- Born
- Died
- Birth nameRalph Douglas Vladimir Slocombe
- Nickname
- Dougie
- London-born Douglas Slocombe has long been regarded as one of the film industry's premiere cinematographers, but he began his career as a photojournalist for Life magazine and the Paris-Match newspaper before World War II. During the war he became a newsreel cameraman, and at war's end he went to work for Ealing Studios as a camera operator, making his debut as a full-fledged cinematographer on Ealing's Dead of Night (1945). Slocombe is credited with giving Ealing's films the unique, realistic look it was famous for. He left Ealing and went freelance, not wanting to be tied down to a single studio, and divided his time between England and America. He won the BAFTA--the British equivalent of the Oscar--three times, for The Servant (1963), The Great Gatsby (1974) and Julia (1977). A favorite of director Steven Spielberg, he was noted for never having used a light meter while shooting Raiders of the Lost Ark (1981), an almost indispensable tool for most cinematographers.- IMDb Mini Biography By: frankfob2@yahoo.com
- SpousesMuriel Edith Back(April 7, 1961 - 2013) (her death, 1 child)Vera Kathleen L'Epine Smith (née Stapley)(February 3, 1940 - 19??) (divorced)
- Famous for never using a light meter on the set of Raiders of the Lost Ark (1981).
- Member of the 'Official Competition' jury at the 34th Cannes International Film Festival in 1981.
- He was awarded the O.B.E. (Officer of the Order of the British Empire) in the 2008 Queen's New Years Honors List for his services to the film industry.
- Spent 17 + years as a cameraman at Ealing Studios filming many classics such as 'Kind Hearts and Coronets', 'Lavender Hill Mob' and 'The Man in the White Suit'.
- He spent part of his upbringing in France as his journalist father, George Edward Slocombe (1894-1963), was Paris correspondent for the Daily Herald. His mother, Marie (née Karlinsky), was Russian, and married his father in London in 1912.
- [on filming in Danzig in 1939 just before the German invasion of Poland] The Eyemo [movie camera] was heavy and could be noisy. Once I was in an auditorium filming a speech made by [Nazi Propaganda Minister Joseph Goebbels] when suddenly it decided to emit a huge snarling sound. Goebbels froze and hundreds of uniformed Brownshirts turned and glared at me in anger. It was not a comfortable moment.
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