As people get older, we all know, you get married and you have a child and that becomes your family, but when you're 16 years old, especially, your family is your friends.
When I did a study of all the coming-of-age movies that meant a lot to me, whether it was 'The Graduate' or 'Rebel Without a Cause' or 'Dead Poet's Society,' they all had that timeless feel. None of them were completely married to the details of their age. They felt timeless in their treatment of it. That's what made them resonate with me.
'Harold and Maude' was a seminal movie for me because it's not only a beautiful love story, but it's also about the moment when misfits find each other.
Those writers that have zero say in their movie adaptations have zero say because they sell it. If you don't sell it, and you do it yourself, and you wait until the screenplay is ready, you don't have to worry about that.
I found, through the process of doing 'The Perks of Being a Wallflower,' that I really love directing movies and I love writing books and so this will become the centerpiece of my career for the next ten or twenty years. Doing these adaptations.