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1-7 of 7
- Hong Kong nihilism. December 22, a street quarrel leads to the death of a gang leader's son. Next day, he seeks revenge on his brother, a rival boss. He calls on Liu, a fixer, to import a hit man from the mainland. Lai Fu, a tough and youthful hick, arrives with a day pass. The cops, led by the morose Milo, hear about the killer; they open a full-scale Christmas Eve operation to find the warring brothers and Lai Fu. Lai Fu rescues a hooker, Dan Dan, from a sadist and asks her to help him find his way around Mongkok. By nightfall, Liu has double crossed Lai Fu, the brothers are hiding, the cops are everywhere, and Lai Fu and Dan Dan are on the run. Peace on earth, good will to all?
- Investor firm employee Pat (Karen Mok) overhear a group of girls talk about the haunting that takes place each year in their office high-rise, which leads to the deaths of nine people every time. Meanwhile, Pat's friend, computer game programmer Ken (Stephen Fung), runs into a mysterious woman covered all in white in an elevator while in the office on his first day on the job. These events precede three loosely connected stories involving Pat, Ken and other office workers' ghostly encounters in three different office divisions within the building.
- Mike, Jean, Q, and Shoot are a team of professional killers. Their boss, Uncle Lam assures them that their next assignment will be a piece of cake, but it goes awry. Uncle Lam sells Mike and company out, resulting in a bloodbath.
- Two tales of terror.
- The melancholy Candy runs the Half Mortal, a trendy bar in Hong Kong. She hires Paul; Stella, a part-time employee who's a college student in psychology, trains him. He has a gift for mixing the perfect drink to fit each customer's emotional needs. His own emotions, however, are complex: his father, an alcoholic, has died recently; he's abandoned his studies; and, although he's likes Stella, he's a tyro with women and inarticulate with her. Is alcohol the key to happiness, as Paul wonders; does it simply change peoples' personality, as Stella thinks; or, is it just there, as Candy's business sense tells her? Can Paul and Stella blend into something smooth?