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- Kathryn is best known for her portrayals of "Karen McCluskey" on Desperate Housewives (2004) on ABC and of "Mrs. Landingham", secretary to the President (Martin Sheen), on the critically-acclaimed NBC drama, The West Wing (1999). She has also recurred on Dharma & Greg (1997), and guest-starred on many hit television series, such as Becker (1998), Arli$$ (1996), Ally McBeal (1997), Providence (1999), Scrubs (2001) and over twenty other prime-time shows. Kathryn will also be seen later this year on ABC's daytime drama, General Hospital (1963). Her credits are impressive for any actor, let alone one that only began the craft at age 42.
Although only put into action well into her middle years, Kathryn's dream began in her twenties, when her mother died of cancer in 1963. While dying in the hospital, her mother shared that her biggest regret was not following her dreams. Kathryn vowed, at that moment, that she would someday pursue her own dream of acting.
At the time, she was entering into a new career as a psychiatric nurse in a medium security wing for disturbed teenagers. Through that job, she met and married a psychiatrist, gave birth to two boys and settled down as a suburban housewife in Lake Forest, Illinois, a well-to-do suburb of Chicago. But Kathryn never forgot her dream of acting, something that she never had time to pursue in-between caring for her children and husband. In 1980, her husband's alcoholism led Kathryn to a divorce and a difficult situation; a single mother with two young sons. Rather than lose hope, she took the opportunity to change her life forever and follow her lost dream.
Kathryn took classes at Steppenwolf Theater in Chicago and performed at community theaters all over Northern Illinois. By day, she supported her family hanging wallpaper and painting the mansions of Lake Forest, working as a sales person for a Welcome Wagon company and using her contacts to book film and print locations in the houses she was painting. By night, Kathryn was improving her skills and moving from community theater to semi-professional theater. Her first break was in 1991. Disney held a cattle call for street performers for Disney World. After standing in line for five hours, Kathryn got the part and moved shop to Orlando, Florida. Though she was living behind an adult arcade in the "tourist unfriendly" part of Buena Vista, Kathryn was finally earning her living through performance and loving it. The part only lasted for a year and, once again, Kathryn was forced to supplement her acting income with other work -- bar-tending and catering during the day, theater at night. Though the acting gig was over, the move to Florida proved one thing to Kathryn...she had the talent to make it as an actor. She did it once and she could do it again. Unfortunately, it took her two and half years to realize it wouldn't happen in central Florida.
In December 1995, Kathryn again packed a truck and drove to Hollywood. Although she didn't have an agent and had no contacts, Kathryn never hesitated following her dream. In only five months, she landed her first part...two lines in Family Matters (1989). In the six years since then, she has appeared in over a dozen plays, six movies, eleven national television commercials, two pilots, ten drama series and over twenty sitcoms. From her many roles, Kathryn is recognized as one of Murphy Brown (1988)'s secretaries, Frasier (1993)'s agent's mother and the bingo buddy to Drew Carey's girlfriend, on The Drew Carey Show (1995). But it is her portrayal of "Mrs. Landingham", the foil, friend and secretary to Martin Sheen's "President Bartlet" on The West Wing (1999) that propelled her into the spotlight she truly deserves. She followed that up with her last huge roll as Karen McCluskey for 8 seasons on ABC's Desperate Housewives (2004), which won her two Emmy awards. Joosten made a guest appearance on CBS daytime soap The Bold and the Beautiful as part of the show's 6000th episode, which featured several other real-life lung cancer survivors discussing their experiences. She was named the national spokesperson for the Lung Cancer Profiles campaign on behalf of Pfizer. Joosten died of lung cancer on the morning of June 2, 2012. Her death happened 20 days after the onscreen death of her character Karen McCluskey on the final episode of Desperate Housewives. The hit show ended its eight-year run on ABC last month with a series finale in which Joosten's character passed away. Her character's battle with brain cancer was a story line in the show.Her ashes were scattered. - Actress
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Actress-comedienne Bea Arthur was born Bernice Frankel on May 13, 1922 in New York City to a Jewish family. She grew up in Maryland, where her parents ran a dress shop. At 12 years old, she was the tallest girl in her school at 5'9".
She earned the title of "Wittiest Girl" in her school, and her dream was to be in show business, but she didn't think her family would support her. She then worked as a laboratory technician, and in the Marine Corps; she drove a truck, and worked as a typist. Her brief first marriage ended in divorce. Afterwards, she told her parents that she wanted to pursue a career in show business, and they supported her decision to join the New York's Dramatic Workshop for the New School for Social Research.
