Greatest Producers
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- Producer
- Additional Crew
- Actor
Legendary producer Hal B. Wallis was born in Chicago and moved to Los Angeles when he was in his early 20s. He got a job managing a theater owned by Warner Bros., and his success at the job caught the eye of studio head Jack L. Warner, who gave him a job in the studio's publicity department. Within a few months Wallis had worked his way up to head of the department. He was named studio manager in 1928 and production manager shortly thereafter, but was pushed aside by another legendary producer, future 20th Century-Fox studio head Darryl F. Zanuck. In 1933 Zanuck left Warner and Wallis moved back to his old position. He oversaw the production of many of Warners' most famous films, including Little Caesar (1931), I Am a Fugitive from a Chain Gang (1932), Captain Blood (1935), The Adventures of Robin Hood (1938) and Casablanca (1942). In 1944 Wallis left Warner and formed his own production company, and achieved even more success, being responsible for such films as The Rose Tattoo (1955), Becket (1964), and a string of Elvis Presley movies, most of which were economically produced and all of which made a fortune. Wallis' last picture was the John Wayne western Rooster Cogburn (1975).No producer had a longer or more distinguished career than Hal Wallis did. Robbed of his true credit by studio head Jack Warner, Wallis continued to shine years after leaving the studio system.- Producer
- Writer
Irving Grant Thalberg was born in New York City, to Henrietta (Haymann) and William Thalberg, who were of German Jewish descent. He had a bad heart, having contracted rheumatic fever as a teenager and was plagued with other ailments all of his life. He was quite intelligent with a thirst for knowledge but, convinced that he would never see thirty, he skipped college and became, at 21, a high-level executive at Carl Laemmle's Universal Studios, then the largest motion picture studio in the world.
After hitting a career impasse at Universal (partly as a result of a failed romance with Laemmle's daughter), Thalberg jumped ship and enlisted with the relatively obscure Louis B. Mayer Productions overseeing its typically turgid yet profitable melodramas. While the two men shared a common vision for their company, they approached their responsibilities from radically different angles. Mayer was a macro-manager; like a chess master, he would typically engineer business moves far in advance. Given the opportunity, Mayer could've succeeded as CEO of any multi-national corporation. Thalberg was at heart, all about movies, literally pouring his life into his work, largely leaving the managerial duties of the studio to Mayer. Modest, he disavowed screen credit during his lifetime, decrying any credit that one gives themselves as worthless. This working partnership would keep Louis B. Mayer Productions consistently profitable and would extend into their heydays as masters of MGM but would lead to an acrimonious later relationship.
By 1923 theater mogul Marcus Loew had a big problem. In an effort to secure an adequate number of quality films for his theatrical empire, he had merged Metro Pictures with his latest acquisition, Goldwyn Pictures only to discover his new super-studio had inherited a handful of projects (the Italian-based Ben-Hur: A Tale of the Christ (1925) and Greed (1924)) that had spun wildly out of control. He soon discovered that his problems were magnified by inheriting an incompetent management team. He instructed his attorney to conduct a headhunting expedition with instructions to investigate Louis B. Mayer Productions --- which Loew had previously visited on one of his trips west. Mayer's east Los Angeles studio actually had few tangible assets --- most of his equipment was rented. Loew ended up paying a pittance for Mayer's company but offered both men (after initially rejecting Thalberg!) huge salaries and even more generous profit participation allowances. Answering to New York-based Loew's Inc., Mayer and Thalberg moved into the then-state-of-the-art Goldwyn lot in Culver City and, with Loew's deep pockets, set about creating the most enviable film studio in Hollywood, quickly eclipsing Thalberg's former employer, Universal. Greed was largely scrapped (Thalberg recognizing director Erich von Stroheim's vision of a 7-hour film was unmarketable, had it extensively edited) and written off after a truncated release, with Ben Hur being called home and re-shot with a new director. Saddled with an unfavorable contract and millions in the red, the film would ultimately benefit the new company from prestige more than net profit, despite drawing huge crowds.
Mayer and Thalberg quickly moved past these inherited nightmares and created their dream studio. From 1925 through the mid-1940s there was MGM and then everyone else. It's roster of stars, directors and technicians were unmatched by any other studio. Indeed, to work for MGM meant that you had reached the top of your profession, whether it was front of or behind the cameras. Under Mayer and Thalberg, the studio refined the mechanics of assembly-line film production --- even their B-pictures would outclass the other major's principal productions (arguably MGM's only weakness was comedy). Their formula for quality made MGM the only major studio to remain profitable throughout the Great Depression (although a lesser studio, Columbia also did so, it achieved "major" studio status after 1934, ironically assisted by loaned out stars from MGM).
Thalberg himself was a workaholic and his health, which was never good, suffered. In his position as production supervisor, Thalberg had no qualms about expensive retakes or even extensively re-working a picture after it had completed principal photography --- one such case was with King Vidor's The Big Parade (1925), where he recognized the modest $200,000 WWI drama was lacking the war itself and could be turned into a true spectacle with a few epic battle scenes added. These few additional shots cost $45,000 and turned the film into MGM's first major home-grown hit (and its biggest hit of the silent era), grossing nearly $5 million. If he micro-managed productions there was no one in Hollywood who did it more effectively. Thalberg fell into a deep depression after the mysterious death of his friend and assistant Paul Bern (the two had worked extensively together on the hit Grand Hotel (1932)) and he demanded a one-year sabbatical. Loew's Inc. head Nicholas Schenck (Marcus Loew had died in late 1926) responded by throwing more money at him --- more than Mayer himself was scheduled to earn for the year, alienating Mayer. This, to his ostensible boss was an insufferable insult, one that would drastically alter their relationship. Thalberg remained on the job but suffered a heart attack following a 1932 Christmas party. Mayer quickly engineered a coup of sorts, recruiting a new inner circle of producers (including David O. Selznick and Walter Wanger) to replace him. Thalberg recuperated in Europe with his wife Norma Shearer and returned to MGM in August, 1933 resuming his somewhat reduced duties as a unit production head. He continued to score hits, supervising The Merry Widow (1934), The Barretts of Wimpole Street (1934), the rousing, definitive version of Mutiny on the Bounty (1935) and the lavish Marie Antoinette (1938) (released after his death).
Thalberg also sought to rectify the studio's poor record in comedy films, signing the Marx Brothers, who had just been released from their contract at Paramount after string of flops. He felt the brilliant comedy team had been seriously mismanaged and ordered their MGM films to be shot in sequence and after their routines had been well tested on stage. The Thalberg-produced A Night at the Opera (1935) was a big hit but he wasn't infallible, stumbling with the critically well-received production of Romeo and Juliet (1936), which went on the books as a $1 million loss. Over Mayer's objections, he delved into the film adaptation of Pearl S. Buck's The Good Earth (1937) but died of pneumonia on September 14, 1936 at age 37. The Good Earth (1937) was released soon afterward, MGM honoring him by providing him his only screen credit (Thalberg had always eschewed a producer's credit on his films).
He was survived by his widow Norma and their two children; Irving, Jr. and Katherine. After his death the Motion Picture Academy created the Irving Thalberg Award, given for excellence in production.The "boy genius" who practically wrote the book on what a Hollywood producer should be, Thalberg started MGM out on the right foot and tragically died before his time.- Director
- Actor
- Writer
From Ernst Lubitsch's experiences in Sophien Gymnasium (high school) theater, he decided to leave school at the age of 16 and pursue a career on the stage. He had to compromise with his father and keep the account books for the family tailor business while he acted in cabarets and music halls at night. In 1911 he joined the Deutsches Theater of famous director/producer/impresario Max Reinhardt, and was able to move up to leading acting roles in a short time. He took an extra job as a handyman while learning silent film acting at Berlin's Bioscope film studios. The next year he launched his own film career by appearing in a series of comedies showcasing traditional ethnic Jewish slice-of-life fare. Finding great success in these character roles, Lubitsch turned to broader comedy, then beginning in 1914 started writing and directing his own films.
His breakthrough film came in 1918 with The Eyes of the Mummy (1918) ("The Eyes of the Mummy"), a tragedy starring future Hollywood star Pola Negri. Also that year he made Carmen (1918), again with Negri, a film that was commercially successful on the international level. His work already showed his genius for catching the eye as well as the ear in not only comedy but historical drama. The year 1919 found Lubitsch directing seven films, the two standouts being his lavish Passion (1919) with two of his favorite actors--Negri (yet again) and Emil Jannings. His other standout was the witty parody of the American upper crust, The Oyster Princess (1919) ("The Oyster Princess"). This film was a perfect example of what became known as the Lubitsch style, or the "Lubitsch Touch", as it became known--sophisticated humor combined with inspired staging that economically presented a visual synopsis of storyline, scenes and characters.
His success in Europe brought him to the shores of America to promote The Loves of Pharaoh (1922) ("The Loves of Pharaoh") and he become acquainted with the thriving US film industry. He soon returned to Europe, but came back to the US for good to direct new friend and influential star Mary Pickford in his first American hit, Rosita (1923). The Marriage Circle (1924) began Lubitsch's unprecedented run of sophisticated films that mirrored the American scene (though always relocated to foreign or imaginary lands) and all its skewed panorama of the human condition. There was a smooth transition between his silent films for Warner Bros. and the sound movies--usually at Paramount--now embellished with the flow of speech of Hollywood's greats lending personal nuances to continually heighten the popularity at the box office and the fame of Lubitsch's first-rate versatility in crafting a smart film. There was a mix of pioneering musical films and some drama also through the 1930s. The of those films resulted in Paramount making him its production chief in 1935, so he could produce his own films and supervise production of others. In 1938 he signed a three-year contract with Twentieth Century-Fox.
Certainly two of his most beloved films near the end of his career dealt with the political landscape of the World War II era. He moved to MGM, where he directed Greta Garbo and Melvyn Douglas in Ninotchka (1939), a fast-paced comedy of "decadent" Westerners meeting Soviet "comrades" who were seeking more of life than the mother country could--or would--offer. During the war he directed perhaps his most beloved comedy--controversial to say the least, dark in a tongue-in-cheek sort of way--but certainly a razor-sharp tour de force in smart, precise dialog, staging and story: To Be or Not to Be (1942), produced by his own company, Romaine Film Corp. It was a biting satire of Nazi tyranny that also poked fun at Lubitsch's own theater roots with the problems and bickering--but also the triumph--of a somewhat raggedy acting troupe in Warsaw during the Nazi occupation. Jack Benny's perfect deadpan humor worked well with the zany vivaciousness of Carole Lombard, and a cast of veteran character actors from both Hollywood and Lubitsch's native Germany provided all the chemistry needed to make this a classic comedy, as well as a fierce statement against the perpetrators of war. The most poignant scene was profoundly so, with Felix Bressart--another of Reinhardt's students--as the only Jewish bit player in the company. His supreme hope is a chance to someday play Shylock. He gets his chance as part of a ruse in front of Adolf Hitler's SS bodyguards. The famous soliloquy was a bold declaration to the world of the Axis' brutal inhumanity to man, as in its treatment of and plans for the Jewry of Europe.
