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- Episode: (2021)2018– 34mPodcast EpisodeIn this episode, Anna hears from Eva Husson and Odessa Young, the director and star of Mothering Sunday. They discuss the quiet radicalism of a period drama that tells a woman's story without the primary focus of female struggle, and how mesmerising it is to watch a female creator come into her own. Anna, Eva and Odessa also chat about the teething problems around the burgeoning role of intimacy coordinators on set, how the industry is (or isn't) changing for women, and battling grey weather and gales to make England look sunny on screen. Next, Anna speaks to the co-directors of Rebel Dykes, Harri Shanahan and Sian A. Williams. Telling the story of a community of lesbians who met in the 1980s "doing art, music, politics and sex", Rebel Dykes was recently nominated for the BIFA Discovery Award, and is a firm favourite of Girls On Film. Harri and Sian discuss the process of collecting their Rebel Dykes archive, the stories they wanted to tell (spoiler: this is definitely not "another sad lesbian film"), and the unique tone they managed to strike with Rebel Dykes - humour and queer joy at the forefront of an important documentary.
- Episode: (2021)2018– 46mPodcast EpisodeSarah Solemani joins Girls On Film to talk to us about Ridley Road, which she wrote. She shares with us how she becomes inspired by projects, and her hope that Ridley Road will "help Britain to see itself". We hear Sarah's insightful analysis about the need for increased sex workers' rights, and how her activism has influenced her creative work. Sarah also talks about the psychology of being on set, where the need to be uninhibited can leave one vulnerable. She explains how glad she is to have the structures and support systems in place that have derived from #MeToo, as well as her experience of sisterhood among cast and crew members that has developed in recent years. Top critics Leslie Felperin and Beth Webb join Anna for an overview of the London Film Festival, followed by reviews of two very different new female-directed releases: I Am Belmaya and Never Gonna Snow Again. They discuss a breadth of topics from the joy of seeing a film about female empowerment through filmmaking, to the subtleties of satire and varied portrayals of motherhood.
- 2018– 56mPodcast EpisodeWhat makes a father a feminist? We explore a range of movie dads in this episode to celebrate Father's Day in the UK. Stay tuned for some great movie recommendations, including docs, dramas, and everything in between. First up, Anna Smith is joined by Ashanti Omkar from BBC Asian Network and the Bagri Foundation London Indian Film Festival. From Bollywood fathers to debatable blockbuster dads, Anna and Ashanti consider the types of dads we see on screen. Can the supportive dad unhelpfully play into the nagging wife trope? And can we really call Liam Neeson's character in Taken a feminist?. Next up, Anna welcomes actor and father Sanjeev Bhaskar to the show. He reveals the strong female influences in his life and reflects on the powerful women he's worked with on set. He shares his thoughts on our changing access to female role models over the past few decades and is grateful for his exposure to diverse perspectives. Keep listening to find out what Sanjeev finds bizarre about his father roles in both Anita and Me and Yesterday.
- Episode: (2021)2018– 55mPodcast EpisodeWe bring you a dark comedy double bill with the women behind new releases Black Bear and I Blame Society. First, Anna welcomes seasoned guest, film and tv critic Rhianna Dhillon, to catch up on the awards season. They share their thoughts about this year's EE British Academy Film Awards winners, from Promising Young Woman to Nomadland, and place their bets for the Oscars. Are more diverse filmmakers and actors being recognised this year? Next up, actress and producer Aubrey Plaza joins Anna to talk about her role as Allison in Black Bear. This artistic comedy-drama centres an actress on a difficult film shoot in a remote location. Delving into the themes of the film, Aubrey considers the harmful myth of the 'genius' director and why it's important for actors to feel safe on set. She further describes her relationship with feminism and recalls a time she spoke up for a poorly written female character. Keep listening for an exclusive insight into Aubrey's upcoming projects. Finally, writer-director and actress Gillian Wallace Horvat tells Anna how her short doc evolved into the murder mockumentary I Blame Society. Another film-within-a-film, this funny thriller sees a struggling director decide filmmaking and killing are not so dissimilar. Gillian reveals the personal experiences that inspired her to make the film and speaks her mind on the term "strong female lead". She also reflects on how female horror directors are sometimes treated differently to their male counterparts.