Arthur (her acting name based on a variation of her first husband's surname) played classical and dramatic roles, but it would be years before she found her niche in comedy. Her breakthrough came on stage while appearing in the musical play "The Threepenny Opera," with Lotte Lenya. For one season in the 1950's, she was a regular on Sid Caesar's television show,Caesar's Hour (1954). In 1964, she became truly famous as Yente the Matchmaker, in the original Broadway production of "Fiddler on the Roof". Despite this being a small supporting role, Arthur stole the show night after night.
In 1966, she went to work on a new Broadway musical, "Mame", directed by her second husband, Gene Saks, winning a Tony Award for the featured role of Vera Charles. The show's star, Angela Lansbury, also won a Tony Award, and she and Bea became lifelong friends. In 1971, Arthur appeared on the hit sitcom All in the Family (1971) as Maude Findlay, Edith Bunker's cousin, who was forever driving Archie Bunker crazy with her liberal politics. The guest appearance led to Arthur's own series, Maude (1972). The show was a hit, running for six years, during which many controversial topics of the time, including abortion, were tackled, and Bea won her first Emmy Award. While doing Maude (1972), Arthur repeated the role of Vera Charles in the film version of Mame (1974), again directed by Gene Saks, but it was a dismal flop. She also appeared on The Star Wars Holiday Special (1978). While appearing in Maude (1972), she raised her two sons, whom she had adopted with husband Gene Saks. After the show ended, so did her marriage to Saks. She never remarried. She became a lifelong animal rights' activist.
In 1983, she started working on a new sitcom, Amanda's (1983), patterned after Britain's Fawlty Towers (1975) but it was short-lived. In 1985, The Golden Girls (1985) made its debut. Co-starring Betty White, Rue McClanahan and Estelle Getty, the show was about the lives of three middle-aged women, and one elderly mother, (played by Getty, who was actually younger than White and Arthur), living in Miami. It was an immediate hit, running for seven seasons. All of the cast members, including Arthur, won Emmy Awards during the show's run. She left when she thought each show was at its peak. The producers realized the shows wouldn't be the same without her. In 1992, The Golden Girls (1985) was canceled. Arthur kept a low profile, appearing in only two movies: For Better or Worse (1995) and Enemies of Laughter (2000).
In 1999, Arthur made an appearance at The N.Y. Friars Club Roast of Jerry Stiller (1999). She did a one-woman stage show in 2001, for which she received a Tony Award nomination. In 2003, she reunited with Betty White and Rue McClanahan for The Golden Girls (1985) reunion special on the Lifetime Channel. Noticeably absent was supporting actress Estelle Getty, who was ill. The three lead actresses made appearances together for the rest of the decade to promote DVD releases of The Golden Girls (1985). They appeared together for the last time in 1998, at the TV Land Awards, receiving a standing ovation as they accepted the Pop Culture Award. She attended her induction into the Academy of Television Arts and Sciences Hall of Fame, with Angela Lansbury.
On April 25, 2009, at home with her family, Arthur died of cancer. She was 86. She was survived by her two sons, Matthew and Daniel, and her grandchildren, Kyra and Violet. In her will, she left $300,000 to New York's Ali Forney Center, an organization supporting homeless LGBT youths.Ashes are with family.- Actress
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A New York stage actress in the 1950s, McClanahan was plucked from the stage by Norman Lear for roles on All in the Family (1971) and later Maude (1972). For two years (1982 - 1984), she played "Aunt Fran" on Mama's Family (1983) until her character was killed off and she joined the cast of The Golden Girls (1985), in which she hit her comedic stride as a sharp tongued oversexed Southern belle.Ashes are with family.- Actress
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A brash character actress who specialized in cinema, television, and theater, Hermione Youlanda Ruby Clinton-Baddeley was born on November 13, 1906 in Broseley, Shropshire. She was the youngest of four sisters - including Angela Baddeley, also an actress - and her half-brother, Very Rev William Baddeley, was a Church of England Minister.
Not much is known about Baddeley's early life. She made her stage debut in 1918, and became popular in London stage comedies and revues prior to World War II, known for her dancing talent and natural comic ability. She memorably performed several times with Hermione Gingold. Baddeley made her film debut in 1927, with a role in the extremely obscure silent comedy A Daughter in Revolt (1927), but didn't come to attention until twenty years later, when she portrayed the affable but blowzy Ida in the film noir Brighton Rock (1948).
Known for her memorable character roles, Baddeley dabbled in such movies as Passport to Pimlico (1949), A Christmas Carol (1951), Tom Brown's Schooldays (1951), The Pickwick Papers (1952), The Belles of St. Trinian's (1954), Mary Poppins (1964), and The Unsinkable Molly Brown (1964). She was nominated for the Academy Award for Best Supporting Actress for her acid-tongued performance in Room at the Top (1958). At two minutes and thirty-two seconds, it is the shortest performance to ever be nominated for the award.