Lubitsch had a massive heart attack in 1943 after having signed a producer/director's contract with 20th Century-Fox earlier that year, but completed Heaven Can Wait (1943). His continued efforts in film were severely stymied but he worked as he could. In late 1944 Otto Preminger, another disciple of Reinhardt's Viennese theater work, took over the direction of A Royal Scandal (1945), with Lubitsch credited as nominal producer. March of 1947, the year of his passing, brought a special Academy Award (he was nominated three times) to the fading producer/director for his "25-year contribution to motion pictures." At his funeral, two of his fellow directorial émigrés from Germany put his epitaph succinctly as they left. Billy Wilder noted, "No more Lubitsch." William Wyler answered, "Worse than that - no more Lubitsch films."Witty, funny, hard worker, dedicated to the film business - many filmmakers including Billy Wilder admired and loved Lubitsch for his many contributions to the art of filmmaking.- Producer
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- Actor
Famed for his relentless ambition, bad temper and genius for publicity, Samuel Goldwyn became Hollywood's leading "independent" producer -- largely because none of his partners could tolerate him for long. Born Shmuel (or Schmuel) Gelbfisz, probably in 1879, in the Jewish section of Warsaw, he was the eldest of six children of a struggling used-furniture dealer. In 1895 he made his way to England, where relatives Anglicized his name to Samuel Goldfish. There he begged (or stole) enough money for a ticket in steerage across the Atlantic. He reached the US, probably via Canada, in 1898. He gravitated to Gloversville, New York, in the Adirondack foothills, which was then the capital of the US leather glove industry; he became one of the country's most successful glove salesmen. After moving his base of operations to Manhattan and marrying the sister of Jesse L. Lasky, who was then a theatrical producer, Goldfish convinced Lasky and Cecil B. DeMille to go into film production. The new company's first film, The Squaw Man (1914), was one of the first features made in Hollywood; the company later became the nucleus of what would later become Paramount Pictures. As his marriage fell apart, Goldfish dissolved his partnership with Lasky. His next enterprise was the Goldwyn Co., founded in 1916 and named for himself and his partners, brothers Edgar Selwyn and Archibald Selwyn--Goldfish liked the name so much he took it for his own. The Goldwyn Co.'s stars included Mabel Normand, Madge Kennedy and Will Rogers, but its most famous legacy was its "Leo the Lion" trademark, which was adopted by its successor company, Metro-Goldwyn-Mayer (MGM). Goldwyn himself was ousted from his own company before the merger, which was why his name became part of MGM even though he himself had nothing to do with the company. After his firing Goldwyn would have nothing to do with partners and went into independent production on his own, and for 35 years was the boss and sole proprietor of his own production company, a mini-studio specializing in expensive "quality" films, distributed initially by United Artists and later by RKO. His contract actors at various times included Vilma Bánky, Ronald Colman, Eddie Cantor, Gary Cooper, David Niven and Danny Kaye. In some cases, Goldwyn collected substantial fees for "lending" his stars to other producers. Touted by publicists for his "Goldwyn touch" and loathed by many of his hirelings for his habit of ordering films recast, rewritten and recut, Goldwyn is best remembered for his films that teamed director William Wyler and cinematographer Gregg Toland.A taskmaster and disciplinarian Goldwyn still had an eye for talent and supported many filmmakers including William Wyler into many successes. Goldwyn's string of hits is almost impossible to duplicate due in part to the craftsmen who surrounded him.- Producer
- Additional Crew
- Writer
David O. Selznick was a son of the silent movie producer Lewis J. Selznick. David studied at Columbia University until his father lost his fortune in the 1920s. David started work as an MGM script reader, shortly followed by becoming an assistant to Harry Rapf. He left MGM to work at Paramount then RKO. He was back at MGM in 1933 after marrying Irene Mayer Selznick the daughter of Louis B. Mayer. In 1936, he finally set up his own production company, Selznick International. Three directors and fifteen scriptwriters later, Gone with the Wind (1939) was released.Overcoming insurmountable odds, Selznick brought "Gone With the Wind" to the screen with such panache that years later it's lost none of its original charm.- Producer
- Production Manager
- Second Unit Director or Assistant Director
Pandro S. Berman was born into the film industry. His father, Harry, was distributor and exhibitor of films. Pandro also had a number of relatives in the film industry. When he started working in the 1920's he started as a script clerk and then rose to film editor. By 1931, the 26 year old Berman was an assistant director at RKO when Selznick took over the floundering studio. Selznick fired many people at RKO, but he saw something in Berman and made him his assistant. Pandro was a success and brought to the screen many stars and great films. It was he who paired Rogers with Astaire; and made Katherine Hepburn a star. He was considered to be the Irving Thalberg of RKO and produced many prestige pictures over the years. In 1940, after a power struggle, he moved to Culver City and MGM where he continued to produce well received movies. He survived many of the purges and finally left MGM for independant work in 1963. His final film was 'MOVE' made in 1970. In 1977, he received the Irving G. Thalberg Memorial Award at the Academy Awards.One of Hollywood's great producers gave us Katherine Hepburn and Elizabeth Taylor. He must have been doing something right.- Writer
- Producer
- Director
The son of a railway superintendent, Nunnally Johnson was schooled in Columbus, Georgia, graduating in 1915. He worked for the local newspaper as a delivery boy, became a junior reporter for the Savannah Press and then moved on to New York in 1919. There, his journalistic career really took off, particularly as a principal news reporter for the New York Herald Tribune and the New York Evening Post for which he wrote a humorous weekly column. An exceptionally literate individual, possessed of great wit, he was at his best writing social satire, lampooning conventions. This side of him was well showcased by some fifty short stories he submitted to the Saturday Evening Post and the New Yorker between 1925 and 1932.
Stymied in his efforts at writing film critique, Johnson made his way to Hollywood in 1932 and was initially signed by United Artists as a screenwriter. He only stayed a year before joining 20th Century Fox, where he became closely associated with Darryl F. Zanuck, not only in the capacity of writer, but also as associate producer and occasional director. His first contract ran from 1935 to 1942, his second from 1949 to 1963. During the interval, he co-founded International Pictures with independent producer William Goetz but the venture proved to be short-lived. The company was absorbed after less than three years by Universal, Goetz becoming head of production for the expanded Universal-International. Johnson returned to Fox.
During his time as a screenwriter, Johnson rarely ever worked in collaboration. Instead he showcased his own original work as well as displaying an innate flair for adapting classic novels into film scripts. Of particular note are his efforts for director John Ford, which included John Steinbeck's The Grapes of Wrath (1940), Erskine Caldwell's Tobacco Road (1941) and - also as producer/director - the psychological drama The Three Faces of Eve (1957). Add to that the gangster satire Roxie Hart (1942), and the brilliantly clever Fritz Lang-directed film noir The Woman in the Window (1944), both of which Johnson also produced. Not confined to any single genre, Johnson applied himself with equal vigour to westerns (The Gunfighter (1950)), war films (The Desert Fox: The Story of Rommel (1951)) and comedies (How to Marry a Millionaire (1953)). His consistently intelligent treatment of such diverse A-grade material made him the highest paid writer in Hollywood.Originally hired at Fox to write, Johnson produced many films where studio head (like so many studio heads) Zanuck took credit instead.- Producer
- Additional Crew
College-educated Arthur Hornblow Jr. was the son of a successful novelist, turned playwright. After graduating from New York Law School, he worked for some time as a practising lawyer and was posted in counter-intelligence during the First World War. After the war, his literary inclinations took over and he changed his career by producing plays on Broadway. One of his biggest hits was "The Cardboard Lover", starring Tallulah Bankhead. His penultimate play, "The Captive" (1926), was translated from an original French version written by 'Edouard Bourdet', entitled 'La Prisonniere'. Due to its lesbian content, it caused a massive controversy with less liberally-minded elements of the community, who prompted its closure by police after a run of 160 performances. All the leading actors in the cast were arrested (though later released on bail), including the venerable Basil Rathbone. Following this experience, Hornblow left the theatre and went to Hollywood.
