Nicolas Winding Refn‘s Drive has been dubbed, by various online sources, as something of a box-office letdown, which I don’t quite understand. It’s made over $50 million worldwide on a modest $15 million budget — and despite the cost of marketing, there’s a substantial profit to be made there. And that being said, the future collaborations of Refn and star Ryan Gosling are likely to be anticipated by crowds outside of the cinephile clique — even those who didn’t like Drive, frankly, have probably been left with a strong impression nonetheless.
In 2012, they have scheduled Only God Forgives, which Refn will both write and direct, and which will co-star acclaimed actress Kristin Scott Thomas (I’ve Loved You So Long, Sarah’s Key). And after that they’ve agreed to take on a remake of Michael Anderson‘s 1976 sci-fi thriller Logan’s Run.
Thus far, the screenwriting duties have...
In 2012, they have scheduled Only God Forgives, which Refn will both write and direct, and which will co-star acclaimed actress Kristin Scott Thomas (I’ve Loved You So Long, Sarah’s Key). And after that they’ve agreed to take on a remake of Michael Anderson‘s 1976 sci-fi thriller Logan’s Run.
Thus far, the screenwriting duties have...
- 10/31/2011
- by jpraup@gmail.com (thefilmstage.com)
- The Film Stage
Big Sean has been cleared of two charges in a recent sexual abuse case after accepting a plea deal. The Def Jam singer - born Sean Michael Anderson - was arrested in August following an incident with a female fan in which he was accused of forcible touching, second degree unlawful imprisonment and sexual abuse. Big Sean's lawyer Scott Leemon announced on Wednesday that his client was looking forward to moving on with his life and putting the experience behind him. "I am pleased to announce that after further investigation the Niagra County District Attorney's Office decided not to pursue any of the sexual misconduct allegations against Mr. Anderson," Leemon said in a statement. (more)...
- 10/27/2011
- by By Jennifer Still
- Digital Spy
One of hip-hop's newest rappers might be celebrating with some "Marvin Gaye and Chardonnay" tonight as he tweets, "What a day! Don't ever stop appreciating your blessings..." E! News confirms that rapper Big Sean, whose real name is Sean Michael Anderson, will not be charged with third-degree sex abuse and forcible touching. "I am pleased to announce that after further investigation the Niagara County District Attorney's office decided not to pursue any of the sexual misconduct allegations against Mr. Anderson," his lawyer, Scott Leemon tells E! News. "As a result, in order to get this entire ordeal behind him, Mr. Anderson agreed to plead guilty to a misdemeanor...
- 10/26/2011
- E! Online
Rapper Big Sean has dodged a serious bullet -- TMZ has learned he will not be charged with sexually assaulting an underage girl back in August ... but he's not entirely in the clear. 23-year-old Sean -- who got a 2011 MTV Vma nomination for best new artist -- was arrested in August during a concert in Buffalo, NY ... after a 17-year-old girl told police the rapper and his friend had sexually assaulted her. Big Sean --...
- 10/26/2011
- by TMZ Staff
- TMZ
Nothing is sacred in Hollywood, with the exception of money; and it shouldn’t, therefore, be a surprise when this is manifested in the most blunt terms when the latest cinematic classic is sacrificed upon the altar of rampant profiteering. And yet, each week new depths are plumbed, and offence taken instinctively by the few remaining screeds of sentimentality that modern society allows us.
The most recent victim of this unrestrained barbarism is classic science fiction adaptation, Logan’s Run.
The 1976 film starred Michael York and was directed by Michael Anderson, and although it received a mixed response upon its release, it went on to be regarded among the finest of the dystopian sci-fi classics of its time alongside the likes of Farenheit 451 and The Omega Man, and is now considered to be the defining moment of the careers of York and Anderson.
The new film project is being commissioned...
The most recent victim of this unrestrained barbarism is classic science fiction adaptation, Logan’s Run.
The 1976 film starred Michael York and was directed by Michael Anderson, and although it received a mixed response upon its release, it went on to be regarded among the finest of the dystopian sci-fi classics of its time alongside the likes of Farenheit 451 and The Omega Man, and is now considered to be the defining moment of the careers of York and Anderson.
The new film project is being commissioned...
