producer of...
- 8/23/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
La BêteCOMPETITIONComandante (Edoardo De Angelis)The Promised Land (Nikolaj Arcel)Dogman (Luc Besson) La Bête (Bertrand Bonello) Hors-Saison (Stéphane Brizé) Enea (Pietro Castellitto) Maestro (Bradley Cooper)Priscilla (Sofia Coppola)Finalmente L’Alba (Saverio Costanzo)Lubo (Giorgio Diritti) Origin (Ava DuVernay) The Killer (David Fincher)Memory (Michel Franco)Io capitano (Matteo Garrone)Evil Does Not Exist (Ryûsuke Hamaguchi)The Green Border (Agnieszka Holland)The Theory of Everything (Timm Kröger)Poor Things (Yorgos Lanthimos)El conde (Pablo Larrain)Ferrari (Michael Mann)Adagio (Stefano Sollima)Woman OfHolly (Fien Troch)Out Of COMPETITIONFictionSociety of the Snow (J.A. Bayona)Coup de Chance (Woody Allen)The Wonderful Story of Henry Sugar (Wes Anderson)The Penitent (Luca Barbareschi)L’Ordine Del Tempo (Liliana Cavani)Vivants (Alix Delaporte)Welcome to Paradise (Leonardo di Constanzo)Daaaaaali! (Quentin Dupieux)The Caine Mutiny Court-Martial (William Friedkin)Making of (Cedric Kahn)Aggro Dr1ft (Harmony Korine)Hitman (Richard Linklater)The Palace (Roman Polanski...
- 7/29/2023
- MUBI
Lido red carpets may be star-deprived this year, but that didn’t stop the Venice Film Festival from arranging a gorgeous constellation of new movies from supernova directors. (The full lineup is here.)
The SAG-AFTRA strike work stoppage means, of course, that competition directors like Yorgos Lanthimos (“Poor Things”), David Fincher (“The Killer”), Sofia Coppola (“Priscilla”), Ava DuVernay, Saverio Costanzo (“Finalmente L’Alba”), and Michel Franco (“Memory”) will have to do the talking at press conferences and attend step-and-repeats without their actors, if they’re willing. It’s tricky for multihyphenates like Bradley Cooper, who directs and stars as Leonard Bernstein in Netflix’s “Maestro;” IndieWire hears he will sit this festival out.
Among the Venice film stars who will not be waving to the paparazzi from water taxis are Emma Stone, Margaret Qualley, Carey Mulligan, Michael Fassbender, Tilda Swinton, Adam Driver, Penelope Cruz, Jacob Elordi, Aunjanue Ellis, Lily James, Joe Keery,...
The SAG-AFTRA strike work stoppage means, of course, that competition directors like Yorgos Lanthimos (“Poor Things”), David Fincher (“The Killer”), Sofia Coppola (“Priscilla”), Ava DuVernay, Saverio Costanzo (“Finalmente L’Alba”), and Michel Franco (“Memory”) will have to do the talking at press conferences and attend step-and-repeats without their actors, if they’re willing. It’s tricky for multihyphenates like Bradley Cooper, who directs and stars as Leonard Bernstein in Netflix’s “Maestro;” IndieWire hears he will sit this festival out.
Among the Venice film stars who will not be waving to the paparazzi from water taxis are Emma Stone, Margaret Qualley, Carey Mulligan, Michael Fassbender, Tilda Swinton, Adam Driver, Penelope Cruz, Jacob Elordi, Aunjanue Ellis, Lily James, Joe Keery,...
- 7/25/2023
- by Ryan Lattanzio
- Indiewire
Venice artistic director Alberto Barbera insists strikes will have “quite modest” impact on festival
Says that American movies that were invited have confirmed they will play in Competition.
Venice Film Festival artistic director Alberto Barbera has insisted the US actors and writers’ strikes will have a “quite modest” impact on this year’s festival.
At a press conference to announce the festival line-up today, Barbera admitted the past week of the selection process had been “quite troubled” as a result of the strike and that it was difficult to finalise the programme.
He added, however, that “luckily enough the consequences of this strike - which has very good motivations we can agree to -...
Venice Film Festival artistic director Alberto Barbera has insisted the US actors and writers’ strikes will have a “quite modest” impact on this year’s festival.