In 1927, he was hired as a production supervisor by Samuel Goldwyn. He learned the tricks of his trade for the next six years. By the time he joined Paramount, it was as producer of popular entertainments, such as Ruggles of Red Gap (1935) and the Bing Crosby-W.C. Fields vehicle Mississippi (1935). He also helped elevate Bob Hope from comedic support to romantic lead in three films opposite Paulette Goddard, beginning with The Cat and the Canary (1939). In 1944, he switched to MGM, producing the classic Victorian thriller Gaslight (1944) with Charles Boyer and Ingrid Bergman; the all-star musical Week-End at the Waldorf (1945) and the superior Clark Gable drama The Hucksters (1947), based on a best-selling novel. The Asphalt Jungle (1950), one of the most imitated crime films of the decade, brought a young Marilyn Monroe to the attention of the movie-going public. Hornblow's last three films were independently produced and included the exuberant musical Oklahoma! (1955) and the edgy courtroom drama Witness for the Prosecution (1957). After his retirement from the industry in 1962, Hornblow co-authored six children's books with his wife, the former actress Leonora Hornblow (nee Schinasi), which were published by Random House.Nominated four times for an Oscar, Hornblow never took home the Oscar. His outstanding films include "Gaslight" "Oklahoma" and "Witness for the Prosecution."- Producer
- Editor
- Writer
Sam Zimbalist was born on 31 March 1904 in New York City, New York, USA. He was a producer and editor, known for Ben-Hur (1959), King Solomon's Mines (1950) and Quo Vadis (1951). He was married to Mary Taylor and Margaret C. Donovan. He died on 4 November 1958 in Rome, Lazio, Italy.Zimbalist worked in Hollywood for years and produced a string of hits only to die during his greatest triumph for which he is the only recipient of a posthumous Oscar for Best Picture - Ben Hur.- Producer
- Additional Crew
- Actor
Born in Germany he went to America some time before the second World War and spent a year in Hollywood reading foreign scripts after which he returned to Berlin where he set up his own company to organise the remaking of foreign films into German language versions. One he handled was 'All Quiet on the Western Front', an anti war film that became a kind of personal crusade for him. On the opening night the Nazi's, then in power, put a bomb in the cinema. When the Nazis came into power he left Germany and divided his time between Britain, France and America. He changed his name to the more international sounding S.P. Eagle but changed it back when with 'On the Waterfront' he realised he'd made a film to which any man would be proud to put his name.Sam Spiegel spent his entire life devoted to films and cinema. Like Sam Goldwyn, Spiegel had a great eye for talent and working with David Lean, garnered two Oscars for two Best Pictures. Spiegel continued great success in Hollywood and still remembered as one of its greatest producers.- Producer
- Additional Crew
Soon after World War II he started selling Red Ryder radio scripts written by his Shakespeare professor at Rutgers university. He was soon handling literary talent such as Raymond Chandler and Ben Hecht. He later joined Famous Artists Agency representing Lana Turner, Kirk Douglas, Richard Burton and many others. He resigned in '57 to form Seven Arts Productions with Elliot Hyman and supervised over 50 films including 'Night of the Iguana'and 'Reflections in a Golden Eye'.In 1966 he formed Rastar Productions to produce film versions of Broadway plays such as 'Funny Girl', winning an Oscar nomination for Best Picture, 'The Way We Were', 'Sunshine Boys', 'California Suite' and 'Robin and Marion'.Ray Stark backed several successful productions in the 1960's through the 1980's including "Funny Girl" and "The Goodbye Girl", nominated for both. Considered ruthless by some, Stark still managed to make money for Columbia - the job of any producer.- Producer
- Actor
- Additional Crew
Noted Hollywood producer Ross Hunter served in Army intelligence during World War II. After the war he signed with Columbia Pictures and appeared in a number of forgettable B-movies. He then became a producer and produced more than 60 films. Most of his films tended to be bright confections, many for Universal Pictures, with stars such as Debbie Reynolds and Julie Andrews. He also produced his share of "three-hankie weepers", including such fare as Imitation of Life (1959), a remake of an earlier film (Imitation of Life (1934)) that resurrected the career of Lana Turner. His production principle was that audiences should leave the theater either laughing or crying. His biggest success was Airport (1970), for which he received his only Oscar nomination. It was such a hit that in 1973 he remarked, "For three years, Universal's been living on 'Airport'." He ended his long career at Universal, joining Columbia in 1971 and then Paramount in 1974, where he produced made-for-TV movies.A closeted gay, Hunter still managed to keep his private life separate from his successful film career as a consummate producer with a string of hits starting in the 1950's until the early 1970's.- Producer
- Actor
- Executive
Michael Phillips has been producing films and television in Hollywood since 1971. His films have garnered 23 Academy Award nominations, winning him a best picture Oscar for The Sting, a Palme d'Or Prize for Taxi Driver, and Italy's David di Donatello award for best picture for Clsoe Encounters of the Third Kind.
Phillips graduated from Dartmouth college with an A.B. in History in 1965 and from NYU Law School with a Juris Doctor degree in 1968. He was admitted to the New York Bar in 1969. He serves as a Trustee Professor at Chapman University's Dodge College of Film & Media Arts, and has taught classes there on Cinema of the '70s, Science Fiction in cinema, and on the films of Akira Kurosawa.Michael, along with his then wife Julia, earned the first husband/wife team (and Tony Bill) for their work on "The Sting." They continued to produce a whole series of hit films throughout the 1970's and 1980's.- Producer
- Second Unit Director or Assistant Director
- Production Manager
Gary Kurtz was born on 27 July 1940 in Los Angeles, California, USA. He was a producer and assistant director, known for Star Wars: Episode IV - A New Hope (1977), American Graffiti (1973) and The Dark Crystal (1982). He was married to Stephanie Clare Gabriel, Roberta Jimenez and Meredith Marie Alsup. He died on 23 September 2018 in London, England, UK.The man who produced "Star Wars" (and backed George Lucas) also gave us "The Dark Crystal" and other great films.- Producer
- Writer
- Director
Irwin Winkler's career as a producer, director and writer encompasses popular and influential movies that have impacted contemporary culture. With a passion for big, bold, meaningful stories, his films include an array of true screen classics, garnering among them 12 Academy Awards and 52 Oscar nominations.
Among Winkler's multiple nominations include five Best Picture nominations, each for a pioneering film: the tale of underdog sports triumph, Rocky, which forged one of most globally recognizable movie characters and themes in history; Raging Bull, which turned the biopic into a gritty, lyrical work of art; the history-capturing look at the U.S. space program, The Right Stuff; the iconic gangster tale, Goodfellas; and the recent The Wolf of Wall Street. Winkler is the only producer honored with three films on the American Film Institute's list of the "Top 100 Films."
Winkler was recently honored by the Producers Guild of America with the prestigious David O. Selznick Achievement Award which recognized his lifetime body of work.
In April 2016, Winkler spoke at Harvard University's Kennedy School on the political and social influence his films have had on both the U.S. and international culture.
In December 2016 The American Cinematheque held a three-day retrospective to honor Winkler by showcasing such works as Goodfellas, New York, New York and Raging Bull, culminating with an onstage conversation alongside Martin Scorsese to discuss Winkler's storied career.
Winkler most recently produced the critically acclaimed Silence with longtime collaborator Martin Scorsese, written by Jay Cocks and starring Liam Neeson, Andrew Garfield and Adam Driver.
In 2016 Winkler produced Creed, the latest installment of his Academy Award winning franchise, Rocky Starring Sylvester Stallone and Michael B. Jordan, with Ryan Coogler directing, the film garnered both commercial and critical success; earning a Golden Globe nomination and Academy Award nomination for Sylvester Stallone. The film was named Outstanding Motion Picture from the NAACP Image Awards, the Black Film Critics Circle and named as one of the top films by the National Board of Review.
In 2013, Winkler Executive Produced the Academy Award and Golden Globe nominated The Wolf of Wall Street, directed by Martin Scorsese and starring Leonardo DiCaprio, illustrates his continual presence as one of Hollywood's most prolific producers making an indelible impact with his ability to showcase emotional storytelling with hard hitting relevance.
For Winkler, success has come from his constant instinctual draw to fresh, current, even controversial subjects and visionary talents. As a storyteller he has been fascinated by both the dangers of corruption and the beauty of courage and compassion.
Winkler first made a resounding impact producing a series of raw, edgy human dramas that helped to define the gritty landscape of 70s and 80s cinema. Thus the the fiercely original They Shoot Horses, Don't They?, about the desperate contenders in a Depression-era dance contest, starring Jane Fonda and Michael Sarrazin, which would seal Winkler's reputation with 9 Academy Award nominations and status as a Hollywood classic.
Other highlights from this period include New York, New York, starring Liza Minnelli and Robert De Niro, which produced one of the most recognizable songs in pop culture; the enduring masterpiece, Raging Bull, considered by many to be among the great cinematic works of the 20th Century and highlighted by DeNiro's Oscar winning performance; and Goodfellas, which was honored with numerous critics' awards and has become etched in filmgoers' consciousnesses as the paragon of the American crime drama.
In that era, Winkler also produced the Mafia comedy Jimmy Brolin's The Gang That Couldn't Shoot Straight starring Bob DeNiro ; Up The Sandbox a look at the women's movement starring Barbra Streisand; The Gambler a penetrating look at gambling addiction, starring James Caan; the stirring modern Western, Comes A Horseman teaming Caan with Jane Fonda, directed by Alan Pakula; True Confessions written by Joan Didion and John Dunne starring Robert DeNiro and Robert Duvall; the critically-acclaimed suspense thriller about a woman who discovers her father is an accused Nazi war criminal, Music Box, which earned an Oscar nomination for star Jessica Lange and the homage to the Jazz Era, Round Midnight, with Herbie Hancock winning an Academy Award for his musical composition and a Best Actor nomination for Dexter Gordon.
In 1989, Winkler made his directorial debut from his own screenplay, Guilty By Suspicion, hailed by the New York Times as "A stirring and tragic evocation of terrible times" about Hollywood's all-too-real blacklisting era. Starring Robert DeNiro as a prominent director asked to "name names" and Annette Bening as his wife, the film presaged a writing and directing career that would, like Winkler's producing career, be focused on taut human drama and politically-charged themes and nominated for the Palme d'Or at the Cannes Film Festival.
Winkler's next directorial outing reunited him with both Robert DeNiro and Jessica Lange in the noir crime drama, Night and the City, which would close the prestigious New York Film Festival in 1992 and become a rousing critical success. He went on to direct and produce At First Sight, a romantic drama based on a true story by Dr. Oliver Sacks, starring Val Kilmer, Mira Sorvino and Nathan Lane and the prescient cyber-crime thriller The Net, starring Sandra Bullock, one of the big box-office hits of 1995.
Winkler's directorial career would continue to take intriguing turns. He broached the thought-provoking question of what happens when a man suddenly faces his own mortality in the poignantly complex Life as a House, featuring a landmark performance by Kevin Kline.
Radically switching gears, Winkler next directed one of his most distinctive features, the musical biography of the legendary composer Cole Porter: De-Lovely. Featuring Golden Globe-nominated performances from Kevin Kline and Ashley Judd, as well as performances from pop and rock music talents, including Sheryl Crow, Alanis Morissette, Elvis Costello, Robbie Williams, Natalie Cole, and Diana Krall, all performing Porter's classic songs, the film was selected as the closing night gala event at the 2004 Cannes Film Festival.
Winkler became one of the very first American filmmakers to turn his camera on the return of U.S. veterans from the war in Iraq - when he directed and produced the provocative drama Home of the Brave, starring Samuel L. Jackson, Curtis "50 Cent" Jackson, Jessica Biel and Brian Presley.
Winker's motion picture producing career began in the late 1960s when he produced his first film, the Elvis Presley movie Double Trouble, with the legendary director Norman Taurog. Soon after, he entered into a partnership with Robert Chartoff, producing such films as the classic revenge thriller Point Blank. In 1970, an eclectic trio of Winkler/Chartoff films each made a splash at the Cannes Film Festival: Leo the Last won the Best Director prize, the counter-culture cult film, The Strawberry Statement received the Jury Award They Shoot Horses, Don't They? garnered the closing night honors.
