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1-4 of 4
- Rossini Cuban style. A lost man finds passion again in Cuba, aided by music and the son he never met.
- What is Abel running away from? An oboe. But can an oboe be so devastating? Yes, if it is experienced as constraint and tradition, yes if you have the same name as your famous oboist grandfather, yes, if your whole orchestra is against you and you are in love with a violin player with whom you cannot express yourself. So? You turn the page and overturn your goals, opening yourself up to an adventure diametrically opposed to everything you knew.
- Lucia and Vincenzo, wife and husband, dressed in eighteenth-century clothes, leave home to drive to the Royal Palace of Caserta. On the way he stops to pee and after an argument she leaves him there, without money and phone.
- The film projects the figures of Herod and Caiaphas into a reality show. Herod, who asks questions about God, provokes visitors to the Living Nativity of Grottammare, hurling himself against everyone. In the living nativity scene, alongside the figures and the public, he experiences moments of despair, agitation and rage, until he discovers an unexpected meaning in the surreality of a story that alternates visionary and everyday life. Caifa, with his repentance, shakes the representation of the Passion of Larino. His being in the Passion takes place as an overturned way of the cross which the old priest becomes the martyr. Between drama and irony, the film tells, from the doubtful human point of view, the birth and death of Christ.