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1-7 of 7
- A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. Several actors, a producer, a writer, and a production manager talk about working with Fellini. Archive footage of Fellini and others on the set plus clips from his films provide commentary and illustration for the points interviewees make. Fellini is fully in charge; actors call themselves puppets. He dismisses improvisation and calls for "availability." His sets and his films create images that look like reality but are not; we see the differences and the results.
- To alleviate overcrowding in prisons, the Ministry of the Interior has the idea of creating the home prison . The snag is that among the Klarh, a carefully selected couple, it is a big crook that is sent, instead of a harmless prisoner.
- The painter, almost 90 years old, in his home and studio, at work on a large canvas, or reflected in the discourse of collectors, friends, family, and in his own memories of artistic influences, and scenes of his life.
- Prince's disappearance left his audience in shock. Intertwined with exclusive musical tributes and unpublished documents, this in-depth portrait of the Kid from Minneapolis gives voice to those who were deeply marked by his work: recognized artists, some of the most exciting musicians on the French scene, journalists or producers who approached him, but also fans on whom he had an unlimited fascination, each one tells us about "their" Prince. Thanks to this approach, Prince, although so secret, becomes closer.