At a press conference to announce the festival line-up today, Barbera admitted the past week of the selection process had been “quite troubled” as a result of the strike and that it was difficult to finalise the programme.
He added, however, that “luckily enough the consequences of this strike - which has very good motivations we can agree to -...
- 7/25/2023
- by Tim Dams
- ScreenDaily
The Venice Film Festival sails on in Italy — even with much of Hollywood at a standstill.
The annual cinema celebration hosted by La Biennale di Venezia and directed by Alberto Barbera runs from August 30 through September 9. Despite already having lost Luca Guadagnino’s “Challengers” from its opening night slot due to its SAG-AFTRA talent including star Zendaya being unable to accompany the world premiere due to strike work stoppage orders, Venice has plenty of movie goodness in store for its 80th edition.
Competition highlights include Bradley Cooper’s “Maestro,” Sofia Coppola’s “Priscilla,” David Fincher’s “The Killer,” Michael Mann’s “Ferrari,” Yorgos Lanthimos’ “Poor Things,” Ava DuVernay’s “Origin,” Luc Besson’s “Dogman,” Michel Franco’s “Memory,” Pablo Larrain’s “El Conde,” and many more. Out of competition, Venice will screen new films from Harmony Korine, Richard Linklater, Woody Allen, Wes Anderson, Roman Polanski, and William Friedkin.
The annual cinema celebration hosted by La Biennale di Venezia and directed by Alberto Barbera runs from August 30 through September 9. Despite already having lost Luca Guadagnino’s “Challengers” from its opening night slot due to its SAG-AFTRA talent including star Zendaya being unable to accompany the world premiere due to strike work stoppage orders, Venice has plenty of movie goodness in store for its 80th edition.
Competition highlights include Bradley Cooper’s “Maestro,” Sofia Coppola’s “Priscilla,” David Fincher’s “The Killer,” Michael Mann’s “Ferrari,” Yorgos Lanthimos’ “Poor Things,” Ava DuVernay’s “Origin,” Luc Besson’s “Dogman,” Michel Franco’s “Memory,” Pablo Larrain’s “El Conde,” and many more. Out of competition, Venice will screen new films from Harmony Korine, Richard Linklater, Woody Allen, Wes Anderson, Roman Polanski, and William Friedkin.
- 7/25/2023
- by Ryan Lattanzio
- Indiewire
Two movies whose directors are likely to draw protests, Woody Allen’s French-language “Coup de Chance” and Roman Polanski’s “The Palace,” will make their world premieres at the 2023 Venice International Film Festival, Venice artistic director Alberto Barbera and La Biennale di Venezia president Roberto Cicutto announced at a Tuesday morning press conference.
Both films will screen out of competition, though they’ll likely draw an inordinate amount of attention at a festival that has assembled a robust lineup of major filmmakers even as it struggles with the effects of the SAG-AFTRA and WGA strikes.
Films booked for the Venice main competition include Bradley Cooper’s Leonard Bernstein biopic “Maestro”; Yorgos Lanthimos’ sci-fi drama “Poor Things”; Sofia Coppola’s Priscilla Presley film “Priscilla”; Michael Mann’s auto-racing film “Ferrari”; Ava DuVernay’s “Origin,” with Aunjanue Ellis-Taylor, Niecy Nash-Betts and Vera Farmiga; and David Fincher’s “The Killer,” with Michael Fassbender.
Both films will screen out of competition, though they’ll likely draw an inordinate amount of attention at a festival that has assembled a robust lineup of major filmmakers even as it struggles with the effects of the SAG-AFTRA and WGA strikes.
Films booked for the Venice main competition include Bradley Cooper’s Leonard Bernstein biopic “Maestro”; Yorgos Lanthimos’ sci-fi drama “Poor Things”; Sofia Coppola’s Priscilla Presley film “Priscilla”; Michael Mann’s auto-racing film “Ferrari”; Ava DuVernay’s “Origin,” with Aunjanue Ellis-Taylor, Niecy Nash-Betts and Vera Farmiga; and David Fincher’s “The Killer,” with Michael Fassbender.
