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- When his beloved wife disappears, a peasant with a violent past takes his machete and his daughter in his arms, and sets out on a path of revenge.
- Patricia, a prostitute accused of murder, seeks refuge in the island where is living her father Samuel, a fisherman who rejects her for being transsexual.
- Brothels are rarely seen as safe or dignifying. Yet, in a red light district of Colombia, a country torn by decades of war, there's a tiny brothel named "Tabaco y Ron," which acts as a shelter and shield for trans sex workers that work there. Through a choral portrait of the trans community that inhabits the brothel, Todas Las Flores constructs an intimate vignette of this remarkable space. Located in Santafé, Bogotá, the brothel operates in a zone that concentrates all the miseries of a bloodstained region but is also an oasis for all people desperately fleeing war.
- A Dominican woman and a Cuban man, both illegal immigrants, try to rebuild their lives in Puerto Rico.
- Walking the dark, invisible passageways hidden behind Bogotá's bright neon lights, Diana, a transgender woman becomes a crucial catalyst of the Zona Especial de Servicios de Alto Impacto (ZESAI). ZESAI is a social policy experiment intended to promote social integration by legalizing sex work within the residential neighborhood of Santa Fe.
- Mona is a beautiful, distant, mythic and mysterious island, and recently a place where migrants from Haiti and Cuba arrive. Above all it is a Caribbean treasure.
- Naia returns to the island of her childhood to confront a dark past surrounded by whale songs.
- An experimental dance company integrated by overweight dancers pay homage to Botero's work in their latest production 'More of you to love.' Omy, the lead dancer, has to deal with his low self-esteem when he's asked to perform nude while being confronted with his faith, when his wife-to-be converts. 'That Pork's Smell' is a supernatural exploration of the body and its intimate connection with spirituality.
- After having received inappropriate treatment in hospital and having suffered from the injuries caused by the episiotomy that was practised on her without her consent, the actress Iria Pinheiro starts a legal battle against the public Health System in Galicia. However, disappointed by how complex and expensive this process is, she decides to turn to theatre practice as a way to denounce what she went through. The rehearsals and the scenes from the play show how Pinheiro tells her story using parody as the driving force to make this hidden reality visible.