- 4/4/2011
- by Ben Szwediuk
- Obsessed with Film
There are a lot of very interesting Shakespeare adaptations in the works (Ralph Fiennes' Coriolanus, Julie Taymor's The Tempest), but I'm sure none of them are like this. The Playlist caught mention of a tweet from Prod Weekly about a new project in the works called Henry5 - a "a sci-fi thriller" based on Shakespeare's play Henry V. Apparently the film even has Michael Caine, Ray Winstone, Gerard Depardieu and Derek Jacobi attached, along with the always badass Vinnie Jones. Apparently the project is being sold at the Afm this week, so this may actually come together with that cast, which would be impressive to see. Behind the script is Michael Anderson, Andrew Hislop and Steve Wilkinson, who have incorporated aspects of Shakespeare's Henry V and Henry IV. It's being directed by commercials director Michael Anderson, who we don't know too much about. Snyopsis: "In an age of apocalypse,...
- 11/3/2010
- by Alex Billington
- firstshowing.net
If you thought there weren't many more different ways to tell familiar stories, then how about Shakespeare with a science fiction twist? Henry 5 is a futuristic take on the Bard's play "Henry V", about the British King's invasion of France. The project is currently gathering an intriguing group that includes Sir Michael Caine, Ray Winstone, Gerard Depardieu, Derek Jacobi and... well, Vinnie Jones. The movie will be directed by Michael Anderson (one of Ridley Scott's commercials...
- 11/2/2010
- by Dave Davis
- JoBlo.com
The works of William Shakespeare have been adapted in a multitude of ways by various filmmakers, ranging from 10 Things I Hate About You (The Taming of The Shrew) to The Lion King (Hamlet). With the exception of Forbidden Planet (The Tempest), however, crossovers into the science fiction genre have been rare. So guess what's in store now? Production Weekly, via their Twitter account, has announced that Michael Caine, Ray Winstone, Vinnie Jones, Gerard Depardieu and Derek Jacobi have been cast in Henry5, a "sci-fi" thriller based on Shakespeare's Henry V. Produced by Arclight Films, the movie will be directed by Michael Anderson and the company's website says that the plot synopsis is as follows: In an age of apocalypse, in a land without a leader, a dissolute prince finds redemption when he crushes a rebellion that threatens to destroy his father's kingdom. But upon assuming the throne himself, he immediately...
- 11/2/2010
- cinemablend.com
The works of William Shakespeare have been adapted in a multitude of ways by various filmmakers, ranging from 10 Things I Hate About You (The Taming of The Shrew) to The Lion King (Hamlet). With the exception of Forbidden Planet (The Tempest), however, crossovers into the science fiction genre have been rare. So guess what's in store now? Production Weekly, via their Twitter account, has announced that Michael Caine, Ray Winstone, Vinnie Jones, Gerard Depardieu and Derek Jacobi have been cast in Henry5, a "sci-fi" thriller based on Shakespeare's Henry V. Produced by Arclight Films, the movie will be directed by Michael Anderson and the company's website says that the plot synopsis is as follows: In an age of apocalypse, in a land without a leader, a dissolute prince finds redemption when he crushes a rebellion that threatens to destroy his father's kingdom. But upon assuming the throne himself, he immediately...
- 11/2/2010
- cinemablend.com
For centuries people have been drawn to the works of William Shakespeare, and filmmakers have brought a wide range of the bard’s plays to the silver screen with varying degrees of success. Among the numerous interpretations, there’s something for everyone. The traditionalist may prefer Sir Laurence Olivier’s works of Hamlet and Richard III, while postmodern film fans might favor the more gruesome and challenging Titus or The Tempest by Julie Taymor. Old school romantics may prefer the musical theater take on Taming of the Shrew, Kiss Me Kate, while teens might favor 10 Things I Hate About You or Baz Lurhmann’s William Shakespeare’s Romeo & Juliet. Shakespeare’s stories have run the gamut of genres, and attracted countless acclaimed actors. Now the latest Shakespearean tale to hit screens will be a science-fiction version of Henry V.
According to The Playlist (via Production Weekly’s Tweet), Henry5 is...
According to The Playlist (via Production Weekly’s Tweet), Henry5 is...