- 7/25/2023
- by Steve Pond
- The Wrap
Deadline can reveal a first clip for Italian director Saverio Costanzo’s new film Finally Dawn (Finalemente L’Alba) following the announcement on Tuesday of its world premiere in Competition at the 80th Venice Film Festival.
Set in the golden age of Rome’s historic Cinecittà in the 1950s, the cast features newcomer Rebecca Antonaci alongside international cast Lily James, Joe Keery (Stranger Things), Rachel Sennott (The Idol), Alba Rohrwacher and Willem Dafoe.
Antonaci plays teenage ingenue Mimosa who undergoes a coming-of age adventure over the course of one night after she is hired as an extra on a classic swords and sandals drama.
In the backdrop to her personal voyage is the mysterious death of Wilma Montesi, a real-life young woman from Rome with acting aspirations, whose semi-naked body was found on a beach in 1953, on the nearby Lazio coastline.
Finalmente L’Alba is Costanzo’s first directorial credit...
Set in the golden age of Rome’s historic Cinecittà in the 1950s, the cast features newcomer Rebecca Antonaci alongside international cast Lily James, Joe Keery (Stranger Things), Rachel Sennott (The Idol), Alba Rohrwacher and Willem Dafoe.
Antonaci plays teenage ingenue Mimosa who undergoes a coming-of age adventure over the course of one night after she is hired as an extra on a classic swords and sandals drama.
In the backdrop to her personal voyage is the mysterious death of Wilma Montesi, a real-life young woman from Rome with acting aspirations, whose semi-naked body was found on a beach in 1953, on the nearby Lazio coastline.
Finalmente L’Alba is Costanzo’s first directorial credit...
- 7/25/2023
- by Melanie Goodfellow
- Deadline Film + TV
On the heels of yesterday’s TIFF announcement, the first major fall festival of the season––Venice International Film Festival––is unveiling its lineup. Taking place August 30-September 9, the competition jury this year is chaired by Damien Chazelle.
Highlights include new films from David Fincher, Michael Mann, Wes Anderson, Ryusuke Hamaguchi, Sofia Coppola, Bradley Cooper, Bertrand Bonello, Frederick Wiseman, Roman Polanski, William Friedkin, Ava DuVernay, Harmony Korine, Richard Linklater, Woody Allen, and more.
Competition
Adagio; dir. Stefano Sollima
The Beast; dir. Bertrand Bonello
Io Capitano; dir. Matteo Garrone
Comandante; dir. Edoardo de Angelis
El Conde; dir. Pablo Larraín
Die Theorie von Allem; dir. Timm Kröger
Dogman; dir. Luc Besson
Enea; dir. Pietro Castellitto
Evil Does Not Exist; dir. Ryusuke Hamaguchi
Ferrari; dir. Michael Mann
Finalmente L’Alba; dir. Saverio Costanzo
Green Border; dir. Agnieszka Holland
Holly; dir. Fien Troch
Hors-Saison; dir. Stéphane Brizé
The Killer; dir. David Fincher
Lubo; dir. Giorgio Diritti
The Promised Land; dir.
Highlights include new films from David Fincher, Michael Mann, Wes Anderson, Ryusuke Hamaguchi, Sofia Coppola, Bradley Cooper, Bertrand Bonello, Frederick Wiseman, Roman Polanski, William Friedkin, Ava DuVernay, Harmony Korine, Richard Linklater, Woody Allen, and more.
Competition
Adagio; dir. Stefano Sollima
The Beast; dir. Bertrand Bonello
Io Capitano; dir. Matteo Garrone
Comandante; dir. Edoardo de Angelis
El Conde; dir. Pablo Larraín
Die Theorie von Allem; dir. Timm Kröger
Dogman; dir. Luc Besson
Enea; dir. Pietro Castellitto
Evil Does Not Exist; dir. Ryusuke Hamaguchi
Ferrari; dir. Michael Mann
Finalmente L’Alba; dir. Saverio Costanzo
Green Border; dir. Agnieszka Holland
Holly; dir. Fien Troch
Hors-Saison; dir. Stéphane Brizé
The Killer; dir. David Fincher
Lubo; dir. Giorgio Diritti
The Promised Land; dir.