For his contributions to the popular culture, Winkler has been the recipient of numerous American and international honors, including the Commandeur des Arts et Lettres, the French government's highest decoration for contribution to the arts. In 1989, the British Film Institute saluted him with a retrospective of his work and in 1995, Winkler became the first producer to be honored with a showcase screening of ten of his films at the Deauville Film Festival. He has also received a Lifetime Achievement award from the Chicago Film Festival, a star on the Hollywood Boulevard Walk of Fame and retrospectives at the Museum of Modern Art in New York and the Los Angeles County Museum of Art, which had not honored a producer since their tribute to David O. Selznick in 1980. Winkler also received the National Board of Review's highest honor for Career Achievement in Producing, which Kevin Kline presented to him at their annual gala in January 2007 in New York. Winkler was a Governor of the New York City Ballet and is on the Board of Directors of the Los Angeles Philharmonic.Winkler produced a plethora of films from the 1970's on. Nominated four times, he won his Oscar for "Rocky"- Producer
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Frank was born in Glendale, California to musician Jack Marshall. He entered the film world when his parents invited him to a birthday party for the daughter of directing legend John Ford in 1966. There, he met Peter Bogdanovich and soon agreed to work on his first film, Targets (1968), later followed by collaborating on The Last Picture Show (1971) and many other films.
Continuing to branch out into the industry, he served as line producer on Martin Scorsese's The Last Waltz (1978) and associate producer on Walter Hill's crime thriller, The Driver (1978). Marshall first worked as executive producer on Hill's cult classic The Warriors (1979). While producing the iconic Raiders of the Lost Ark (1981), he met Steven Spielberg and their future wife Kathleen Kennedy, and Frank himself was hired to join the Amblin Productions company in 1980.
He continued producing memorable films with Spielberg including Poltergeist (1982) and Twilight Zone: The Movie (1983) (while Kennedy separately produced E.T. the Extra-Terrestrial (1982)). He worked as executive producer on Indiana Jones and the Temple of Doom (1984), Gremlins (1984), The Goonies (1985) and the Back to the Future (1985) trilogy.
He married Kathleen Kennedy in 1987, and after producing numerous films, he made his feature directing debut with Arachnophobia (1990). Reacting to the success of his directorial debut, he left Amblin in 1991. In 1992, The Kennedy/Marshall Company was formed, and the next year they released its first film Alive (1993), directed by Marshall. Both Kennedy and Marshall signed deals with Paramount in 1992, at the same time the company was formed. His productivity has only increased since then, as he took over primary duties of the production company since Kennedy was named president of Lucasfilm in 2012.One can hardly mention Marshall without mentioning his wife and collaborator Kathleen Kennedy. The successful partnership has produced a great line of films, five Oscar nominations and a very closer partnership with director Steven Spielberg.- Producer
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Eight-time Academy Award®-nominated, Kathleen Kennedy is one of the most successful and respected producers and executives in the film industry today. As President of Lucasfilm, she oversees the company's three divisions: Lucasfilm, Industrial Light & Magic and Skywalker Sound. In 1992, she co-founded the production company The Kennedy/Marshall Company with director/producer Frank Marshall, and in 1982 she co-founded Amblin Entertainment with Marshall and Steven Spielberg. Altogether, Kennedy has further produced or executive produced more than 70 feature films, which have collectively garnered 120 Academy Award nominations and 25 wins.
For much of the past 20 years, Kennedy served as a governor and officer of the Academy of Motion Picture Arts and Sciences and serves on the board of the new Academy Museum of Motion Pictures. She also sits on the boards of numerous educational, arts, and philanthropic organizations.Nominated eight times for an Oscar but never a bride, no one can argue with Kennedy's incredible talent as a producer, especially in her collaboration with Steven Spielberg. She is one of Hollywood's most successful producers of all time.- Producer
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Stanley R. Jaffe was born on 31 July 1940 in New Rochelle, New York, USA. He is a producer and director, known for Kramer vs. Kramer (1979), Fatal Attraction (1987) and Black Rain (1989). He has been married to Melinda Jill Marciano since 27 September 1986. They have two children. He was previously married to Joan Ellen Goodman.Starting with "The Goodbye Girl," Jaffe won his Oscar for "Kramer VS Kramer" and other hits that included "Fatal Attraction."- Producer
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Richard D. Zanuck was born on 13 December 1934 in Los Angeles, California, USA. He was a producer and production manager, known for Driving Miss Daisy (1989), Cocoon (1985) and Jaws (1975). He was married to Lili Fini Zanuck, Linda Harrison and Lili Gentle. He died on 13 July 2012 in Beverly Hills, California, USA.Unlike his father, Richard Zanuck worked his way through the film industry by befriending and supporting his directors. Considered by many as one of the greatest producers of all time, Zanuck won his Oscar for "Driving Miss Daisy" after already delivering a string of hits that included such blockbusters as "Jaws."- Producer
David Brown was born on 28 July 1916 in New York City, New York, USA. He was a producer, known for The Player (1992), Cocoon (1985) and Jaws (1975). He was married to Helen Gurley Brown. He died on 1 February 2010 in Manhattan, New York City, New York, USA.Along with Richard Zanuck, partner Brown supported the team that led to a string of hits but only the Thalberg for the hard worker.- Producer
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Emmy and Academy Award-winning producer Brian Grazer has been making movies and television programs for more than 25 years. As both a writer and producer, he has been personally nominated for four Academy Awards, and in 2002 won the Best Picture Oscar for A Beautiful Mind (2001). In addition to winning three other Academy Awards, "A Beautiful Mind" also won four Golden Globe Awards (including Best Motion Picture Drama) and earned Grazer the first annual Awareness Award from the National Mental Health Awareness Campaign.
Over the years, Grazer's films and TV shows have been nominated for 43 Oscars and 198 Emmys. At the same time his movies have generated more than $15 billion in worldwide theatrical, music and video grosses. Reflecting this combination of commercial and artistic achievement, the Producers Guild of America honored Grazer with the David O. Selznick Lifetime Achievement Award in 2001. His accomplishments have also been recognized by the Hollywood Chamber of Commerce, which in 1998 added Grazer to the short list of producers with a star on the Hollywood Walk of Fame. On March 6, 2003. ShoWest celebrated Grazer's success by honoring him with its Lifetime Achievement Award. On November 14, 2005, Grazer was honored in Los Angeles by the Fulfillment Fund. In May 2007 he was chosen by Time Magazine as one of the "100 Most Influential People in the World." On January 24 Grazer, along with his partner Ron Howard, was honored with the Milestone Award by the Producers Guild of America.
In addition to "A Beautiful Mind", Grazer's films include Apollo 13 (1995), for which Grazer won the Producers Guild's Darryl F. Zanuck Motion Picture Producer of the Year Award as well as an Oscar nomination for Best Picture of 1995; and Splash (1983), which he co-wrote as well as produced and for which he received an Oscar nomination for Best Original Screenplay of 1986.
Grazer also produced the film adaptation of Peter Morgan's critically acclaimed play "Frost/Nixon" (Frost/Nixon (2008)), directed by Ron Howard. The film was nominated for 5 Academy Awards including Best Picture, and was also nominated for The Darryl F. Zanuck Producer of the Year Award in Theatrical Motion Pictures by the PGA.
Grazer also produced Angels & Demons (2009), the adaptation of Dan Brown's bast-selling novel, and Robin Hood (2010), directed by Ridley Scott and with Russell Crowe, Cate Blanchett and Max von Sydow.
Some more of Grazer's feature film credits include the drama The Changeling (2006), directed by Clint Eastwood and starring Angelina Jolie; the Ridley Scott-directed drama American Gangster (2007), staring Russell Crowe and Denzel Washington; The Da Vinci Code (2006), the film adaptation of Dan Brown's international best-seller, starring Tom Hanks and directed by Oscar-winner Ron Howard; the tense drama The Inside Man (2005), directed by Spike Lee and starring Denzel Washington, Clive Owen and Jodie Foster; Flightplan (2005); Cinderella Man (2005); the Sundance acclaimed documentary Inside Deep Throat (2005); the TV series Friday Night Lights (2006); 8 Mile (2002); Blue Crush (2002); Intolerable Cruelty (2003); How the Grinch Stole Christmas (2000); The Nutty Professor (1996); Liar Liar (1997); Ransom (1996); My Girl (1991); Backdraft (1991); Kindergarten Cop (1990); Parenthood (1989); Clean and Sober (1988); and Spies Like Us (1985).
Grazer's television productions include Fox's hit Golden Globe and Emmy award winning Best Drama Series 24 (2001), NBC's Peabody Award-winning series "Friday Night Lights" and Fox's Lie to Me (2009), starring Tim Roth, which premiered in January 2009. He is also working on additional television projects including Parenthood (2010), based on his 1989 film, and Wonderland (2000), directed by Peter Berg. His additional television credits include Fox's Emmy award winning-Best Comedy Arrested Development (2003), CBS' Shark (2006), NBC's Miss Match (2003), WB's Felicity (1998), ABC's Sports Night (1998), as well as HBO's From the Earth to the Moon (1998), for which he won the Emmy for Outstanding Mini-Series.
Grazer began his career as a producer, developing television projects. It was while he was executive-producing TV pilots for Paramount Pictures in the early 1980s that Grazer first met Ron Howard, soon to become his friend and business partner. Their collaboration began in 1985 with the hit comedies Night Shift (1982) and Splash (1983), and in 1986 the two founded Imagine Entertainment, which they continue to run together as chairmen.Working with wunderkind Ron Howard, Grazer produced many of Howard's films and won his Oscar for "A Beautiful Mind."- Producer
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Albert Romolo Broccoli was born in Astoria, Queens (New York City) on April 5th, 1909. His mother and father, Cristina and Giovanni Broccoli, raised young Albert in New York on the family farm. The family was in the vegetable business, and Albert claimed one of his uncles brought the first broccoli seeds into the United States in the 1870's. Albert's cousin Pat DiCicco gave him the nickname "Cubby" after a comic strip character named Kabibble. Cubby worked in a pharmacy and then as a coffin-maker, but a trip to see his cousin in Los Angeles gave him an ambition for film stardom. Pat was an actor's agent, and introduced Cubby to such stars as Randolph Scott, Cary Grant and Bob Hope.
In 1940, at the age of 31, Cubby married actress Gloria Blondell. That same year the head of 20th Century-Fox offered him an assistant director position on The Outlaw (1943), directed by Howard Hawks and produced by his good friend Howard Hughes. After this initial job opportunity Cubby became the top assistant director at Fox. He went on to serve as A.D. on such films as The Song of Bernadette (1943) and The Black Swan (1942). When World War II began, Cubby joined the U.S. Navy, where he met future film producer Ray Stark, and together they become heads of entertainment for the troops. Cubby and Gloria decided to end their marriage in 1945, but remained good friends. After the war Cubby determined to get back into the movie business.