Baddeley became a household favorite for her role as irritable cockney housekeeper Mrs. Naugatuck on the '70s comedy series Maude (1972). She landed guest spots on multiple other shows, including but not limited to Hancock's Half Hour (1956), The Patty Duke Show (1963), Bewitched (1964), Night Gallery (1969), The Bionic Woman (1976), The Love Boat (1977), Charlie's Angels (1976), Wonder Woman (1975), Fantasy Island (1977), and Magnum, P.I. (1980).
Baddeley's two marriages failed, and she had a daughter, Pauline Tennant, from her first. She was in a long-term relationship with actor Laurence Harvey until he left her for Margaret Leighton, and died on August 19, 1986 at the age of 79 following a series of strokes.Ashes are interred in England.- Actress
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Tammy Faye Bakker was born on 7 March 1942 in International Falls, Minnesota, USA. She was an actress, known for The Eyes of Tammy Faye (2000), Roseanne (1988) and The Drew Carey Show (1995). She was married to Roe Messner and Jim Bakker. She died on 20 July 2007 in Loch Lloyd, Missouri, USA.Ashes are interred in a niche.- Actress
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Gloria Stuart was born on a dining room table on 4th Street in Santa Monica, California on July 4, 1910. Her early roles as a performing artist were in plays she produced in her home as a young girl. She was the star of her senior class play at Santa Monica High School in 1927. Attending the University of California, at Berkeley, she continued to perform on the stage. Stuart married and move to Carmel, where she performed in a production of "The Seagull" which was transferred to the Pasadena Playhouse in 1932. It was there that talent scouts for both Paramount and Universal saw her. In a famous dispute, the heads of the two studios flipped a coin and Universal won. She played lead roles for director James Whale, including (The Old Dark House (1932), The Invisible Man (1933) and The Kiss Before the Mirror (1933)). The hard work at the studio estranged her from her first husband (Stuart helped create the Screen Actors Guild). She played the leading lady in Roman Scandals (1933), on the set of which she met her husband Arthur Sheekman. She was dissatisfied with the roles in which she was cast at Universal and played roles in films for other studios. Ultimately, a few years after having her daughter Sylvia (named after the role she was playing when she met Sheekman), she left the cinema and sought roles on the stage in New York. In the 1940s, she opened an art furniture shop where she created decoupage lamps, tables and trays, many of which sold to stars like Judy Garland and others. Later, Stuart took up oil painting and was very prolific, showing and selling her work in New York, Los Angeles and elsewhere. Her landscapes of The Watts Towers are on permanent collection at The Los Angeles County Museum. She also took up and mastered the art of bonsai and some of her trees are on permanent collection in the Huntington Library Japanese Garden. When her husband fell ill in the 1970s (he died in 1978), she returned to acting doing a range of television series. In 1982, she returned to the screen appearing in a brief dance scene with Peter O'Toole in My Favorite Year (1982).
About this time a friend, she knew half a century earlier in Carmel, who was a master printer, re-entered her life and from him, Stuart learned the craft of fine printing. She established a printing press in her home studio called Imprenta Glorias. where she created a body of fine artist's books. Her greatest book, "Flight of Butterfly Kites" is in permanent collection at the J. Paul Getty Museum. Gloria Stuart won a Screen Actors Guild Award and an Oscar-nomination for her performance as the Old Rose in Titanic (1997). In July 2010, The Academy of Motion Picture Arts & Sciences honored Gloria Stuart with a Centennial Celebration. She was the first such honoree to be living for a centennial. At 100 years of age, she had completed her greatest artist's book with her great-granddaughter working as her apprentice and also her final appearance on film in her grandson's documentary about her, entitled Secret Life of Old Rose: The Art of Gloria Stuart (2012) when she died at home at the age of 100 on September 26, 2010.She was cremated and her ashes were scattered in the Santa Monica Bay.- Janet Flanner was born on 13 March 1892 in Indianapolis, Indiana, USA. She was a writer, known for Resurrection (1943), Camera Three (1955) and Gertrude Stein: When This You See, Remember Me (1970). She was married to William Lane Rehm. She died on 7 November 1978 in New York City, New York, USA.Natalia Danesi Murray and her ashes were scattered on the beach of Cherry Grove, Fire Island, New York.
- Natalia Murray Danesi is known for Il caso Haller (1933).Janet Flanner and her ashes were scattered on the beach of Cherry Grove, Fire Island, New York.