- 7/25/2023
- by Jordan Raup
- The Film Stage
New films by top U.S. directors including David Fincher, Sofia Coppola, Ava DuVernay, Michael Mann, Bradley Cooper and Wes Anderson will be launching from the Venice Film Festival alongside a robust roster of European, Latin American and Asian auteurs, in a clear sign that disruption caused by two ongoing labor strikes in Hollywood is less than some expected.
Though Venice was forced a few days ago to pull its originally planned opener, Zendaya-starrer “Challengers,” due to promotional complications from the SAG-AFTRA strike, the fest’s complete lineup, announced on Tuesday, has certainly not suffered a mass exodus of Hollywood titles. On the contrary, the Lido’s firepower as an awards season pistol seems to have outgunned the probable scarcity of stars that will be on the red carpet for U.S. films, though even this aspect remains to be seen.
“This past week has been a bit turbulent...
Though Venice was forced a few days ago to pull its originally planned opener, Zendaya-starrer “Challengers,” due to promotional complications from the SAG-AFTRA strike, the fest’s complete lineup, announced on Tuesday, has certainly not suffered a mass exodus of Hollywood titles. On the contrary, the Lido’s firepower as an awards season pistol seems to have outgunned the probable scarcity of stars that will be on the red carpet for U.S. films, though even this aspect remains to be seen.
“This past week has been a bit turbulent...
- 7/25/2023
- by Nick Vivarelli
- Variety Film + TV
Includes films from David Fincher, Sofia Coppola, Ava DuVernay, Yorgos Lanthimos, Bradley Cooper and Ryusuke Hamaguchi.
Venice Film Festival announced the programme for its 80th edition, including a 23-strong Competition with new films from David Fincher, Sofia Coppola, Ava DuVernay, Yorgos Lanthimos, Bradley Cooper and Ryusuke Hamaguchi.
Scroll down for full line-up
The selection was announced by festival president Roberto Cicutto and artistic director Alberto Barbera. The SAG-AFTRA strike in the US has had a “quite modest” impact on the selection according to Barbera, who was forced to pull Luca Guadagnino’s Challengers as the opening film over the weekend due to the strike.
Venice Film Festival announced the programme for its 80th edition, including a 23-strong Competition with new films from David Fincher, Sofia Coppola, Ava DuVernay, Yorgos Lanthimos, Bradley Cooper and Ryusuke Hamaguchi.
Scroll down for full line-up
The selection was announced by festival president Roberto Cicutto and artistic director Alberto Barbera. The SAG-AFTRA strike in the US has had a “quite modest” impact on the selection according to Barbera, who was forced to pull Luca Guadagnino’s Challengers as the opening film over the weekend due to the strike.
- 7/25/2023
- by Ben Dalton¬Orlando Parfitt
- ScreenDaily
This year’s selection will be announced at 11:00 Cest (10:00 BST) by Roberto Cicutto and Alberto Barbera.
The line-up for the 80th Venice International Film Festival (August 30-September 9) will be revealed this morning at 11:00 Cest (10:00 BST) by festival president Roberto Cicutto and artistic director Alberto Barbera
The press conference will be live-streamed below, and this page will be updated with the films as they are announced.
Luca Guadagnino’s Challengers was originally set to open the festival but was pulled by MGM amid the actors’ strike. It was replaced by Edoardo De Angelis’ Comandante.
The closing film...
The line-up for the 80th Venice International Film Festival (August 30-September 9) will be revealed this morning at 11:00 Cest (10:00 BST) by festival president Roberto Cicutto and artistic director Alberto Barbera
The press conference will be live-streamed below, and this page will be updated with the films as they are announced.
Luca Guadagnino’s Challengers was originally set to open the festival but was pulled by MGM amid the actors’ strike. It was replaced by Edoardo De Angelis’ Comandante.
The closing film...
- 7/25/2023
- by Ben Dalton¬Orlando Parfitt
- ScreenDaily
“If there will be a festival with more European and more Italian films [as a consequence of the strike] I’m not happy with it”
Paolo Del Brocco, the CEO of Italy’s Rai Cinema, has said he hopes US films will still play at the Venice Film Festival even if he is not confident the US actors’ and writers’ strike will be resolved before the start of the festival on August 30.