In 1946 his cousin Pat worked out the financing for a project called Avalanche (1946), on which Cubby served as production manager. The film spawned a partnership between Cubby and director Irving Allen. Broccoli and Allen later formed Warwick Productions, which eventually became a very successful independent production company based in London, England. After the poor response to "Avalanche", however, Broccoli worked various odd jobs, including selling Christmas trees in California, and eventually took a job as a talent agent, where he represented, among others, Robert Wagner and Lana Turner.
In 1951 Cubby married Nedra Clark. That same year he left the talent agency and, together with his partner Allen, reformed Warwick to make Paratrooper (1953). The film, released in the US as "Paratrooper", was very profitable. Broccoli and Allen become the most successful independent producers in England, turning out such hits as Safari (1956), Zarak (1956) and The Bandit of Zhobe (1959). Cubby and Nedra wanted to start a family but, according to the doctor, Nedra was unable to become pregnant. They instead adopted a young baby boy named Tony. Shortly afterwards Nedra became pregnant after all, and gave birth to a girl, whom they named Tina. Unfortunately, Nedra died in New York shortly afterwards. Cubby was now a widower with two children to raise. He spent months trying to get new film projects off the ground and support his family.
Cubby met Dana Wilson at a New Year's Eve party and there was an instant attraction. The two fell in love and, after five weeks, Cubby proposed marriage. Dana flew to London and started a new life with Cubby. However, things were about to turn sour for him. After making The Trials of Oscar Wilde (1960), which was financed out of his and Allen's own pockets, the two went bankrupt due to the poor box-office returns because of adverse reaction to the subject matter--Oscar Wilde's homosexuality. The film wasn't allowed to be advertised in the US and never made back its production costs during initial release. Cubby and Allen ended their partnership after the failure of the film. On June 18, 1960, Dana gave birth to a baby girl, Barbara Broccoli. One night Dana asked Cubby if there was something he really wanted to do. Cubby replied. "I always wanted to film the Ian Fleming James Bond books."
Cubby then managed to meet with Harry Saltzman, the man who held the option to the books. Together they formed Eon Productions Ltd. and Danjaq S.A. to make the first James Bond film, Dr. No (1962). However, they needed financing. The two men flew to New York and met with Arthur Krim, the head of United Artists. Within the hour Broccoli and Saltzman had a deal to make the first 007 film adventure. Despite the small budget of $1 million, the producers insisted on filming on location in Jamaica and using the then virtually unknown Sean Connery in the title role. Bond became the most successful film series in history and made Cubby Broccoli a household name.
Together with Saltzman, Broccoli produced From Russia with Love (1963), Goldfinger (1964), Thunderball (1965), You Only Live Twice (1967), On Her Majesty's Secret Service (1969), Diamonds Are Forever (1971), Live and Let Die (1973) and The Man with the Golden Gun (1974). After nine years as partners, Saltzman sold his share of Eon/Danjaq to United Artists and Cubby became the sole producer of the James Bond films. He later brought in his stepson, Michael G. Wilson, and his daughter Barbara, making it a true family affair. Broccoli's last non-Bond film was Chitty Chitty Bang Bang (1968). He had purchased the rights to this Ian Fleming story when he got the 007 book option. They brought in songwriters Richard M. Sherman and Robert B. Sherman, who were under contract to Disney, to write the music for this musical.
In 1982 Broccoli received the Irving G. Thalberg Award for his long and successful producing career. The award was presented by Roger Moore at the Academy Awards ceremony. Broccoli stated that it was one of the happiest days of his life and was very pleased to have received such a great honor. He stopped during his speech to thank all of the hundreds of crew technicians and actors who have helped make his films possible. In 1990 he was honored by having his star placed on the Hollywood Walk Of Fame and was even honored by the Queen of England for his contribution to cinema and the British community. Broccoli's last film was Licence to Kill (1989). He had heart problems throughout the early 1990s and was unable to go to the set of GoldenEye (1995).
Cubby's last years were spent at his home in Beverly Hills, surrounded by his children and grandchildren. Despite awards, honors and an amazing film career, the most important thing in his life was his family. After undergoing a triple-bypass in 1995, Cubby Broccoli passed away on Thursday, June 27, 1996, surrounded by loved ones. He was 87 and was one of the best-loved and most respected producers in Hollywood. No one ever had anything bad to say about Cubby and, according to many, he was a gentleman who cared about every one of his cast and crew and was the last true film producer. Albert R. "Cubby" Broccoli's legacy lives on thanks to his family, which carries on the tradition of making the James Bond films.Cubby had a long distinguished career not only as great producer of films but as the man who brought James Bond to the silver screen. His children carry on that tradition to this day. In 1982, the Academy awarded Broccoli the Thalberg, the highest honor any producer can achieve.- Producer
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Barrie M. Osborne was born on 7 February 1944 in New York City, New York, USA. He is a producer and production manager, known for The Lord of the Rings: The Fellowship of the Ring (2001), The Lord of the Rings: The Return of the King (2003) and The Lord of the Rings: The Two Towers (2002). He is married to Carol Kim. They have one child.While Osborne produced many films, he will best be known for his work on the "Lord of the Rings" trilogy for which he received an Academy Award for Best Picture.- Producer
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- Actor
Bruce Cohen was born in Falls Church, Virginia, USA. He is known for American Beauty (1999), Silver Linings Playbook (2012) and Milk (2008).While still a young man at this writing, Bruce has distinguished himself as one of the top producers in Hollywood, winning an Oscar for "American Beauty" and nominated for such greats as "Silver Linings Playbook" and "Milk."- Producer
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Stanley Kramer was born on 29 September 1913 in Hell's Kitchen [now Clinton], Manhattan, New York City, New York, USA. He was a producer and director, known for Judgment at Nuremberg (1961), Guess Who's Coming to Dinner (1967) and Inherit the Wind (1960). He was married to Karen Sharpe, Anne P. Kramer and Marilyn Erskine. He died on 19 February 2001 in Woodland Hills, Los Angeles, California, USA.Honorable mention - Known more for his skills as a director, Kramer also produced many of his own films and was nominated several times but only took home the Thalberg - still a great prize.- Producer
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One of the most influential personalities in the history of cinema, Steven Spielberg is Hollywood's best known director and one of the wealthiest filmmakers in the world. He has an extraordinary number of commercially successful and critically acclaimed credits to his name, either as a director, producer or writer since launching the summer blockbuster with Jaws (1975), and he has done more to define popular film-making since the mid-1970s than anyone else.
Steven Allan Spielberg was born in 1946 in Cincinnati, Ohio, to Leah Frances (Posner), a concert pianist and restaurateur, and Arnold Spielberg, an electrical engineer who worked in computer development. His parents were both born to Russian Jewish immigrant families. Steven spent his younger years in Haddon Township, New Jersey, Phoenix, Arizona, and later Saratoga, California. He went to California State University Long Beach, but dropped out to pursue his entertainment career. Among his early directing efforts were Battle Squad (1961), which combined World War II footage with footage of an airplane on the ground that he makes you believe is moving. He also directed Escape to Nowhere (1961), which featured children as World War Two soldiers, including his sister Anne Spielberg, and The Last Gun (1959), a western. All of these were short films. The next couple of years, Spielberg directed a couple of movies that would portend his future career in movies. In 1964, he directed Firelight (1964), a movie about aliens invading a small town. In 1967, he directed Slipstream (1967), which was unfinished. However, in 1968, he directed Amblin' (1968), which featured the desert prominently, and not the first of his movies in which the desert would feature. Amblin' also became the name of his production company, which turned out such classics as E.T. the Extra-Terrestrial (1982). Spielberg had a unique and classic early directing project, Duel (1971), with Dennis Weaver. In the early 1970s, Spielberg was working on TV, directing among others such series as Rod Serling's Night Gallery (1969), Marcus Welby, M.D. (1969) and Murder by the Book (1971). All of his work in television and short films, as well as his directing projects, were just a hint of the wellspring of talent that would dazzle audiences all over the world.
Spielberg's first major directorial effort was The Sugarland Express (1974), with Goldie Hawn, a film that marked him as a rising star. It was his next effort, however, that made him an international superstar among directors: Jaws (1975). This classic shark attack tale started the tradition of the summer blockbuster or, at least, he was credited with starting the tradition. His next film was the classic Close Encounters of the Third Kind (1977), a unique and original UFO story that remains a classic. In 1978, Spielberg produced his first film, the forgettable I Wanna Hold Your Hand (1978), and followed that effort with Used Cars (1980), a critically acclaimed, but mostly forgotten, Kurt Russell/Jack Warden comedy about devious used-car dealers. Spielberg hit gold yet one more time with Raiders of the Lost Ark (1981), with Harrison Ford taking the part of Indiana Jones. Spielberg produced and directed two films in 1982. The first was Poltergeist (1982), but the highest-grossing movie of all time up to that point was the alien story E.T. the Extra-Terrestrial (1982). Spielberg also helped pioneer the practice of product placement. The concept, while not uncommon, was still relatively low-key when Spielberg raised the practice to almost an art form with his famous (or infamous) placement of Reese's Pieces in "E.T." Spielberg was also one of the pioneers of the big-grossing special-effects movies, like "E.T." and "Close Encounters", where a very strong emphasis on special effects was placed for the first time on such a huge scale. In 1984, Spielberg followed up "Raiders" with Indiana Jones and the Temple of Doom (1984), which was a commercial success but did not receive the critical acclaim of its predecessor. As a producer, Spielberg took on many projects in the 1980s, such as The Goonies (1985), and was the brains behind the little monsters in Gremlins (1984). He also produced the cartoon An American Tail (1986), a quaint little animated classic. His biggest effort as producer in 1985, however, was the blockbuster Back to the Future (1985), which made Michael J. Fox an instant superstar. As director, Spielberg took on the book The Color Purple (1985), with Whoopi Goldberg and Oprah Winfrey, with great success. In the latter half of the 1980s, he also directed Empire of the Sun (1987), a mixed success for the occasionally erratic Spielberg. Success would not escape him for long, though.
