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1-18 of 18
- Marcos, a seventeen-year-old farm worker, discovers his sexuality in a hostile environment.
- Based on the remains of never-completed Argentine features from the archives of the film museum in Buenos Aires. The film is, as it were, a parallel film history: an essay like a cinematographic Frankenstein, that blows new life into images that once seemed unsuccessful and pointless.
- A powerful enclave in southern Chile known as Colonia Dignidad and the influence it continues to have on the country.
- Botanical and film archives weave together in the art of overcoming time, attempting to preserve what will become memory.
- A visual meditation on the return to the origin through the register of a solitary journey around the Arctic Circle. The transformation of the landscape through the four seasons (Spring, Summer, Autumn, Winter and Spring) and the internal connection with what you see, to allow for your own transformation. The camera becomes a tool for inquiry, not only of the surroundings but also of your own and solitary personal experience. It's the conquest of home, in the sense of striving to get to the place you belong to. It's a full cycle and the return to life, transformed and renewed. A journey towards another state of being.
- Soláas's feature debut is a vérité chronicle of final examinations at Argentina's public universities, in which students from a wide array of disciplines-botany, anatomy, astronomy, law, physics, music-prepare for, worry about, and ultimately partake in oral tests. Soláas trains her focus on a diverse and disparate group of 12 such students, capturing the intensity, nerves, and pressure bound up in their by turns dramatic and absurd experience of the examinations. A singular work of observation and pathos, The Faculties offers a thought-provoking meditation on the contemporary state of education and marks an auspicious debut for Soláas.
- After ten years of absence, Julia returns to her home town to meet her daughter Clara.
- Robert is obsessed with the idea of breaking a world record, whatever it is. Then he meets Laura; he follows her, looks for her, and they strike up a strange friendship, so he decides he wants to break that record with her.
- Mountakha is a Senegalese migrant and a newcomer in Buenos Aires. In Dakar he used to work as a truck driver and he tries to get that job in this new city as well. While working as a street vendor in the meantime, he wonders if his destiny might be related to acting. Some of his new friends have a special bond with cinema.
- There's a fictional granddaughter, Nahue, who searches for her grandfather's story.
- Petra, a teenage Quechua trap singer who escapes from her town to find her father in the big city of El Alto, who was borderline outcast years ago by her own community.
- The way in which the territory is inhabited by the indigenous cultures of the Gran Chaco generates community movements close to the forest and the river, sources of life. The government is planning a new territorial order with popular houses and the displacement of Wichi families to the new urban periphery. Ana is the architect in charge of the project. Valentino is the chief of his community and with his grandson Leonel they will try to mediate what they consider to be a new cultural outrage.
- Martín Weber photographed several people in Latin America, asking them to write their dreams on a blackboard. Decades later, he goes on a new journey in the search for the same people to give testimony of Latin America through their lives.