“If the American movies do not have the possibility to be shown to people, I don’t like it for the prestige of the festival, nor for the public or for the industry,” Del...
Paolo Del Brocco, the CEO of Italy’s Rai Cinema, has said he hopes US films will still play at the Venice Film Festival even if he is not confident the US actors’ and writers’ strike will be resolved before the start of the festival on August 30.
“If the American movies do not have the possibility to be shown to people, I don’t like it for the prestige of the festival, nor for the public or for the industry,” Del...
- 7/21/2023
- by Tim Dams
- ScreenDaily
“If there will be a festival with more European and more Italian films [as a consequence of the strike] I’m not happy with it”
Paolo Del Brocco, the CEO of Italy’s Rai Cinema, has said he hopes US films will still play at the Venice Film Festival even if he is not confident the US actors’ and writers’ strike will be resolved before the start of the festival on August 30.
“If the American movies do not have the possibility to be shown to people, I don’t like it for the prestige of the festival, nor for the public or for the industry,” Del...
Paolo Del Brocco, the CEO of Italy’s Rai Cinema, has said he hopes US films will still play at the Venice Film Festival even if he is not confident the US actors’ and writers’ strike will be resolved before the start of the festival on August 30.
“If the American movies do not have the possibility to be shown to people, I don’t like it for the prestige of the festival, nor for the public or for the industry,” Del...
- 7/21/2023
- by Tim Dams
- ScreenDaily
“If there will be a festival with more European and more Italian films [as a consequence of the strike] I’m not happy with it”
Paolo Del Brocco, the CEO of Italy’s Rai Cinema, has said he hopes US films will still play at the Venice Film Festival even if he is not confident the US actors’ and writers’ strike will be resolved before the start of the festival on August 30.
“If the American movies do not have the possibility to be shown to people, I don’t like it for the prestige of the festival, nor for the public or for the industry,” Del...
Paolo Del Brocco, the CEO of Italy’s Rai Cinema, has said he hopes US films will still play at the Venice Film Festival even if he is not confident the US actors’ and writers’ strike will be resolved before the start of the festival on August 30.
“If the American movies do not have the possibility to be shown to people, I don’t like it for the prestige of the festival, nor for the public or for the industry,” Del...
- 7/21/2023
- by Tim Dams
- ScreenDaily
Francesca Archibugi on Paolo Virzì: “We actually were students together. We studied with Furio Scarpelli, who was a great screenwriter. I think we both loved him very much.” Photo: Anne-Katrin Titze
As a screenwriter, Francesca Archibugi has worked with director/screenwriter Paolo Virzì on his films Magical Nights (Notti Magiche) and The Leisure Seeker (starring Helen Mirren and Donald Sutherland) with Francesco Piccolo. Dry (Siccità) starring Monica Bellucci, Silvio Orlando, Valerio Mastandrea, Vinicio Marchioni, Claudia Pandolfi, Sara Serraiocco, and Tommaso Ragno is Archibugi’s third collaboration with Paolo Virzì, this time also with screenwriters Paolo Giordano and Francesco Piccolo.
Dry star Tommaso Ragno inside the Walter Reade Theater, Lincoln Center Photo: Anne-Katrin Titze
Piccolo is also the co-writer with Laura Paolucci on Archibugi’s The Hummingbird which was the opening night selection of Cinecittà and Film at Lincoln Center’s...
As a screenwriter, Francesca Archibugi has worked with director/screenwriter Paolo Virzì on his films Magical Nights (Notti Magiche) and The Leisure Seeker (starring Helen Mirren and Donald Sutherland) with Francesco Piccolo. Dry (Siccità) starring Monica Bellucci, Silvio Orlando, Valerio Mastandrea, Vinicio Marchioni, Claudia Pandolfi, Sara Serraiocco, and Tommaso Ragno is Archibugi’s third collaboration with Paolo Virzì, this time also with screenwriters Paolo Giordano and Francesco Piccolo.
Dry star Tommaso Ragno inside the Walter Reade Theater, Lincoln Center Photo: Anne-Katrin Titze
Piccolo is also the co-writer with Laura Paolucci on Archibugi’s The Hummingbird which was the opening night selection of Cinecittà and Film at Lincoln Center’s...
- 7/5/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
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