The late 1980s found Spielberg's projects at the center of pop-culture yet again. In 1988, he produced the landmark animation/live-action film Who Framed Roger Rabbit (1988). The next year proved to be another big one for Spielberg, as he produced and directed Always (1989) as well as Indiana Jones and the Last Crusade (1989), and Back to the Future Part II (1989). All three of the films were box-office and critical successes. Also, in 1989, he produced the little known comedy-drama Dad (1989), with Jack Lemmon and Ted Danson, which got mostly mixed results. Spielberg has also had an affinity for animation and has been a strong voice in animation in the 1990s. Aside from producing the landmark "Who Framed Roger Rabbit", he produced the animated series Tiny Toon Adventures (1990), Animaniacs (1993), Pinky and the Brain (1995), Freakazoid! (1995), Pinky, Elmyra & the Brain (1998), Family Dog (1993) and Toonsylvania (1998). Spielberg also produced other cartoons such as The Land Before Time (1988), We're Back! A Dinosaur's Story (1993), Casper (1995) (the live action version) as well as the live-action version of The Flintstones (1994), where he was credited as "Steven Spielrock". Spielberg also produced many Roger Rabbit short cartoons, and many Pinky and the Brain, Animaniacs and Tiny Toons specials. Spielberg was very active in the early 1990s, as he directed Hook (1991) and produced such films as the cute fantasy Joe Versus the Volcano (1990) and An American Tail: Fievel Goes West (1991). He also produced the unusual comedy thriller Arachnophobia (1990), Back to the Future Part III (1990) and Gremlins 2: The New Batch (1990). While these movies were big successes in their own right, they did not quite bring in the kind of box office or critical acclaim as previous efforts. In 1993, Spielberg directed Jurassic Park (1993), which for a short time held the record as the highest grossing movie of all time, but did not have the universal appeal of his previous efforts. Big box-office spectacles were not his only concern, though. He produced and directed Schindler's List (1993), a stirring film about the Holocaust. He won best director at the Oscars, and also got Best Picture. In the mid-90s, he helped found the production company DreamWorks, which was responsible for many box-office successes.
As a producer, he was very active in the late 90s, responsible for such films as The Mask of Zorro (1998), Men in Black (1997) and Deep Impact (1998). However, it was on the directing front that Spielberg was in top form. He directed and produced the epic Amistad (1997), a spectacular film that was shorted at the Oscars and in release due to the fact that its release date was moved around so much in late 1997. The next year, however, produced what many believe was one of the best films of his career: Saving Private Ryan (1998), a film about World War Two that is spectacular in almost every respect. It was stiffed at the Oscars, losing best picture to Shakespeare in Love (1998).
Spielberg produced a series of films, including Evolution (2001), The Haunting (1999) and Shrek (2001). he also produced two sequels to Jurassic Park (1993), which were financially but not particularly critical successes. In 2001, he produced a mini-series about World War Two that definitely *was* a financial and critical success: Band of Brothers (2001), a tale of an infantry company from its parachuting into France during the invasion to the Battle of the Bulge. Also in that year, Spielberg was back in the director's chair for A.I. Artificial Intelligence (2001), a movie with a message and a huge budget. It did reasonably at the box office and garnered varied reviews from critics.
Spielberg has been extremely active in films there are many other things he has done as well. He produced the short-lived TV series SeaQuest 2032 (1993), an anthology series entitled Amazing Stories (1985), created the video-game series "Medal of Honor" set during World War Two, and was a starting producer of ER (1994). Spielberg, if you haven't noticed, has a great interest in World War Two. He and Tom Hanks collaborated on Shooting War: World War II Combat Cameramen (2000), a documentary about World War II combat photographers, and he produced a documentary about the Holocaust called Eyes of the Holocaust (2000). With all of this to Spielberg's credit, it's no wonder that he's looked at as one of the greatest ever figures in entertainment.Honorable Mention - Known more as a director, Spielberg also produced dozens of films through his long and distinguished career.- Walter Mirisch and brothers Marvin Mirisch and Harold Mirisch were one of the most successful producing teams in Hollywood history. Their Mirisch Company produced such diverse hits as Some Like It Hot (1959), The Magnificent Seven (1960), West Side Story (1961), The Great Escape (1963), The Pink Panther (1963) and many others. Most of their films were financed and released by United Artists, and through a stock swap in 1963 the brothers acquired the company. They stayed on with UA and their production relationships with producer/directors like Billy Wilder, Blake Edwards and John Sturges became the model by which Hollywood makes movies today.
Starting out as a producer on such low-budget "B" fare at Monogram Pictures as Bomba: The Jungle Boy (1949), Mirisch rose to become one of Hollywood's leading industry statesman. He was a visionary who, in the declining years of the Hollywood studio system, could see that the future lay with the independent producers. Operating out of rented office space at the old Samuel Goldwyn lot in Hollywood, the Mirisches kept their overhead low by such tactics as renting studio stages and facilities only when needed. Whereas the major studios were still burdened by high overhead and salaries, the brothers were in a position to attract top talent and offer high fees and flexible control to up-and-coming directors like Norman Jewison, who responded with three hits in a row for them - The Russians Are Coming the Russians Are Coming (1966), In the Heat of the Night (1967) and The Thomas Crown Affair (1968).While Mirisch took home his Oscar for "Heat of the Night," he will probably be best remembered as the man who delivered "The Magnificent Seven" along with many other great films. - Producer
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Frank McCarthy was born on 8 June 1912 in Richmond, Virginia, USA. He was a producer, known for Patton (1970), Decision Before Dawn (1951) and Sailor of the King (1953). He died on 1 December 1986 in Woodland Hills, Los Angeles, California, USA.While having a short career as a producer, McCarthy did deliver one of the best with "Patton" and won the Oscar.- Producer
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John Boorman attended Catholic school (Salesian Order) although his family was not, in fact, Roman Catholic. His first job was for a dry-cleaner. Later, he worked as a critic for a women's journal and for a radio station until he entered the television business, working for the BBC in Bristol. There, he started as assistant but worked later as director on documentaries, such as The Newcomers (1964). His friendship with Lee Marvin allowed him to work in Hollywood (e.g. Point Blank (1967) and Hell in the Pacific (1968)) from where he returned to the UK (e.g. Leo the Last (1970), Zardoz (1974) or Exorcist II: The Heretic (1977)). He became famous for Excalibur (1981), The Emerald Forest (1985) and his autobiographic story Hope and Glory (1987) where he tells his own experiences as a child after World War II and which brought him another Academy Award Nomination after Deliverance (1972).Both director and producer, Boorman managed to squeeze out a nomination for "Excalibur" and produced a string of hit films for many years after that.- Writer
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A graduate of New York's Columbia School of Journalism, Irwin Allen was a magazine editor, the producer/director of a radio show and the owner of an advertising agency before entering film production in the 1950s. His documentary, The Sea Around Us (1953), won an Academy Award. A successful TV series producer (The Time Tunnel (1966), Lost in Space (1965)), Allen was nicknamed "The Master of Disaster" in the 1970s due to the tremendous success of his two special effects-laden epics, The Poseidon Adventure (1972) and The Towering Inferno (1974).King of the disaster movies, Allen also gave us a string of television hits that included, "Lost in Space." While he never garnered any nominations, he could still produce such huge all star casts as "Poseidon Adventure" and "Towering Inferno."- Alan Marshall was born in England in 1938. At the age of 24 he entered the British film industry and graduated to the big league in 1975 when he founded a production company with director Alan Parker who he met when both worked at a London advertising agency.
Marshall's first producer credit appeared on 1976's "Bugsy Malone" which became both, a critical and a commercial success for the two filmmakers. Only two years later he received an Academy Award nomination for the outstanding "Midnight Express", directed by Alan Parker.
In the following years Marshall produced not less than five additional Parker movies including such cult classics as "Shoot the Moon", "The Wall", "Fame", "Birdy" and "Angel Heart", starring Mickey Rourke and Robert De Niro. Marshall became a resident in the United States late 1989 whilst finishing the post-production of Jacobs Ladder
In 1992 another creative collaboration began with Director Paul Verhoeven on "Basic Instinct" which grossed over $400M around the globe. Since then they have worked together on such world wide box office successes as "Starship Troopers" and "Hollow Man".
Marshall's additional productions include such classics as "Jacob's Ladder" directed by Adrian Lyne and "Cliffhanger" directed by Renny Harlin starring Sylvester Stallone. He also produced "Another Country" directed by Marek Kanievska as well as the infamous "Showgirls" directed by Paul Verhoeven.
The films produced by Alan Marshall have won to date four Academy Awards, from eighteen nominations, along with winning eight Golden Globes and twelve BAFTA's.