- 11/2/2010
- by Kristy Puchko
- The Film Stage
Sir Michael Caine is to appear in a science fiction version of 'Henry V'. The 'Harry Brown' star will reportedly be joined by Ray Winstone, Vinnie Jones, Gerard Depardieu and Derek Jacobi in the forthcoming adaptation of William Shakespeare's classic play, titled 'Henry5'. The historic play chronicles the young king's ascent to the throne following the death of his father, but first-time director Michael Anderson moves the story to ''an age of the apocalypse'' where the lead character fights a war against a neighbouring enemy after quashing a domestic rebellion. The production will also incorporate parts of 'Henry IV Part I' and 'Henry IV ..
- 11/2/2010
- Virgin Media - Movies
Michael Caine and Ray Winstone will star in a science fiction adaptation of William Shakespeare's Henry V, reports The Playlist. Vinnie Jones, Gerard Depardieu and Derek Jacobi are also leading the cast for first-time director Michael Anderson's thriller, titled Henry5. Shakespeare's historical play chronicles the young King Henry V as he ascends to the throne following his father's passing. Anderson's retelling, (more)...
- 11/2/2010
- by By Simon Reynolds
- Digital Spy
This March, the American Cinematheque will play host to two programmes that will send a succulent shiver down the spine of any buff of classic horror and science fiction.
On Saturday, March 20th, the Egyptian theatre presents Encounters at the Edge of Sanity: A Tribute to Werner Herzog, and welcomes legendary filmmaker Werner Herzog, for a live discussion between his seminal films Nosferatu the Vampyre and Cobra Verde, both starring Herzog’s favorite collaborator, the genius actor Klaus Kinski.
Nosferatu, of course, needs no introduction to monster maniacs. Citing F.W. Murnau’s milestone 1922 (unauthorized) Dracula-adaptation Nosferatu, A Symphony of Horror- featuring the immortal performance of Max Schreck as the vampire Orlock – as the best film ever made in Germany, Herzog, already a lauded writer/director himself, remade the film in 1979 as an homage to the work that inspired him so, and that had defined German cinema of the time.
On Saturday, March 20th, the Egyptian theatre presents Encounters at the Edge of Sanity: A Tribute to Werner Herzog, and welcomes legendary filmmaker Werner Herzog, for a live discussion between his seminal films Nosferatu the Vampyre and Cobra Verde, both starring Herzog’s favorite collaborator, the genius actor Klaus Kinski.
Nosferatu, of course, needs no introduction to monster maniacs. Citing F.W. Murnau’s milestone 1922 (unauthorized) Dracula-adaptation Nosferatu, A Symphony of Horror- featuring the immortal performance of Max Schreck as the vampire Orlock – as the best film ever made in Germany, Herzog, already a lauded writer/director himself, remade the film in 1979 as an homage to the work that inspired him so, and that had defined German cinema of the time.
- 3/11/2010
- by Jesse
- FamousMonsters of Filmland
PARK CITY -- You don't have be a fan of the 1970s British punk rock sensation the Clash to enjoy Julien Temple's "Joe Strummer: The Future Is Unwritten," a visually exciting, high-octane, rock history of the band and its charismatic frontman and songwriter, Joe Strummer. Simply said: It's terrific.
With support from critics and positive word-of-mouth, Temple's docu should have as good or better boxoffice than Metallica's "Some Kind of Monster", another behind-the-scenes music docu, which grossed about $2 million worldwide.
Driven by a propulsive energy, this brilliantly edited movie moves at warp speed, starting when Strummer, nee John Mellor, a diplomat's son and public school boy, figured out that he was a leader and a misfit. Strummer reminisces about how he went from the prison of boarding school (Temple uses clips from Michael Anderson's 1956 adaptations of George Orwell's "1984" and "Animal Farm") into the moveable feast that was the 1960s.
Intelligent, always articulate and Top Dog in his bands, Strummer from the beginning was a force of nature onstage, a fount of relentless energy so intense it was impossible to look at anyone else when he was performing. One can see his magnetism even in grainy clips of his early gigs.
A specialist in dynamic rock 'n' roll movies, Temple uses rare archival footage, animated versions of Strummer's cartoons and drawings and voice-over cobbled together from Strummer's numerous interviews as well as his BBC radio show, "London Calling".
Friends say Strummer had no use for money but did covet fame. Yet when fabulous success arrived, Strummer was embarrassed. It went against his worldview. Eventually, drugs and petty conflicts led to the demise of the band. Strummer preached humanity and political awareness from the stage but had a nasty habit of stealing the girlfriends of his fellow band members. The hit "Should I Stay or Should I Go", co-written with guitarist Mick Jones, became an anthem for the terminally ambivalent and signaled trouble ahead for the band.