- Helen Rollason was born on 11 March 1956 in London, England, UK. She was married to John Rollason. She died on 9 August 1999 in Shenfield, Essex, England, UK.She was cremated upon her death.
- Elaine Kaufman was born on 10 February 1929 in Manhattan, New York City, New York, USA. She was an actress, known for Morning Glory (2010), Assaulted Nuts (1984) and Nick & Hillary (1988). She was married to Henry Ball. She died on 3 December 2010 in Manhattan, New York City, New York, USA.She was cremated and ashes were supposed to be scattered on Second Avenue in New York City.
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Whether portraying a glum, withering wallflower, a drab and dowdy housewife, a klutzy maid or a cynical gossip, eccentric character comedienne Alice Ghostley had the ability to draw laughs from the skimpiest of material with a simple fret or whine. Making a name for herself on the Tony-winning Broadway stage, her eternally forlorn looks later evolved as an amusingly familiar plain-Jane presence on TV sitcoms and in an occasional film or two during the 50s, 60s and 70s.
Alice was born in a whistle-stop railroad station in the tiny town of Eve, Missouri, where her father was employed as a telegraph operator. She grew up in various towns in the Midwest (Arkansas, Oklahoma) and began performing from the age of 5 where she was called upon to recite poetry, sing and tap-dance. Spurred on by a high school teacher, she studied drama at the University of Oklahoma but eventually left in order to pursue a career in New York with her sister Gladys.
Teaming together in an act called "The Ghostley Sisters", Alice eventually went solo and developed her own cabaret show as a singer and comedienne. She also toiled as a secretary to a music teacher in exchange for singing lessons, worked as a theater usherette in order to see free stage shows, paid her dues as a waitress, worked once for a detective agency, and even had a stint as a patch tester for a detergent company. No glamourpuss by any stretch of the imagination, she built her reputation as a singing funny lady.
The short-statured, auburn-haired entertainer received her star-making break singing the satirical ditty "The Boston Beguine" in the Broadway stage revue "New Faces of 1952", which also showcased up-and-coming stars Eartha Kitt, Carol Lawrence, Hogan's Heroes co-star Robert Clary and Paul Lynde to whom she would be invariably compared to what with their similarly comic demeanors. The film version of New Faces (1954)_ featured pretty much the same cast. She and "male counterpart" Lynde would appear together in the same films and/or TV shows over the years.
With this momentum started, she continued on Broadway with the short-lived musicals "Sandhog" (1954) featuring Jack Cassidy, "Trouble in Tahiti" (1955), "Shangri-La" (1956), again starring Jack Cassidy, and the legit comedy "Maybe Tuesday" (1958). A reliable sketch artist, she fared much better on stage in the 1960s playing a number of different characterizations in both "A Thurber Carnival" (1960), and opposite Bert Lahr in "The Beauty Part" (1962), for which she received a Tony nomination. She finally nabbed the Tony trophy as "featured actress" for her wonderful work as Mavis in the comedy play "The Sign in Sidney Brustein's Window" (1965).
By this time Alice had established herself on TV. She and good friend Kaye Ballard stole much of the proceedings as the evil stepsisters in the classic Julie Andrews version of Cinderella (1957), and she also recreated her Broadway role in a small screen adaptation of _Shangri-La (1960) (TV)_. Although it was mighty hard to take away her comedy instincts, she did appear in a TV production of "Twelfth Night" as Maria opposite Maurice Evans' Malvolio, and graced such dramatic programs as "Perry Mason" and "Naked City", as well as the film To Kill a Mockingbird (1962). She kept herself in the TV limelight as a frequent panelist on such game shows as "The Hollywood Squares" and "The Match Game".
Enjoying a number of featured roles in such lightweight comedy fare as My Six Loves (1963) with Debbie Reynolds, With Six You Get Eggroll (1968) starring Doris Day, and the Joan Rivers starrer Rabbit Test (1978), she also had a small teacher role in the popular film version of Grease (1978). Alice primarily situated herself, however, on the sitcom circuit and appeared in a number of recurring 'nervous Nellie" roles, topping it off as the painfully shy, dematerializing and accident-prone witch nanny Esmeralda in Bewitched (1964) from 1969-1972 (replacing the late Marion Lorne, who had played bumbling Aunt Clara), and as the batty friend Bernice in Designing Women (1986).
In 1978 Alice replaced Dorothy Loudon as cruel Miss Hannigan in "Annie", her last Broadway stand. Alice would play the mean-spirited scene-stealer on and off for nearly a decade in various parts of the country. Other musicals during this time included "Take Me Along", "Bye, Bye Birdie" (as the overbearing mother), and the raucous revue "Nunsense".