In 1985 along with Alan Parker, Marshall received the British Film and Television Academy's "Micheal Balcon Award" for his outstanding contribution to Cinema.In addition to "Midnight Express," Marshall gave us "Basic Instinct" one of the biggest thriller success stories of all time. - Producer
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David Puttnam was born on 25 February 1941 in London, England, UK. He is a producer and executive, known for The Mission (1986), Chariots of Fire (1981) and The Killing Fields (1984). He has been married to Patricia Mary Jones since 1961. They have two children.Puttnam produced many hit films but won his Oscar for "Chariots of Fire."- Producer
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Following a distinguished career in the theatre between the 1960s and the 1980s, Jim Sheridan wrote and directed his first critically acclaimed feature My Left Foot in 1989. The film was nominated for two European Film Awards. He followed this in 1990 with The Field which he also wrote and directed. In the same year he wrote the screenplay Into the West which was directed in 1992 by Mike Newell. In 1993 he wrote, produced and directed In the Name Of The Father, which again was nominated for a European Film Award, and in 1995 he wrote and produced Some Mother's Son, which was directed by Terry George. In 1997 he wrote, produced and directed The Boxer and in 1999 he produced Agnes Browne, directed by and starring Anjelica Huston. He was also executive producer of Borstal Boy, On The Edge and Bloody Sunday. In America, which he produced, directed and wrote, was released in 2003. In 2005 he directed and produced Get Rich Or Die Tryin'. Brothers was released in 2009 and Dream House in 2011. His most recent feature film is The Secret Scripture. He directed the short film 11th Hour at the end of 2016 and produced the documentary Shelter Me. Jim Sheridan's films have achieved popular and critical acclaim throughout the world. His films have garnered sixteen Oscar nominations and have won two Academy Awards as well as numerous prestigious international awards. Jim Sheridan is the father of Irish Actress Clodagh Amira Sheridan with his partner Filmmaker Zahara Moufid.Honorable Mention - Nominated six times for an Oscar, Sheridan often produced his own directed films as well as many others.- Director
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He, along with the other members of the "Compass Players" including Elaine May, Paul Sills, Byrne Piven, Joyce Hiller Piven and Edward Asner helped start the famed "Second City Improv" company. They used the games taught to them by fellow cast mate, Paul Sills 's mother, Viola Spolin. He later worked in legitimate theater as an actor before entering into a very successful comedy duo with Elaine May. The two were known as "the world's fastest humans".Honorable Mention - In addition to the numerous award and accolades this great director has garnered, he also produced many film projects.- Producer
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Francis Ford Coppola was born in 1939 in Detroit, Michigan, but grew up in a New York suburb in a creative, supportive Italian-American family. His father, Carmine Coppola, was a composer and musician. His mother, Italia Coppola (née Pennino), had been an actress. Francis Ford Coppola graduated with a degree in drama from Hofstra University, and did graduate work at UCLA in filmmaking. He was training as assistant with filmmaker Roger Corman, working in such capacities as sound-man, dialogue director, associate producer and, eventually, director of Dementia 13 (1963), Coppola's first feature film. During the next four years, Coppola was involved in a variety of script collaborations, including writing an adaptation of "This Property is Condemned" by Tennessee Williams (with Fred Coe and Edith Sommer), and screenplays for Is Paris Burning? (1966) and Patton (1970), the film for which Coppola won a Best Original Screenplay Academy Award. In 1966, Coppola's 2nd film brought him critical acclaim and a Master of Fine Arts degree. In 1969, Coppola and George Lucas established American Zoetrope, an independent film production company based in San Francisco. The company's first project was THX 1138 (1971), produced by Coppola and directed by Lucas. Coppola also produced the second film that Lucas directed, American Graffiti (1973), in 1973. This movie got five Academy Award nominations, including one for Best Picture. In 1971, Coppola's film The Godfather (1972) became one of the highest-grossing movies in history and brought him an Oscar for writing the screenplay with Mario Puzo The film was a Best Picture Academy Award-winner, and also brought Coppola a Best Director Oscar nomination. Following his work on the screenplay for The Great Gatsby (1974), Coppola's next film was The Conversation (1974), which was honored with the Golden Palm Award at the Cannes Film Festival, and brought Coppola Best Picture and Best Original Screenplay Oscar nominations. Also released that year, The Godfather Part II (1974), rivaled the success of The Godfather (1972), and won six Academy Awards, bringing Coppola Oscars as a producer, director and writer. Coppola then began work on his most ambitious film, Apocalypse Now (1979), a Vietnam War epic that was inspired by Joseph Conrad's Heart of Darkness (1993). Released in 1979, the acclaimed film won a Golden Palm Award at the Cannes Film Festival, and two Academy Awards. Also that year, Coppola executive produced the hit The Black Stallion (1979). With George Lucas, Coppola executive produced Kagemusha: The Shadow Warrior (1980), directed by Akira Kurosawa, and Mishima: A Life in Four Chapters (1985), directed by Paul Schrader and based on the life and writings of Yukio Mishima. Coppola also executive produced such films as The Escape Artist (1982), Hammett (1982) The Black Stallion Returns (1983), Barfly (1987), Wind (1992), The Secret Garden (1993), etc.
He helped to make a star of his nephew, Nicolas Cage. Personal tragedy hit in 1986 when his son Gio died in a boating accident. Francis Ford Coppola is one of America's most erratic, energetic and controversial filmmakers.Honorable Mention - In addition to directing the greatest film of all time - The Godfather - Coppola also produced his movies and many others.- Producer
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Lawrence Bender is a movie producer working in the entertainment industry for 20 years. He helped produce Hollywood films like Reservoir Dogs (1992), Good Will Hunting (1997), Inglourious Basterds (2009) and Django (2012). Lawrence won 6 Academy Awards with 29 nominations including 3 Best Picture films. An Inconvenient Truth is a documentary he produced that raised awareness of climate change and won him an Academy Award for Best Documentary. Lawrence Bender was born in The Bronx, New York City, as Lawrence Kirk Bender. His mother was a kindergarten teacher. Lawrence's father was a college history professor. In high school, he was inspired to follow his grandfather's career as a civil engineer. At the University of Maine in 1979, he graduated with a degree in Civil Engineering. After he graduated, he became a dancer for several years which ended after an injury. Lawrence is a political and environmental activist as the co-founder of the Detroit Project. In 2003 he worked with environmentalists in targeting gas-guzzling SUVs. As the Dean of Harvard's John F. Kennedy School of Government, he sits on the Advisory Board. Lawrence has used his influence to support philanthropic initiatives working with Yahoo, the Muppets, the EPA, and Wal-Mart. He is a Director for CleanSource Power, LLC and a board member of The Creative Coalition Inc.Bender makes the art of producing look easy as he has made more successful films than practically any living producer except Weinstein.- Producer
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In addition to helming the iconic feature hits An Officer and a Gentleman (1982), Against All Odds (1984), Ray (2004), and the cult thriller The Devil's Advocate (1997), Taylor Hackford has directed the films Dolores Claiborne (1995), Everybody's All-American (1988), and Proof of Life (2000). Taylor developed and produced La Bamba (1987), the most successful Latin-themed feature film in history. Mr. Hackford has been an active member of the Directors Guild of America for over 40 years, including twice as elected President of the DGA, beginning in 2009.Honorable Mention - In addition to his chores as director, Hackford also produced many of his own works and became President of the Director's Guild in the process. Nominated twice for an Oscar.- Director
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Stanley Kubrick was born in Manhattan, New York City, to Sadie Gertrude (Perveler) and Jacob Leonard Kubrick, a physician. His family were Jewish immigrants (from Austria, Romania, and Russia). Stanley was considered intelligent, despite poor grades at school. Hoping that a change of scenery would produce better academic performance, Kubrick's father sent him in 1940 to Pasadena, California, to stay with his uncle, Martin Perveler. Returning to the Bronx in 1941 for his last year of grammar school, there seemed to be little change in his attitude or his results. Hoping to find something to interest his son, Jack introduced Stanley to chess, with the desired result. Kubrick took to the game passionately, and quickly became a skilled player. Chess would become an important device for Kubrick in later years, often as a tool for dealing with recalcitrant actors, but also as an artistic motif in his films.
Jack Kubrick's decision to give his son a camera for his thirteenth birthday would be an even wiser move: Kubrick became an avid photographer, and would often make trips around New York taking photographs which he would develop in a friend's darkroom. After selling an unsolicited photograph to Look Magazine, Kubrick began to associate with their staff photographers, and at the age of seventeen was offered a job as an apprentice photographer.
In the next few years, Kubrick had regular assignments for "Look", and would become a voracious movie-goer. Together with friend Alexander Singer, Kubrick planned a move into film, and in 1950 sank his savings into making the documentary Day of the Fight (1951). This was followed by several short commissioned documentaries (Flying Padre (1951), and (The Seafarers (1953), but by attracting investors and hustling chess games in Central Park, Kubrick was able to make Fear and Desire (1952) in California.
Filming this movie was not a happy experience; Kubrick's marriage to high school sweetheart Toba Metz did not survive the shooting. Despite mixed reviews for the film itself, Kubrick received good notices for his obvious directorial talents. Kubrick's next two films Killer's Kiss (1955) and The Killing (1956) brought him to the attention of Hollywood, and in 1957 he directed Kirk Douglas in Paths of Glory (1957). Douglas later called upon Kubrick to take over the production of Spartacus (1960), by some accounts hoping that Kubrick would be daunted by the scale of the project and would thus be accommodating. This was not the case, however: Kubrick took charge of the project, imposing his ideas and standards on the film. Many crew members were upset by his style: cinematographer Russell Metty complained to producers that Kubrick was taking over his job. Kubrick's response was to tell him to sit there and do nothing. Metty complied, and ironically was awarded the Academy Award for his cinematography.
Kubrick's next project was to direct Marlon Brando in One-Eyed Jacks (1961), but negotiations broke down and Brando himself ended up directing the film himself. Disenchanted with Hollywood and after another failed marriage, Kubrick moved permanently to England, from where he would make all of his subsequent films. Despite having obtained a pilot's license, Kubrick was rumored to be afraid of flying.
Kubrick's first UK film was Lolita (1962), which was carefully constructed and guided so as to not offend the censorship boards which at the time had the power to severely damage the commercial success of a film. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) was a big risk for Kubrick; before this, "nuclear" was not considered a subject for comedy. Originally written as a drama, Kubrick decided that too many of the ideas he had written were just too funny to be taken seriously. The film's critical and commercial success allowed Kubrick the financial and artistic freedom to work on any project he desired. Around this time, Kubrick's focus diversified and he would always have several projects in various stages of development: "Blue Moon" (a story about Hollywood's first pornographic feature film), "Napoleon" (an epic historical biography, abandoned after studio losses on similar projects), "Wartime Lies" (based on the novel by Louis Begley), and "Rhapsody" (a psycho-sexual thriller).
The next film he completed was a collaboration with sci-fi author Arthur C. Clarke. 2001: A Space Odyssey (1968) is hailed by many as the best ever made; an instant cult favorite, it has set the standard and tone for many science fiction films that followed. Kubrick followed this with A Clockwork Orange (1971), which rivaled Lolita (1962) for the controversy it generated - this time not only for its portrayal of sex, but also of violence. Barry Lyndon (1975) would prove a turning point in both his professional and private lives. His unrelenting demands of commitment and perfection of cast and crew had by now become legendary. Actors would be required to perform dozens of takes with no breaks. Filming a story in Ireland involving military, Kubrick received reports that the IRA had declared him a possible target. Production was promptly moved out of the country, and Kubrick's desire for privacy and security resulted in him being considered a recluse ever since.
Having turned down directing a sequel to The Exorcist (1973), Kubrick made his own horror film: The Shining (1980). Again, rumors circulated of demands made upon actors and crew. Stephen King (whose novel the film was based upon) reportedly didn't like Kubrick's adaptation (indeed, he would later write his own screenplay which was filmed as The Shining (1997).)
Kubrick's subsequent work has been well spaced: it was seven years before Full Metal Jacket (1987) was released. By this time, Kubrick was married with children and had extensively remodeled his house. Seen by one critic as the dark side to the humanist story of Platoon (1986), Full Metal Jacket (1987) continued Kubrick's legacy of solid critical acclaim, and profit at the box office.
In the 1990s, Kubrick began an on-again/off-again collaboration with Brian Aldiss on a new science fiction film called "Artificial Intelligence (AI)", but progress was very slow, and was backgrounded until special effects technology was up to the standard the Kubrick wanted.