The Clash officially expired in 1985. It took Strummer a decade to recover from his wild ride. He tried acting, appeared in Jim Jarmusch's "Mystery Train", wrote a movie soundtrack, cut an ill-fated album, formed a new band. Nothing quite took.
Old friends, musicians, former band members and family, along with Bono, John Cusack, Johnny Depp and Jarmusch, share their recollections, not all of them flattering. Some of this footage was shot around a campfire, in reference to events Strummer organized after the band died.
Strummer's star burned so bright in his youth, it's a little sad to see him in his 40s, heavier and middle-aged, hawking a concert on the street or doing a benefit performance. He had a fatal heart attack in 2002. It turns out he was mortal after all.
JOE STRUMMER: THE FUTURE IS UNWRITTEN
Film4, Sony BMG, Parallel Films and HanWay Films present a Nitrate Film and Parallel Films production
Credits: Director: Julien Temple
Producer: Amanda Temple, Anna Campeau, Alan Moloney
Executive producer: Jeremy Thomas
Director of photography: Ben Cole
Music: Ian Neil
Co-producer: Orlagh Collins, Susan Mullen, Stephan Mallmann
Editor: Mark Reynolds, Tobias Zaldua, Niven Howie
Running time: 125 minutes
No MPAA rating...
With support from critics and positive word-of-mouth, Temple's docu should have as good or better boxoffice than Metallica's "Some Kind of Monster", another behind-the-scenes music docu, which grossed about $2 million worldwide.
Driven by a propulsive energy, this brilliantly edited movie moves at warp speed, starting when Strummer, nee John Mellor, a diplomat's son and public school boy, figured out that he was a leader and a misfit. Strummer reminisces about how he went from the prison of boarding school (Temple uses clips from Michael Anderson's 1956 adaptations of George Orwell's "1984" and "Animal Farm") into the moveable feast that was the 1960s.
Intelligent, always articulate and Top Dog in his bands, Strummer from the beginning was a force of nature onstage, a fount of relentless energy so intense it was impossible to look at anyone else when he was performing. One can see his magnetism even in grainy clips of his early gigs.
A specialist in dynamic rock 'n' roll movies, Temple uses rare archival footage, animated versions of Strummer's cartoons and drawings and voice-over cobbled together from Strummer's numerous interviews as well as his BBC radio show, "London Calling".
Friends say Strummer had no use for money but did covet fame. Yet when fabulous success arrived, Strummer was embarrassed. It went against his worldview. Eventually, drugs and petty conflicts led to the demise of the band. Strummer preached humanity and political awareness from the stage but had a nasty habit of stealing the girlfriends of his fellow band members. The hit "Should I Stay or Should I Go", co-written with guitarist Mick Jones, became an anthem for the terminally ambivalent and signaled trouble ahead for the band.
The Clash officially expired in 1985. It took Strummer a decade to recover from his wild ride. He tried acting, appeared in Jim Jarmusch's "Mystery Train", wrote a movie soundtrack, cut an ill-fated album, formed a new band. Nothing quite took.
Old friends, musicians, former band members and family, along with Bono, John Cusack, Johnny Depp and Jarmusch, share their recollections, not all of them flattering. Some of this footage was shot around a campfire, in reference to events Strummer organized after the band died.
Strummer's star burned so bright in his youth, it's a little sad to see him in his 40s, heavier and middle-aged, hawking a concert on the street or doing a benefit performance. He had a fatal heart attack in 2002. It turns out he was mortal after all.
JOE STRUMMER: THE FUTURE IS UNWRITTEN
Film4, Sony BMG, Parallel Films and HanWay Films present a Nitrate Film and Parallel Films production
Credits: Director: Julien Temple
Producer: Amanda Temple, Anna Campeau, Alan Moloney
Executive producer: Jeremy Thomas
Director of photography: Ben Cole
Music: Ian Neil
Co-producer: Orlagh Collins, Susan Mullen, Stephan Mallmann
Editor: Mark Reynolds, Tobias Zaldua, Niven Howie
Running time: 125 minutes
No MPAA rating...
- 1/23/2007
- The Hollywood Reporter - Movie News
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