A series of multiple strokes ended her career come the millennium and she passed away of colon cancer on September 21, 2007. Her long-time husband of fifty years, Italian comedic actor Felice Orlandi died in 2003. The couple had no children.She was cremated and ashes are with family.- Writer
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Julia Child was born on 15 August 1912 in Pasadena, California, USA. She was a writer and director, known for The French Chef (1962), Julie & Julia (2009) and We're Back! A Dinosaur's Story (1993). She was married to Paul Child. She died on 13 August 2004 in Montecito, California, USA.She was cremated upon her death.- Charita Bauer was born on 20 December 1922 in Newark, New Jersey, USA. She was an actress, known for Guiding Light (1952), The Aldrich Family (1949) and The Cradle Will Fall (1983). She was married to Robert Stanley Crawford. She died on 28 February 1985 in New York City, New York, USA.She was cremated upon her death.
- Although Lani O'Grady retired from acting in the '80s to become a talent agent like her mother, she had long secured her place in the TV Land pantheon as Mary, the brainiac wannabe doctor in Eight Is Enough (1977)'s expansive Bradford brood. The dramedy, starring Dick Van Patten as a newspaper columnist and superdad, ran on ABC from 1977-1981. In addition to her four-year stint on the show and two late-'80s reunion specials, O'Grady racked up appearances on such other '70s tube staples as The Love Boat (1977), as well as TV movies like The Kid with the Broken Halo (1982), before leaving Hollywood.
She had been dogged by health and pill problems dating back to her Mary Bradford days. In a series of interviews in the 1990s, she admitted to having suffered panic attacks for the previous 20 years. Scores of doctors misdiagnosed her; to cope with the frequent anxiety episodes--sometimes she'd shake so badly she couldn't leave her dressing room to shoot a scene--she was fed a veritable pharmacy: Xanax, Valium and Librium. She became hooked on the pills and, eventually, alcohol, too. She went into rehab at least five times. By the mid-'90s she declared herself clean, thanks to an alternative-medicine regimen, and even went to work for her doctor as a recovery counselor. However, in 1998 she checked herself into the mental health ward of Cedars-Sinai Medical Center in Los Angeles for detox. She had become hooked on a prescription drug called Ativan. While in Cedars she claimed she was sexually battered by a medical technician and sued the hospital. The suit was pending at the time of her death.
O'Grady came from a show-biz family. Her brother, Don Grady, was an original Mouseketeer and member of another notable TV family--he played Robbie on My Three Sons (1960). Her mother, Mary Grady, was an agent who represented several child actors. Born Lanita Rose Agrati on October 2, 1954, she changed her name once she landed her "Eight Is Enough" gig. Her first professional role came at the age of 13, when she made a brief appearance in the TV western The High Chaparral (1967). She died on September 25, 2001, at her home in Valencia, CA, just a week shy of her 47th birthday.She was cremated and her ashes were scattered in Hawaii. - In a career than spanned eight decades, Thora Hird was widely-regarded as one of Britain's finest character actresses. She made over 100 films as well as starring in a host of TV comedies and, as a straight actress, excelled in the works of playwright Alan Bennett. Even in her 90s, she was working almost daily.
Born in Morecambe, Lancashire, the daughter of the manager of the local Royalty Theatre, she was carried on to the stage in a melodrama at the age of eight weeks. When old enough, she joined the Royalty's theatre company, although she kept a day job as a cashier in a grocery store. "I spent 10 years working in that grocery store", she recalled, "and I've played nearly all the customers I used to serve - maids, landladies, cleaners, forthright parents. When I'm acting, I'll do some little thing I've remembered, so simple". At the theatre, she appeared in over 500 plays and, in 1941, the comedian George Formby, on a visit to the theatre, recommended her to Michael Balcon at Ealing Film Studios. Put under contract, she first appeared in Black Sheep of Whitehall (1942) with Will Hay and a string of comedy films and dramas followed. In the same vein as the saucy seaside postcards of her Morecambe birth, Hird was usually cast as the all-seeing boarding house landlady, a gossiping neighbour or a sharp tongued mother-in-law.
In the 1950s, Hird was under contract to the Rank Organisation and was established as a major character actress. She worked with some of Britain's finest directors, including Herbert Wilcox, Lewis Gilbert and John Schlesinger but, by her own account, was not easily awed. "I've appeared in hundreds of films and television things and, in some cases, I literally mean 'appeared' around the door, that was all. Like anybody earning a living, I took most of the work that came along". She gave outstanding performances in Simon and Laura (1955) and The Entertainer (1960), opposite Laurence Olivier, but one of her best- remembered roles was that of the monstrous TV-addicted mother in A Kind of Loving (1962).