Kubrick returned to his in-development projects, but encountered a number of problems: "Napoleon" was completely dead, and "Wartime Lies" (now called "The Aryan Papers") was abandoned when Steven Spielberg announced he would direct Schindler's List (1993), which covered much of the same material.
While pre-production work on "AI" crawled along, Kubrick combined "Rhapsody" and "Blue Movie" and officially announced his next project as Eyes Wide Shut (1999), starring the then-married Tom Cruise and Nicole Kidman. After two years of production under unprecedented security and privacy, the film was released to a typically polarized critical and public reception; Kubrick claimed it was his best film to date.
Special effects technology had matured rapidly in the meantime, and Kubrick immediately began active work on A.I. Artificial Intelligence (2001), but tragically suffered a fatal heart attack in his sleep on March 7th, 1999.
After Kubrick's death, Spielberg revealed that the two of them were friends that frequently communicated discreetly about the art of filmmaking; both had a large degree of mutual respect for each other's work. "AI" was frequently discussed; Kubrick even suggested that Spielberg should direct it as it was more his type of project. Based on this relationship, Spielberg took over as the film's director and completed the last Kubrick project.
How much of Kubrick's vision remains in the finished project -- and what he would think of the film as eventually released -- will be the final great unanswerable mysteries in the life of this talented and private filmmaker.Honorable Mention - arguably the greatest film director of all time, Kubrick also produced as well as wrote - the triple threat.- Director
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With a passion for filmmaking but no connections to the business, Robert Lorenz moved to Los Angeles in 1989 and began climbing his way up through the film industry. Starting out on the backlot of Roger Corman's B-movie studio in Venice, California, less than a decade later Lorenz found himself working as the right hand to legendary director Clint Eastwood. In 2002, impressed by Lorenz's work ethic and a shared enthusiasm for movie-making, Eastwood asked Lorenz to produce MYSTIC RIVER, a film that would go on to become a cinema classic. A long, successful producing partnership followed as the two collaborated on over a dozen projects including the Oscar-winning Best Picture MILLION DOLLAR BABY, GRAN TORINO, INVICTUS, LETTERS FROM IWO JIMA, and AMERICAN SNIPER, among others. Lorenz earned three Academy Award nominations along the way.
Moving into the director's chair in 2012, Lorenz's first feature was the well-received TROUBLE WITH THE CURVE, starring Eastwood, Amy Adams, Justin Timberlake and John Goodman. More Eastwood collaborations followed and after the record-breaking, box office success of AMERICAN SNIPER, for which he also directed the second unit, Lorenz made the decision to forego producing films for others and focus instead on his own writing and directing projects.
In 2019, Lorenz began collaborating with another Hollywood legend when Liam Neeson starred in THE MARKSMAN, a film directed, produced and co-written by Lorenz. Released at the height of the pandemic in 2020, the film was #1 at the theatrical box office for 2 weeks and went on to top the VOD charts for several weeks thereafter. Following the success of THE MARKSMAN, Neeson and Lorenz teamed up again for the feature film IN THE LAND OF SAINTS AND SINNERS. A tension-filled crime thriller set during The Troubles and shot entirely in Ireland, the film also stars Ciarán Hinds, Kerry Condon and Jack Gleeson.
Born in Chicago, Illinois, Lorenz studied film at the University of Iowa before moving to LA, where he now lives with his wife Melissa, a public high school english teacher, and their two children.While working in close collaboration with director Clint Eastwood, Lorenz has risen through the ranks as one of the best producers in today's Hollywood scene.- Producer
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Joel Daniel Coen is an American filmmaker who regularly collaborates with his younger brother Ethan. They made Raising Arizona, Barton Fink, Fargo, The Big Lebowski, True Grit, O Brother Where Art Thou?, Burn After Reading, A Serious Man, Inside Llewyn Davis, Hail Caesar and other projects. Joel married actress Frances McDormand in 1984 and had an adopted son.Joel along with his brother Ethan have co-produced some of Hollywood's biggest hits and most innovative movies including "Fargo."- Producer
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Jerry Bruckheimer is a film and television producer born on September 21, 1943 in Detroit. He graduated from high school in 1961 before it was moving to Arizona. He started his career in 1968 to produce television commercials and advertising for the firm BBD&O in New York.
He left the commercial industry, and branched out into film production and served as associate producer for Dick Richards on the films The Culpepper Cattle Co. (1972) and Rafferty and the Gold Dust Twins (1975). He started out his production company Jerry Bruckheimer & Associates and then served as producer on the following two films Farewell, My Lovely (1975) and March or Die (1977) before the duo broke up.
He then became an independent producer, serving his job on his films American Gigolo (1980), Defiance (1980), Thief (1981), Cat People (1982) and Young Doctors in Love (1982) throughout the early 1980s, for one of their major studios.
In 1979, Don Simpson met Bruckheimer while working on "American Gigolo" for Paramount. In 1982, Simpson left Paramount Pictures to start out its own independent company with a deal at Paramount, and weeks later, Simpson's production services were merged with Bruckheimer's. During his lifetime, he produced films in the 80s and 90s for Paramount like Flashdance (1983), Thief of Hearts (1984), Beverly Hills Cop (1984) and its sequel Beverly Hills Cop II (1987), Top Gun (1986) and Days of Thunder (1990), most of them met with success.
After the minor failure of "Days of Thunder", Simpson and Bruckheimer severed its ties with Paramount, and signed a deal with The Walt Disney Studios. In the mid 90s, both Simpson and Bruckheimer produced The Ref (1994), Bad Boys (1995), Crimson Tide (1995), Dangerous Minds (1995) and The Rock (1996). In 1995, Simpson and Bruckheimer terminated its relationship, and the next year Simpson died.
Bruckheimer expanded its activity on television with a deal at Touchstone Television. He produced two shows Dangerous Minds (1996) for ABC and Soldier of Fortune, Inc. (1997) for Rysher Entertainment and TV affiliates and two telepics Max Q (1998) and Swing Vote (1999), both for ABC.
The next few Bruckheimer productions after Simpson died in the late 90s and the early 2000s were Con Air (1997), Armageddon (1998), Enemy of the State (1998), Gone in 60 Seconds (2000) and Coyote Ugly (2000). In 1998, he established Technical Black Films to produce the film Remember the Titans (2000). In 1999, his Bruckheimer production company signed a deal with Ridley Scott and Tony Scott's Scott Free Productions to produce films over a two year period.
In 2000, Bruckheimer hit big with CSI: Crime Scene Investigation (2000). The success of the show led to spinoffs CSI: Miami (2002), CSI: NY (2004) and CSI: Cyber (2015). He followed the franchise up with the reality show The Amazing Race (2001), of which it is also an success made Bruckheimer a major producer for the CBS network. In 2001, he signed a deal with Warner Bros. Television to produce TV shows. He followed up his TV career with Without a Trace (2002) and Cold Case (2003).
In 2001, he produced two war films Pearl Harbor (2001) and Black Hawk Down (2001). The former received negative critical reaction, and the latter gained them critical acclaim. He followed up in 2002 with Bad Company (2002). Throughout the 2000s, Bruckheimer was an active entertainment producer, working on the films Kangaroo Jack (2003), Veronica Guerin (2003), King Arthur (2004), Glory Road (2006), Deja Vu (2006), Confessions of a Shopaholic (2009) and G-Force (2009) for Disney Studios, and the TV shows Profiles from the Front Line (2003), Skin (2003), E-Ring (2005), Just Legal (2005), Close to Home (2005), Justice (2006), Eleventh Hour (2008), Dark Blue (2009) and The Forgotten (2009).
He is the creative force for franchise films. In 2003, he made a sequel to his "Bad Boys", Bad Boys II (2003) and Bad Boys for Life (2020), and he launched the "Pirates of the Caribbean" franchise, starting with Pirates of the Caribbean: The Curse of the Black Pearl (2003), and spawning sequels like Pirates of the Caribbean: Dead Man's Chest (2006), Pirates of the Caribbean: At World's End (2007), Pirates of the Caribbean: On Stranger Tides (2011) and Pirates of the Caribbean: Dead Men Tell No Tales (2017) and the "National Treasure" franchise, comprising of two films National Treasure (2004) and National Treasure: Book of Secrets (2007).
In 2007, he had to partner with MTV to create a game studio, and joined the ZeniMax board of directors. In 2009, he launched Jerry Bruckheimer Games, and by 2011 rumored to be worked on three titles, before it was shut down in 2013.
By the 2010s, he was in declining force, and his films Prince of Persia: The Sands of Time (2010), The Sorcerer's Apprentice (2010), The Lone Ranger (2013), 12 Strong (2018) and Gemini Man (2019) are turned out to be box office disappointments, and his TV shows Miami Medical (2010), Chase (2010), The Whole Truth (2010), Hostages (2013), Training Day (2017) and Council of Dads (2020) turned out to be failures after one season.
In 2013, he signed a deal with Paramount Pictures to produce follow-up films to "Top Gun" and "Beverly Hills Cop" and their deal with Disney ended. Three years later, he terminated its deal with Warner Bros. Television and a year later signed with CBS Television Studios. His minor box office success rolled in with Deliver Us from Evil (2014). His only big TV hits came in from the decade were Lucifer (2016) and L.A.'s Finest (2019).
Bruckheimer was named as one of the investors of a proposed sports arena in Las Vegas, and had been rumored to be the leading choice by the National Hockey League (NHL) to own an expansion hockey team that would play in the arena. Bruckheimer was also named as one of the investors of a proposed Seattle-based NHL expansion team whose application was submitted in early 2018. The NHL Board of Governors voted to approve the team, named the Seattle Kraken, on December 4, 2018, which will start play in the 2021-22 season. Jerry Bruckheimer was part of an investment group that also included Tim Leiweke (Oak View Group) and David Bonderman (minority owner NBA's Boston Celtics).
He is currently on post-production on the sequel to his 1986 film "Top Gun", Top Gun: Maverick (2022) for Paramount Pictures.While never receiving an Oscar nomination, no one can argue with Bruckheimer's success as a producer. His films have garnered more box office than those of practically any current producer.- Producer
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Scott Rudin was born on 14 July 1958 in New York City, New York, USA. He is a producer and casting director, known for No Country for Old Men (2007), The Social Network (2010) and Lady Bird (2017).Perhaps one of the most prolific and versatile producers in the world, Rudin is one of the rarest of rare individuals who has won an Emmy, a Grammy, an Oscar, and a Tony. Considered of the all time great producers, Rudin is also one of its busiest.