As her career progressed, she frequently returned to the stage, often in comedies, with comedians such as Arthur Askey and Harry Secombe, and, in 1964, she was memorably team with the comedian Freddie Frinton in the TV series, Meet the Wife (1963). She starred in a succession of hit TV comedies throughout the 70s and 80s but proof of her talent as a straight actress came in 1987, when she starred in Alan Bennett's Talking Heads monologue, A Creamcracker under the Settee for which she won a BAFTA award. She wrote several volumes of autobiography, including "Scene and Hird" and "Not in the Diary" and, in 1995, was the subject of a South Bank Show (ITV) monograph. One of the show's contributors, the actor Alan Bates, said of her, "Thora always had a grasp of her character immediately. She didn't have to work herself into a state to get it right. She is a naturally funny woman whose comedy is on the edge of tragedy. It's instinctive and very understanding of life itself".Her ashes were scattered at their daughter's garden in Chichester, England with her husband. - Actress
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This volatile opera diva was born Sophie Cecilia Kalos in New York City to Greek émigrés on December 2, 1923. Her father set up a pharmacy and changed the family name from Kalogeropoulos to Callas. As a child Maria studied the piano. When her parents separated (she was 14 at the time), her mother returned to Athens with Maria and her sister.
The budding singer was quickly accepted into the National Conservatoire where she was taught singing lessons by Maria Trivella. She performed her first recital within the year and in 1939 won a prize for her stage debut in the Conservatoire's production of "Cavalleria Rusticana." In 1941, the soprano dramatico d'agilita made her professional debut in "Boccaccio" with the Lyric Theatre Company. While there she made a semi-name for herself with performances of "Tosca" and "Fidelio."
Impending war led her back to the United States in 1944 where she reclaimed the name of Maria Callas. She was offered a contract from the Met which she turned down because among the three roles she was offered to sing there was Butterfly and she believed that she was too obese to sing the fragile 14 year-old Butterfly, her friends considered her to be crazy turning down the Met while she was so unknown.
Maria performed elsewhere (Chicago, etc.) before returning to Europe in the post-war years where she met Giovanni Battista Meneghini, a wealthy industrialist and avid opera fan. They married in 1949 and he immediately took control of her career. She reached her zenith at La Scala (1951-1958), also recording during that time. In 1956, she finally made her debut at the Met as "Norma" with performances of "Tosca" and "Lucia" following.
Within a couple of years her temperamental outbursts and excessive demands began to rise full force, resulting in a number of dismissals and walkouts. After meeting Greek shipping magnate Aristotle Onassis through her husband, a torrid affair erupted and her marriage ended. Maria gave up the stage in the early 1960s for the jet-set life with Onassis, but continued with occasional concerts. Despite experiencing vocal problems, she made one unforgettable comeback on stage in 1964-1965 when she toured with her personal favorites ("Norma" in Paris and "Tosca" at the Met). Weak and tired, her final curtain on stage rang down in July of 1965 in Covent Garden.
With her career over, she renounced her American citizenship and expected to marry Onassis. But their relationship was a stormy one and it eventually tapered off with Onassis instead marrying Jacqueline Kennedy in 1968. Maria was completely devastated and those around her say she never recovered. The following year she filmed an unsuccessful production of Medea (1969) and eventually set up master classes at Juilliard. In one last comeback, she attempted a European tour of recitals but her voice completely failed her. Her last public performance was on November 11, 1975.
Riddled by sadness and despair, and by now firmly addicted to sleeping pills, Maria turned reclusive in her last year and died of a heart attack in 1977 at age 53. Despite a career that flourished less than two decades, Callas must be respected as one of the more important and recognizable opera legends. She was certainly one of the most emotive and visually dramatic. What also carries her today is, of course, her grandly turbulent and tragic image -- an Édith Piaf of opera.Her ashes were stolen from the niche at Pere Lachaise Cemetery in Paris, France and were scattered in Greece.- Actress
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Gencer was born in Turkey. Her mother was from Poland and her father from Turkey. She began studying at the Istanbul Conservatory and later she took private lessons in Ankara with the famous Italian soprano Giannina Arangi-Lombardi. She later sang in the chorus of the Turkish State Opera until she made her operatic debut in Ankara in 1950 as Santuzza in Cavalleria Rusticana. Gencer made her Italian debut at the San Carlo in Naples as Santuzza (1953)and in 1962 her debut at Royal Opera House, Covent Garden with Don Carlo. She sung in the USA in 1956 in Francesca da Rimini. In 1985, she retired from the stage, however, she continued to appear in rare concerts until 1992. Recently,she appointed by La Scala to run its school for young artists. She gives master classes, as well.Her ashes were scattered in Turkey.- In 1973, Brett became a popular panelist on the television game show, "The Match Game." The Match Game (in its original version) ran on NBC's daytime lineup from 1962 to 1969. The show returned in 1973 with a significantly changed format on CBS (also in daytime). "The Match Game" became a major success, with an expanded panel, larger cash payouts, and emphasis on humor and innuendo. Brett sat on the top tier next to Charles Nelson Reilly. The repartee between the two was often quite amusing. "The Match Game" ran from 1973 to 1979. Today's audiences enjoy its reruns on Game Show Network.Her ashes were interred at a church garden in Connecticut.
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Legendary stage actress Eva Le Gallienne's life began just as grandly as the daughter of poet Richard Le Gallienne. Sarah Bernhardt was her idol growing up and, at age 18, was brought to New York by her mother. Making her London debut with "Monna Vanna" in 1914, she proved a star in every sense of the word. She appeared on Broadway first in "Liliom" in 1921 and lastly at the Biltmore Theatre in 1981 with "To Grandmother's House We Go," which won her a Tony nomination at age 82. Noted for her extreme boldness and idealism, she became a director and muse for theatre's top playwrights, a foremost translator of Henrik Ibsen, and a founder of the civic repertory movement in America. A respected stage coach, director, producer and manager over her six decades, Ms. Le Gallienne consciously devoted herself to the Art of the Theatre as opposed to the Show Business of Broadway and dedicated herself to upgrading the quality of the stage. She ran the Civic Repertory Theatre Company for 10 years (1926-1936), producing 37 plays during that time. She managed Broadway's 1100-seat Civic Repertory Theatre (more popularly known as The 14th Street Theatre) at 107 14th Street from 1926-32, which was home to her company whose actors included herself, J. Edward Bromberg, Paul Leyssac, Florida Friebus, and Leona Roberts. Her gallery of theatre portrayals would include everything from Peter Pan to Hamlet. Sadly, she almost completely avoided film and TV during her lengthy career. However, toward the end of her life, she did appear in a marvelous 1977 stage version of "The Royal Family" on TV and rendered a quietly touching performance as Ellen Burstyn's grandmother in Resurrection (1980), for which she received an Oscar nomination.Her ashes were scattered at her home in Weston, Connecticut.- Caylee Anthony was born on 9 August 2005 in Orlando, Florida, USA. She died on 16 June 2008 in Orlando, Florida, USA.Ashes are with maternal grandparents, Cindy and George Anthony of Orlando, Florida.
- Actress
- Soundtrack
A beloved, twinkly blue-eyed doyenne of stage and screen, actress Jessica Tandy's career spanned nearly six and a half decades. In that span of time, she enjoyed an amazing film renaissance at age 80, something unheard of in a town that worships youth and nubile beauty. She was born Jessie Alice Tandy in London in 1909, the daughter of Jessie Helen (Horspool), the head of a school for mentally handicapped children, and Harry Tandy, a traveling salesman. Her parents enrolled her as a teenager at the Ben Greet Academy of Acting, where she showed immediate promise. She was 16 when she made her professional bow as Sara Manderson in the play "The Manderson Girls", and was subsequently invited to join the Birmingham Repertory Theatre. Within a couple of years, Jessica was making a number of other debuts as well. Her first West End play was in "The Rumour" at the Court Theatre in 1929, her Gotham bow was in "The Matriarch" at the Longacre Theatre in 1930, and her initial film role was as a maid in The Indiscretions of Eve (1932).
Jessica married British actor Jack Hawkins in 1932 after the couple had met performing in the play "Autumn Crocus" the year before. They had one daughter, Susan, before parting ways after eight years of marriage. An unconventional beauty with slightly stern-eyed and sharp, hawkish features, she was passed over for leading lady roles in films, thereby focusing strongly on a transatlantic stage career throughout the 1930s and 1940s. She grew in stature while enacting a succession of Shakespeare's premiere ladies (Titania, Viola, Ophelia, Cordelia). At the same time, she enjoyed personal successes elsewhere in such plays as "French Without Tears", "Honour Thy Father", "Jupiter Laughs", "Anne of England" and "Portrait of a Madonna". And then she gave life to Blanche DuBois.
When Tennessee Williams' masterpiece "A Streetcar Named Desire" opened on Broadway on December 3, 1947, Jessica's name became forever associated with this entrancing Southern belle character. One of the most complex, beautifully drawn, and still sought-after femme parts of all time, she went on to win the coveted Tony award. Aside from introducing Marlon Brando to the general viewing public, "Streetcar" shot Jessica's marquee value up a thousandfold. But not in films.
While her esteemed co-stars Brando, Kim Hunter and Karl Malden were given the luxury of recreating their roles in Elia Kazan's stark, black-and-white cinematic adaptation of A Streetcar Named Desire (1951), Jessica was devastatingly bypassed. Vivien Leigh, who played the role on stage in London and had already immortalized another coy, manipulative Southern belle on celluloid (Scarlett O'Hara), was a far more marketable film celebrity at the time and was signed on to play the delusional Blanche. To be fair, Leigh was nothing less than astounding in the role and went on to deservedly win the Academy Award (along with Malden and Hunter). Jessica would exact her revenge on Hollywood in later years.
In 1942, she entered into a second marriage, with actor/producer/director Hume Cronyn, a 52-year union that produced two children, Christopher and Tandy, the latter an actor in her own right. The couple not only enjoyed great solo success, they relished performing in each other's company. A few of their resounding theatre triumphs included the "The Fourposter" (1951), "Triple Play" (1959), "Big Fish, Little Fish (1962), "Hamlet" (he played Polonius; she played Gertrude) (1963), "The Three Sisters (1963) and "A Delicate Balance." They supported together in films too, their first being The Seventh Cross (1944). In the film The Green Years (1946), Jessica, who was two years older than Cronyn, actually played his daughter! Throughout the 1950s, they built up a sturdy reputation as "America's First Couple of the Theatre."
In 1963, Jessica made an isolated film appearance in Alfred Hitchcock's classic The Birds (1963). Low on the pecking order at the time (pun intended), Hitchcock gave Jessica a noticeable secondary role, and Jessica made the most of her brittle scenes as the high-strung, overbearing mother of Rod Taylor, who witnesses horror along the California coast. It was not until the 1980s that Jessica (and Hume, to a lesser degree) experienced a mammoth comeback in Hollywood.
Alongside Hume she delighted movie audiences in such enjoyable fare as Honky Tonk Freeway (1981), The World According to Garp (1982), Cocoon (1985) and *batteries not included (1987). In 1989, however, octogenarian Jessica was handed the senior citizen role of a lifetime as the prickly Southern Jewish widow who gradually forms a trusting bond with her black chauffeur in the genteel drama Driving Miss Daisy (1989). Jessica was presented with the Oscar, Golden Globe and British Film Awards, among others, for her exceptional work in the film that also won "Best Picture". Deemed Hollywood royalty now, she was handed the cream of the crop in elderly film parts and went on to win another Oscar nomination for Fried Green Tomatoes (1991) a couple of years later.
Jessica also enjoyed some of her biggest stage hits ("Streetcar" notwithstanding) during her twilight years, earning two more Tony Awards for her exceptional work in "The Gin Game" (1977) and "Foxfire" (1982). Both co-starred her husband, Hume, and both were beautifully transferred by the couple to television. Diagnosed with ovarian cancer in 1990, Jessica bravely continued working with Emmy-winning distinction on television. She died of her illness on September 11, 1994. Her last two films, Nobody's Fool (1994) and Camilla (1994), were released posthumously.She was cremated and her ashes are with family.- Writer
- Actress
Iris Murdoch was born on 15 July 1919 in Dublin, Ireland. She was a writer and actress, known for The Italian Girl, A Severed Head (1971) and Television Theater (1953). She was married to John Bayley. She died on 8 February 1999 in Oxford, Oxfordshire, England, UK.She was cremated at Oxford Crematorium in Oxford, Oxfordshire, England and her ashes were scattered in their Rose Garden.- Diana King was born on 2 August 1918 in Buckinghamshire, England, UK. She was an actress, known for Pride and Prejudice (1967), The Scarf (1959) and Pink Floyd: The Wall (1982). She was married to John Harvey. She died on 31 July 1986 in Nettlebed, Oxfordshire, England, UK.She was cremated at Oxford Crematorium in Oxford, Oxfordshire, England.
- Phyllis Maycock was born in 1923 in Charlton-on-Otmoor, Oxfordshire, England, UK. She died in January 2005 in Charlton-on-Otmoor, Oxfordshire, England, UK.She was cremated at Oxford Crematorium in Oxford, Oxfordshire, England.
- Diana Sinden was born on 18 July 1927 in London, England, UK. She was an actress, known for The Harpist (1999), Two's Company (1975) and The Lost Boys (1978). She was married to Donald Sinden. She died on 15 September 2004 in Ashford, Kent, England, UK.Ashes are under an oak tree at the top of St. Mary the Virgin Churchyard, Chapel Bank, Ebony, Isle of Oxney, Kent, England next to her son, Jeremy Sinden. Both trees have inscribed plaques under them.